Techno (Tresor, Berghain, HardWax) playlist curated by Florian Meindl - part 2

Hamadryas Amphinome

2 Hamadryas Amphinome

I was dancing when I was out, I was dancing when I was in. Is it strange to dance so late? Is it strange to dance so soon? Cosmic dancers always ball. Dancing with themselves, dancing space away. Right into the smallest hole a human brain can create: the inner cosmos, a psychedelic region, where time gets space and space turns to haze.

Berlin based producer TM Solver is such a kind of cosmic dancer. He has danced late. And so soon. Since 2008 he released yearly one, sometimes two albums via the German Berlin School dedicated label Syngate and its experimental subdivision Luna. Intensely meandering synthesizer journey music, that is pirouetting on inner universes, genuinely crafted in the tradition of Berlin School and Krautrock. You can catch the unearthly nuances of Can and the spaciously swinging psychedelic corners of Amon Dül, Embryo, Tangerine Dream, or Klaus Schulze. As TM Solver has been a lover of analog synthesizers for almost 30 years, all pulsates on analogue sound orbs under the zigzagging guidance of machines like Moog Prodegy, Korg MS20 and GRP A4, as well as state-of-the-art systems as ASM Hydrasynth and Korg Wavestate. When he got in touch with the Berlin club scene and all its propelling grooves in 2006, a new rhythmic universe joined his vast musical space of sound latitudes. “Tinkering around with sound structures is my thing. Leading the listener into a combination of music and sound spaces.“ he reveals on his emotive musical art. How affecting it works, is now displayed with four epic compositions for R.i.O., Berlin Wedding’s label of novel ways for caved rhythmic patterns. Grooving between 90 to 240 BPM, they offer a vast variety of emotional landscapes, slowing down, rolling up, drifting into genuinely layered tonality magic. Headspace music for vigilant wanderers. Utterly psychedelic and yet so clear. His R.i.O. debut “Subtraktiv Additiv“ comes with five additional remixes, fashioned by R.i.O. conspirator Benedikt Frey, Amsterdam based DJ and producer Mayo, “Die Orakel” magician O-Wells from Frankfurt, Siamese Twin Records co-runner Sunju Hargun, and the versatile club and beyond production duo Red Axes. They all respect TM Solver’s analogue zones and pitch them into the 115 to 130 BPM districts, while transcending his absorbing synth compositions into the world of nervous acid-laden ambient, slow-mo techno, industrial bass, post-trance, and all that hallucinogenic echo house. Nine subtle energy vibrations, epic and full of countless facets, shaped to turn on, tune in, and drop out.

Released on @riolabel

Subtraktiv Additiv (RIO10)

TM Solver – Subtraktiv Additiv

Bandcamp

TM Solver - Echo Line (Sunju Hargun's River Ganga Ambient Flow Dub)

Taken from: VC-118A - Waves of Change - Delsin Records - 157dsr

buy vinyl: https://www.delsinrecords.com/release/7731/vc-118a/waves-of-change
buy digital: https://chaindata.bandcamp.com/album/waves-of-change

On his fifth album as VC-118A, Samuel van Dijk (@mohlao) is using his evolved electro practice to explore the notion of change - a universal constant which keeps us barrelling towards unknown futures.

With 2021’s Spiritual Machines, van Dijk presented a new approach which took his established (and celebrated) sound into downtempo and experimental pastures. Now the Dutch artist builds on that premise with a clear-sighted focus on the idea of change, as forces and factors in our present moment accelerate the states of flux within our lives.

Crooked machine rhythms remain the driving force behind VC-118A, but it’s the treatment of the drums and the richly developed layers around them which tell the story. The sources are largely analogue, from a trusted bank of outboard tools ranging from 606s and 101s to ample modern and vintage effects and various modular systems, but these sounds are carefully sequenced and shaped with digital processes to create the nuanced tones and textures which envelop Waves of Change. Crucial to the spatial immersion of the album is the subtle drop in tempo, widening the rhythms and leaving room for the atmospheric sound design to have a greater impact.

The fluid synthesis and sound design which permeates tracks like ‘The Deep’, ‘You’ and ‘Replace Image’ might well be considered a sonic metaphor for the ever-shifting state of the universe, while the reliably crisp rhythmic structures applied to the likes of ‘Heat’, ‘Club’ and ’Elektri’ have a metronomic quality as steadfast as time itself.

It’s the extended immersion of ‘Motherboard’ which offers the most complete summation of the album’s qualities at the midway point, coursing through subtly vivid soundscapes guided by elegant, constantly probing drums. The snatches of voices which emerge through the mix are those of van Dijk’s parents, sampled from a discovered box of tapes from the mid-80s when they were both sound artists. Thematically, the samples also embody the sense of change van Dijk was striving for making this album, capturing a moment in time for his now-separated parents when their lives were very different.

Balancing the disciplines of machine-powered sequencing and hand-shaped sound to render his ideas in sonic form, the continued evolution of VC-118A results in another mesmerising record steeped in craft and loaded with intention.

Buy @ Delsin Shop

VC-118A - You (taken from 'Waves of Change' 157dsr)

.VRIL’s first EP for Kynant Records explores his trademark style of euphoric dub techno, whilst also diving deeper with spoken-word pieces in collaboration with two critical thinkers in the world of soundsystem culture and experimental music: Edward George and Isis Semaj-Hall AKA Riddim Writer. Acclaimed Dutch techno artist Steve Rachmad also dons his Parallel 9 alias for a remix. 

Written & Produced by .VRIL
Additional Production on B2 by Steve Rachmad
Vocals on A3 by Edward George
Vocals on B3 by Isis Semaj-Hall
Artwork by Irakli Kedia, Layout by Grant Gibson 
Distributed by N.E.W.S

A2 VRIL - Bruch Im Nullpunkt

Galaxy At Large

On June 27, 2025, a long-dormant signal reactivates from Hamburg's hidden places: Helena Hauff and F#X return as Black Sites with R4 on Tresor Records—their first full-length album and the first release under the moniker since 2014. Like a hieroglyphic recently discovered and translated, R4 feels more like a long-awaited resumption than a comeback.

Recorded to tape with minimal editing or post-production the record is a classic example of the symbiotic relationship that can come from the interaction of human and machine. This punk ethos isn't invoked through distortion alone, but through method; in the album's breaking from the received wisdom of hardness tethered to speed as most of the tougher pieces are lower BPM and vice versa (with one notable exception in the mind-melting stomp of BLOKK).

Across ten tracks, Black Sites traverse a landscape where genre dissolves into intention. It migrates through electro's danceability, acid house's corrosion, and into the liminal realm of machine funk—a genre coined by Andrew Weatherall, which sounds like the results of technology dreaming of soul where the emphasis is on live execution, on immediacy over perfection—a sound forged in the act of creating, not polishing.

In a 2013 interview, around the time of the first Black Sites EP, Hauff was quoted as saying that she wants "things to fit together properly, but on another level, I really want them to make sense together." That principle animates R4: The album's form reveals itself in time, with each movement echoing and amplifying the others to create a synergistic whole.

From the opening crawl of C4 (a name that like the music foreshadows the explosions to come) to the end-of-the-night bliss of MOTHERJAM via the intense peaks of BLOKK, 707, and classic acid track 3D it's clear that R4 is a work made with serious intent; a refutation of a world where streaming has made the two-minute single the dominant musical form again. R4 demands immersion, not just attention. It is not a collection of tracks, but a singular, recursive experience: a mirror in which sound and listener repeatedly rediscover one another.

BANDCAMP

Black Sites - 3D

jammin

DESIRE!

@CharlesFenckler | Stellar Acid (inc @francoisx Remix)
[SOMA471D]

1. Stellar Acid
2. Stellar Acid (Francois X Remix)

Charles Fenckler delivers the first single to be taken from his debut album Diving From The Void, the furious Stellar Acid, backed by a formidable remix from fellow countryman, Francois X. 

Classic rave vibes are the order of the day on Fenckler’s original track as the notorious sound of the 303 wreaks havoc, peaking and resonating intensely as straight up percussion and ominous pads provide the backbone to this dance floor burner. Concrete resident and D3MENTED label boss Francois X steps up with a very clever remix which utilises small elements from the acid line and pads to create and entirely new monster complete with it’s own pumped up drum workout.

Mastered by Conor Dalton @ Glowcast Mastering

Stellar Acid EP

Stellar Acid

Charles Fenckler - Stellar Acid (Soma 471d)

Digital: aquaregiarecords.com/aqr006 or Beatport
Vinyl: aquaregiarecords.com/shop

@747 - Aurora Centralis EP
A1: Aurora Centralis
A2: Tenke
B1: Night Passage

Aurora Centralis EP

Buy Vinyl

747 - Aurora Centralis - AQR006

Reductions 1995–1997

Reduce, Pt. 2

One Step Ahead EP

Moebius (Original Mix)

Pressurize

Bipolar

Off-hand version made with love. Backdrop Approved! Taken from his LP "Before the light".
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Support the original work here :  https://alanbackdrop.bandcamp.com/album/before-the-light
____
DOWNLOAD : https://bit.ly/3g7Qbwy

Alan Backdrop - Ecor (Daniel[i] off-hand Whisp) // Free download

YOUR TRANSPARENT EYES EP
Label: Attic Music
Catalog#: AM 006
Format: Vinyl, 12"
Country: Italy
Released: 13 Sep 2010
Genre: Electronic
Style: Techno, Ambient 

Reduce, Pt. 2

Vainqueur

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