Gradients - Excerpt 002a

from KR096: GIULIO ALDINUCCI - Real 
out on october 14th 2022 as 180gr LP / tape / DL

GIULIO ALDINUCCI - Asymptotic Embrace

The piece is based on magnetospheric sounds.
Audio data courtesy of CARISMA, operated by the University of Alberta, funded by the Canadian Space Agency.
Composed on May 2014 in London.

Somehow familiar

Recording of a bat at 192 KHz played back at 1/4 speed.
Used Izotope RX to get rid of broadband noise.
Dpa 4060 AB stereo with Sonosax SX-R4

https://nl.wikipedia.org/wiki/Gewone_dwergvleermuis

Photo credit:
"Pipistrellus flight2" by Barracuda1983 - Eigen werk. Licensed under CC BY-SA 3.0 via Wikimedia Commons - https://commons.wikimedia.org/wiki/File:Pipistrellus_flight2.jpg#/media/File:Pipistrellus_flight2.jpg

Bat Echo Location - Flying Near Balcony 192 - 48Khz

Audio recording from a solo set at Destroy Vancouver XVI, April 2016.

Quadrophonic performance feat. clarinet,voice, heart beat, no-input mixer, YVR airtraffic control live stream, am/fm radio, tapes, field recordings & samples: vancouver - victoria ferry, tourists getting directions (sydney, australia), skytrain ride (vancouver, canada), rebecca bruton playing violin, crab beach at dusk (vancouver), fish frying, rolling marble, feedback - audio-documentation from a sound installation of mine, bus ride along east hastings (vancouver - on cassette).

DV is an experimental music and sound art series curated by John Brennan and Elisa Ferrari. Coalescing around improvised forms of music and sound art, DV combines a broad range of experimental music genres and sound art aesthetics and brings together international improvisers with local and national sound artists and avant-garde musicians.

Live @ Destroy Vancouver XVI

Infectious Reverb è il presente del ricordo, la nostalgia incontinente del pensare ai miei sogni e alle immagini che si muovono dentro; nel farmi albero per nascondermi dalla violenza delle mie paranoie. Questo lasciarmi perdere, non prendermi troppo sul serio, che ha poi funzionato.

Mastering Valerio Rossi Nhb
https://soundcloud.com/nhb

Everybody Leaves MST

You Make Me Feel So Dirty MST

Another Day

VacuaMoenia, dal latino “mura vuote”, è un atto sonoro identitario ed ecologico di rivoluzione dei significati profondi. La rivoluzione estetica di VacuaMoenia parte dai luoghi abbandonati dall’uomo e dal suono che essi producono: uno studio sui suoni già presenti e quelli che è possibile organizzare in loco attraverso la militanza escursionistica, la registrazione su campo e il contatto con il territorio.
VacuaMoenia inizia la sua azione nell’entroterra siciliano, andando a suonare i borghi abbandonati costruiti per popolare le aree rurali in Sicilia durante l’epoca fascista. Spinto dall’urbanesimo o dalle catastrofi naturali a dimenticare le campagne, l’uomo lascia alle sue spalle le mura che lo hanno accolto, lasciandole vuote di significato. I luoghi perdono le loro definizioni e diventano “Atmosfere”. Vacuamœnia riscopre queste atmosfere attraverso un’azione materica che propone un vuoto di natura densa, una scatola armonica. I materiali sono gli orchestrali, i percorsi e le strade sono partiture scritte sulla terra. Attraverso il tatto e gli altri sensi, ogni paesaggio sonoro diventa così luogo di suoni e strumento musicale in costruzione.

[english version]

VacuaMoenia, from the latin “Empty Walls”, is an identitary and ecological sonic act aimed at the revolution of deeper meanings. Aesthetic revolution of VacuaMoenia starts from the places abandoned by man and the way they sound: a study of existing sounds and of those ones you can organize on the spot by hiking militancy, field-recording and the contact with the territory. VacuaMoenia starts its action in the Sicilian hinterland, going to play the abandoned villages built to populate rural areas in Sicily during the Fascist period. Pushed by urbanism or nature disasters to forget the countryside, man leaves behind the walls that welcomed him, leaving them empty of meaning. Places lose their definitions and become “Atmospheres”.Vacuamœnia rediscovers these atmospheres through materic action that suggests a vacuum of dense nature, a soundbox. Materials are the musicians, paths and streets are scores written on the ground. Through touch and other senses, each soundscape thus becomes a place of sounds and a work-in-progress musical instrument.

Gradients - Excerpt 002a

VacuaMoenia.net

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