This is so beautiful! Soon to be released? 

ambientsphere

Vocals and Lyrics by Alison Skidmore.

Taken from the new album 'Never The Right Time' out on April 16th.

A film to accompany 'Hard To Tell' by Rebecca Salvadori is here https://youtu.be/0QsiviK5bGA

Never The Right Time

Hard To Tell

Andy Stott - Hard To Tell

A track from Ignatz & De Stervende Honden's 'Saturday's Den' LP

IGNATZ & DE STERVENDE HONDEN - You Can't See Me

HELM — Olympic Mess (PAN 63) 2xLP/CD/DL
Release Date: 15th June 2015
http://p-a-n.org

HELM - Olympic Mess (PAN 63)

05 Patrick Kelleher and his Cold Dead Hands - Broken Up Now

Caterina Barbieri & Kali Malone - Glory (Final Movement)

The final movement of Glory is a slowly evolving canon for two electric guitars pouring landscapes of bliss from the pythagorean region of the harmonic spectrum.

Composed at EMS in Stockholm SE 2015.
Recorded at Villa Strozzi in Florence IT 2016.

Side A from XKatedral Volume III
Edition of 100
Released on October 6th 2016

Caterina Barbieri & Kali Malone - Glory (Final Movement)

Brannten Schnüre  - Die Milchlinse. Taken from the album "Muschelsammlung" released on Enfant Terrible / Vrystaete  (Vrystaete06 / 2017).

More information and sound previews here: http://www.enfant-terrible.nl/releases/brannten-schnure-muschelsammlung/

Brannten Schnüre - Die Milchlinse

Lucrecia Dalt - Atmospheres Touch

Learn more: https://smarturl.it/rvngnl47

Taken from Anticlines.

©2018 RVNG Intl. / igetrvng.com

Anticlines (RVNGNL47 - 320 MP3)

Atmospheres Touch

Lucrecia Dalt - Atmospheres Touch

Artist: ASUNA & Jan Jelinek
Album: Signals Bulletin
Label#: Faitiche18
 
Faitiche is delighted to announce the release of a new collaboration between the Japanese sound artist ASUNA and Jan Jelinek: the album Signals Bulletin brings together joint improvisations and compositions made over a period of three years in Berlin, Kyoto and Kanazawa. ASUNA’s meandering organ drones merge with Jelinek’s pulsating synthesizer and field recording loops to create dense superclusters that span broad harmonic arcs.

-

Watching the Japanese sound artist ASUNA playing the organ, some people might be surprised. ASUNA is no virtuoso flying over the keyboard in a rage. Instead, with the calm gestures of an office worker, he cuts strips of adhesive tape to the correct length before sticking them onto the keys of his instrument. In this way, large clusters of keys are held down, creating a dense and sustained range of frequencies, while the sound artist continually prepares further sets of keys or removes tape again. I have rarely seen a more convincing performance concept, with such a power to fascinate.

I first met ASUNA when we both gave a concert at the 21st Century Museum of Contemporary Art in Kanazawa, his home city. He performed the organ drones as described above and I immediately knew I wanted to collaborate with him. Six years and five meetings later, we completed Signals Bulletin. The album includes both joint improvisations and compositions, recorded in Berlin, Kanazawa and Kyoto.

Whether using prepared organ, Casio keyboards or mechanical plastic toys, ASUNA creates rich textures of sound that barely change over long stretches of time. It is a music without breaks. For a while, I was unsure how my loops made using modular synthesizers and live sampling fitted here – until I realized the role I had to take in this duet: I would provide the rhythmically pulsating foundation over which his dense continuums could unfold.

The result is harmonically drifting superclusters that put us into a meditation-like state. It can perhaps be compared to Automatic Writing – a mode of creative expression floating somewhere between concentration and distraction. Both the structure of our pieces and our approach to our instruments allow a similar “absence”: we let the machines play and repeat themselves – while we, in a mild form of trance, adopt the role of observers, intervening only occasionally.

It is no coincidence that ASUNA owns a collection of Doodle Art – drawings jotted down during conversations or while talking on the phone. It is said that works made like this point to the unconscious and reveal pet motifs – because a doodler always inadvertently returns to his or her favourite themes. The artwork for Signals Bulletin features pictures from the collection, in this case sheets of paper from the pads provided in stationery shops to test out pens. The special quality of such doodles is that the jumble of drawings is the work of a collective whose individual members do not know each other. Layer by layer is added, by someone different each time – until it becomes a dense cluster of lines and symbols ...
Jan Jelinek, Berlin 2018

ASUNA & Jan Jelinek: Relief, Pt.1

The Sacrificial Code

Kali Malone - Litanic Cloth Wrung (from "The Sacrificial Code" iDEAL 2xLP/3xCD)

track 3 from “Frozen Passages” by @poemme
Out now!
https://poemme.bandcamp.com/album/frozen-passages

Frozen Passages

a path between the clouds

poemme - a path between the clouds

Remix album for 'Strange Parentheses', released on October 2018.
Written and Produced by Pepo Galán
Remixes by r beny, Steve Pacheco, David Cordero, José Soberanes, Eyoko, Suero, Eduardo Briganty, Erissoma, Max Würden, Alberto Lucendo, Shuta Yasukochi and Warmth
Mastering by Ian Hawgood
Photography by Alexander Kopatz
www.go70north.com
Archives61 // ArchivesCD42
Archives / 2019

Pepo Galán - In A Straight Line (Warmth Remix)

Berlin based cellist and composer Anne Müller shares a second piece, 'Drifting Circles', ahead of her long awaited debut solo album 'Heliopause'.

'Heliopause' follows several Erased Tapes releases featuring Anne, including her celebrated collaboration with Nils Frahm titled 7fingers, appearances on Ólafur Arnalds & Nils Frahm’s Collaborative Works, Nils Frahm’s All Melody and his acclaimed soundtrack for the film Victoria, Lubomyr Melnyk’s Fallen Trees, as well as the two bespoke solo pieces Walzer für Robert and Bel Tono for the label’s 5th and 10th anniversary box sets. In fact, a glance at Müller’s Discogs boasts credits on over 60 releases since she began recording in 2007.

Classically trained at Frankfurt University of Music and Performing Arts under the renowned cellist and conductor Michael Sanderling, Anne Müller performed as a cellist in many of Berlin’s symphonies for some time before choosing a different path with her music and focussing on novel approaches to classical instrumentation. A profound believer in the power of artistic collaboration, Anne’s skilled cello playing and instinctive composition became extremely sought after.

Following her work with Nils Frahm, an enduring partnership with singer-songwriter-composer Agnes Obel ensued, touring for five years together and featuring on two albums (Philharmonics and Aventine) and most recently, working with multi-instrumentalist Markus Sieber (aka Aukai) on his 2019 album Reminiscence. In between all this, Müller also co-founded the progressive live project Solo Collective along with violinist/singer Alex Stolze and pianist/conceptual artist Sebastian Reynolds, releasing Solo Collective Part One in 2017.

A solo record in every sense of the word, Müller wrote, recorded, arranged and produced Heliopause. The album is named after the boundary where the sun’s wind ceases to have influence. It is ultimately, the border of our solar system. The name struck a chord with Müller since the two voyagers sent on an exploratory mission 42 years ago, recently crossed the Heliopause, entering into interstellar space and losing power from our own sun. Müller recognised herself in this moment, not only approaching the same age, but also breaking new ground; having relied on collaborating with so many other stars and now venturing into the unknown with her first solo statement; “Heliopause marks the end of a long journey but also the start of voyages to explore strange new worlds”

Both as the closing title track and album as a whole, Heliopause crosses these physical and invisible borders throughout, sending the cello as a typically classical instrument to exciting new and uncharted territory.

· pre-order 'Heliopause' on LP/CD/DL:  idol.lnk.to/Heliopause

Heliopause

Drifting Circles

Buy LP/CD/DL

Anne Müller - Drifting Circles

opening track from "Uncoded Winds" the debut album by Gri | Gutman | Mosconi. Release date 13.12.2019

Uncoded Winds

Gri | Gutman | Mosconi - Grecale

Jet Jaguar - Storm In Lisbon

Taken from the new album "Recording"

Out now: https://shimmeringmoodsrecords.bandcamp.com/album/recording

Released January 29, 2020 

Written and recorded by Michael Upton 
Mastered by RedRedPaw 
Photos by Michael Upton

Jet Jaguar - Storm In Lisbon

Get this + the original here https://carmenvillain.bandcamp.com/

So High You're Mine (2020 Rework)

In 2019, Copenhagen based sound artist and composer Sofie Birch embarked on a trip to Colombia, taking with her a series of pre recorded synth chords and old demos of unfinished tracks. 

Over the span of the trip, she began collecting a wide array of field recordings, including bird song, Colombian instruments and jungle ambiance.

Processing her journey though music, Sofie produced a series of sound collages, initially presented as one mix and later split into two works, each of which present themselves as an audible postcard, sonically painting a diary of her journey, while encapsulating her moods and thoughts from her time spent in the South American jungle.

VAK32 | Sofie Birch - Morgenånder

VAAGNER

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