This track is from a collection of tunes from the live streamed sessions with Slamhaus. While bands or users will inspire me, every song was composed live on stream without any pre-thought melodies, progressions or beats. Watch a piece of music composed 100% in front of your eyes.

Watch this track composed lived from here: Coming Soon!

Be a part of the music making! Watch Tunesday at 2pm CT every Tuesday!
www.twitch.tv/slamhaus

Album Artwork by Chris Amhaus

Tunesday, Vol. 25

June 14th {No Fridge}

Read by Leah McLaren

A daughter’s remarkable and unflinching exploration of the unconventionally intimate relationship she shared with her mother—a brilliant and charismatic woman haunted by past trauma. 

When her daughter is eight, Leah McLaren’s mother abruptly fled her life as rural house wife in search a glamorous career in the city. In the chaotic years that follow, Cecily lurches from one apartment, job and toxic romance to the next. In a home without rules or emotional boundaries, Leah and Cecily become confidants—a state of enmeshment that suits them both. Their bond is loving but also marked by casual indifference. Cecily’s self-described parenting style of “benign neglect” is a hilarious party joke, but for her daughter it’s reality.

In Leah’s first year of high school, Cecily makes a disclosure that will forever alter their relationship: From 12 to 15, Cecily confides, she was the lover of her 45-year-old married pony club instructor. The trauma of the “Horseman,” she explains, is the reason for all her ill-conceived life choices, including marriage and motherhood itself which she now bitterly regrets.

For years after, into adulthood, Leah is haunted by the specter of the Horseman. He is the nameless darkness she observes in Cecily and worse yet, recognizes in herself. Eventually she sets out to discover truth of what became of her mother’s rapist. Leah believes she will find solace in the facts, but first she must grasp a deeper truth: That this story—her story—is not the Horseman’s after all.

A riveting and devastating portrait of mother and daughter, Where You End and I Begin explores the way intergenerational trauma is shared between women and how acts of harm can be confused with acts of love

Where You End and I Begin

Where You End and I Begin by Leah McLaren

Le 16 mars 1978, Aldo Moro est enlevé par les Brigades Rouges. Rome est un champ de mines patrouillé par la police. Après avoir fini dans un placard à balais, Giovanna Amati est enfin libérée contre rançon. Daniel Nieto échappe à un vaste coup de filet et reste en contact avec son ancienne victime. Leur relation ambiguë née dans la contrainte brutale de l'enlèvement se poursuit une fois que Giovanna a retrouvé la liberté. 

Enlèvement à l’italienne
Rome. Fin des années 1970. Daniel Nieto, un braqueur marseillais, est en cavale dans l’Italie des années de plomb où le rapt est une véritable industrie. Il devient kidnappeur et enlève la fille d’un riche industriel du cinéma. Une relation contre-nature se noue entre l’otage et son geôlier. Elle sera fatale à ce dernier.

Une série documentaire de Marine Vlahovic
Enregistrements: Août 2020 à mai 2022 - Entretiens: Marine Vlahovic - Montage : Marine Vlahovic et Sara Monimart - Réalisation : Marine Vlahovic et Samuel Hirsch - Musique originale & mixage: Samuel Hirsch - Illustration : Zaven Najjar - Production : Arte Radio

Enlèvement à l'italienne (6/7): Prends l’oseille et tire-toi

Daniel Nieto, le bourreau, et Giovanna Amati, la victime, concluent un pacte. Une tension ambigue monte entre le kidnappeur et son otage. À Pâques, Daniel Nieto commet l’irréparable. Avec le recul des années, il comprend aujourd'hui qu'une relation qu'il croyait consensuelle était en fait vécue sous la contrainte, et il la qualifie lui-même de viol. 

Enlèvement à l’italienne
Rome. Fin des années 1970. Daniel Nieto, un braqueur marseillais, est en cavale dans l’Italie des années de plomb où le rapt est une véritable industrie. Il devient kidnappeur et enlève la fille d’un riche industriel du cinéma. Une relation contre-nature se noue entre l’otage et son geôlier. Elle sera fatale à ce dernier.

Une série documentaire de Marine Vlahovic
Enregistrements: Août 2020 à mai 2022 - Entretiens: Marine Vlahovic - Montage : Marine Vlahovic et Sara Monimart - Réalisation : Marine Vlahovic et Samuel Hirsch - Musique originale & mixage: Samuel Hirsch - Illustration : Zaven Najjar - Production : Arte Radio

Enlèvement à l'italienne (5/7) : Une journée particulière

A quiet day in Calcutta, India. A moment to share from dawn to dusk - from rooster to muezzin - from storm to dance. 
Recorded May 08 - Edited and mixed by Samuel Hirsch - Directed by Nicolas Ronjat - Download : http://www.arteradio.com/son/250800/india_song/
Jour tranquille à Calcutta, Inde. De l'aube au crépuscule, du coq au muezzin, de l'orage à la danse.

India Song

EA SPORTS 2014 FIFA World Cup Brazil - EA SPORTS Radio - Men In Blazers - Opening - Group Stage

A tiny radio show about design, architecture & the 99% invisible activity that shapes our world.

99% Invisible-15- Sounds of the Artificial World

Dr Ben Hardy, Research Associate in Neuroscience, Endocrinology & Finance, says morale is related to performance. Workers with high morale believe they that they work harder, longer and communicate more effectively. Low morale can produce the reverse but not in all circumstances. An individual's professional approach may drive them irrespective of their feelings.

Don't worry be happy!

Qais Essar pays a visit to Global Grooves on Radio Boise for a live Treefort 2018 in-studio performance. Hosted by Brian Boru.

More about Qais Essar:
https://www.treefortmusicfest.com/lineup/#2018-8306471

http://qaisessar.com/

https://soundcloud.com/qaisessar

https://www.facebook.com/qaisessar/

https://twitter.com/q_essar

Enrique & Jennifer Lopez - Mouth To Mouth

Vaibhav Tervankar

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