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Wolfgang Amadeus Mozart's Piano Sonata No. 17 in B-flat major, K. 570 (February 1789) is a sonata in three movements:

Allegro
Adagio
Allegretto

A typical performance takes about 18 minutes.

The adagio movement (as with the finale, in rondo form) is, in the most part, in three-part harmony.

There is an accompanying violin part of doubtful origin in many 1800 editions; the piano part is exactly the same as for piano solo. Neue Mozart Ausgabe (NMA) hold it as an addition by either André or another. Description at Mozarteum.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Piano Sonata No.17 in B-Flat Major, K. 570: II. Adagio

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The Piano Sonata No. 12 in F major by Wolfgang Amadeus Mozart, K. 332/300k, was written at the same time as the Piano Sonata, K. 330 and Piano Sonata, K. 331 (Alla turca), Mozart numbering them as a set from one to three. They were once believed to have been written in the late 1770s in Paris, but it is now thought more likely that they date from 1783, by which time Mozart had moved to Vienna.

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Some believe, however that Mozart wrote this and the other sonatas during a summer 1783 visit to Salzburg made for the purpose of introducing his wife, Constanze to his father, Leopold. All three sonatas were published in Vienna in 1784.

Adagio - The second movement is a slow movement in the key of B flat major with two halves repeated. In the autograph, the second half is essentially a repeat of its initial presentation with some minor tonal adjustments. In the earliest printed editions, however, it is considerably elaborated.

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Google Play
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MediaNet
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Groove
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Emusic
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Microsoft
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Google Play
https://play.google.com/store/music/album/Mozart_Mozart_Symphonies_Sonatas_Serenades_Concert?id=Bbrfnmsqsow4thkok67d7hr7kku&hl=en_GB

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Piano Sonata No.12 in F-Major, K. 332: II. Adagio



Wolfgang Amadeus Mozart wrote his Symphony No. 40 in G minor, KV. 550, in 1788. It is sometimes referred to as the "Great G minor symphony," to distinguish it from the "Little G minor symphony," No. 25. The two are the only extant minor key symphonies Mozart wrote.

The work is in four movements, in the usual arrangement for a classical-style symphony (fast movement, slow movement, minuet, fast movement):

Molto allegro, 2/2
Andante in E-flat major, 6/8
Menuetto. Allegretto – Trio, 3/4
Finale. Allegro assai, 2/2

The fourth movement opens with a series of rapidly ascending notes outlining the tonic triad illustrating what is commonly referred to as the Mannheim rocket.

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Orchestral samples included in this recording from the Vienna Symphonic Library.

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Symphony No.40 in G-Minor, K. 550: ‘Great’  IV. Finale, Allegro Assai

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Beethoven: Piano Sonata No. 9 In E Major, Op. 14, No. 1: II. Allegretto (Live)

Beethoven: Piano Sonata No. 9 in E Major, Op. 14, No. 1: I. Allegro (Live)

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Beethoven: Piano Sonata No. 9 in E Major, Op. 14, No. 1: I. Allegro (Live)

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