Reworked samples based on a paper's rip sounds recorded during a home restilying. To rip off is felt here like a liberatory act to overcome a trauma of change in life. Scraping off, seeking what's underneath.

Campioni rielaborati basati su suoni di strappo di carta registrati durante un home restilying . Strappare è sentito qui come un atto liberatorio per superare un trauma di cambiamento nella vita. Raschiare via, alla ricerca di ciò che è sotto.

Strappi

Eloïse Lem est entrée en résidence avec une idée en tête : trouver, dans les documents d’archives qui datent de la traite esclavagiste à Bayonne, des représentations de corps des personnes esclavagisées. La réalité de ce qu’elle trouve au pôle départemental des archives de Bayonne va la pousser à repenser son processus de travail, pour trouver d’autres façons de nourrir ses recherches et sa pratique artistique. 

✽ ✱ ✹

Astéries* podcast est une série originale en trois épisodes revenant sur l'expérience de résidence des trois artistes en résidence à Bayonne, Bordeaux et La Rochelle en 2022 : Eloïse Lem, Elsa Prudent et Seumboy Vrainom :€. 

Ce podcast est produit par Amélie Pascutto. Astéries* a été pensé par les commissaires Emma Blanchard, Juliette Dassieu et Samuel Biteau. 

Un grand merci à : 
📻 Amelie Pascutto pour son travail d’enregistrement et d’écriture,
🎤 à Jérémy Raffet pour nous avoir prêté sa voix
🎶 à Loïc Lambert de Celestial Sounds Studio pour la composition de la musique originale du podcast
🖤 Merci enfin aux artistes et aux partenaires du projet de nous avoir laissé recueillir leur voix.

Astéries* podcast •• épisode 1, Eloïse Lem à Bayonne.

Il “mondo reale” di Ron Mueck e Alex Cerveny, un concetto indefinibile.

Mondo Reale - Ep.1 - Mondo

What you are listening to is an overlapping of four different recordings of the same sequence of the eleven Aitake cluster chords used in the traditional Gagaku music. The sequence of the Aitake is played twice and backward from the highest root (hi) to the lowest (kotsu).
Each chord is played when the resonance of the previous one disappears.
As the chords get lower, the decay process gets slower.
Different touch and hearing are therefore indeterminate factors causing the desired out-of syncness.
This process is meant to create unexpected harmonic and rhythmic divergences playing with the textural density of the sound in between the chords, that leads to the japanese concept of "ma" in the title: 
"MA is the unit consisting of a single sound and its lingering ‘after sound’, considered an introduction to the next sound”.

Aitake Ma

I wish this track will be as soothing as valeriana for all your struggles in life,
Moog and moog combined with moog, yeah, moog is good fellow, let me know what you think in the comments 🥶🥶🥶

Valeriana Before Upcoming Life

Look, I'm Dead

Resampled audio recordings from an abandoned orphanage located in Italy

Bastarderia

"Ad ogni alito 
la farfalla si posa
sul salice!"

Matsuo Bashō 

111 haiku #progettobasho è un'idea di Mirtillo Bianco (Giulia Ceccarani e Valerio Belloni)

Haiku n.8

In Viaggio Attraverso I Segmenti #12

Synthetic Needs - Memero


1. 20180602-2 02:30
2. 170322-MMR_001 01:28
3. NEWENIO 01:40


This release is against the injection of ignorance in our lifes.


Music and artwork by Memero (memero.org)
Released in June 2018, Berlin (Germany)
Closebrace M Openbrace [CMOd-21]



Ultra limited Business card CD with custom DIY stickers
https://memero.bandcamp.com/album/synthetic-needs


http://www.memero.org
http://www.closebrace-m-openbrace.com

20180602-2

The idea of "DEAD PIANO" was born from the intention of using the sound of the piano in a different context, compared to what we are used to listen. Can this instrument become a different 'sound generator'? Beyond what has been done in the past, when many composers used a 'prepared piano', where they placed microphones near the strings, or pieces of metal that generated particular sounds resonating with the strings, the most recent technology offers many tools to manipulate that same sound, so well-known and unmistakable, and transform it into something quite different. Therefore it is possible for the piano to become a generator of percussive sounds, pads and drones, creating a sound palette that is reconciled with other sound sources becoming a cohesive and intriguing whole. The piano sounds manipulated by ANDREA BELLUCCI, are perfectly integrated with the atmospheres generated by CRISTIANO DEISON's machines, creating 'sonic landscapes' which complement each other. Not only melody then, where the piano can be considered 'the instrument' par excellence, but also the search for atmospheres and environments that can involve the listener, perhaps giving unexpected emotions. DEAD PIANO is a project by ANDREA BELLUCCI and DEISON.
Available here : http://store.silentes.it/catalogue/standa1806.htm

Aitake Ma

Valerio Belloni

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