Here's something I found deep in my WIP folder. A previously unreleased version of Stobgopper (from my first EP) that I made between the Whoop EP and CRY. It was probably intended to be on my scrapped Second album (literally called "Second") that eventually became CRY instead. 

The third album is coming,  I've already decided on the name and I have a bunch of songs in various stages of completion. However I'm also currently working on two video game soundtracks and they will have to take priority right now.

If you want to keep up with me and what I'm doing I suggest following me on twitter, that's the place where I'm most active! https://twitter.com/KnasibasMusic

ST0BG0PP3R (2016)

Ok, for real this time. It's been a while since I put up a new standalone song that's not from a video game soundtrack. My next album will be called "Video Game Reference" and while it's not done yet I intend to release it this year of our lord 2022.

Website: https://www.knasibas.com/

Spotify: http://spoti.fi/2FIVIWY
Bandcamp: https://knasibas.bandcamp.com/

Facebook: https://www.facebook.com/knasibas/
Twitter: https://twitter.com/Knasibas
Instagram: https://www.instagram.com/knasibas/

FLOURISH

Stream BGM for BuffPup: https://www.twitch.tv/buffpup

LOVE FM MUSIC!!!!!!!!!!!!!!!!!!!!

Commission inquiries here: https://commandycan.carrd.co/
https://twitter.com/commandycan
DM or email for further details!

Thank you for listening!!

ACIDTRACKSTAR (BuffPup VTuber BGM)

"Arrival" is a new-age track meant to act as a prelude to GENESIS, and it is heavily inspired by the new-age music I have listened to over the last few years. I recorded the ambience in the background of the track myself on a hiking trail, and I let myself move freely between chords whilst drawing the music back in with melodic structure from time to time. Whilst this track is certainly free of structure, there are elements that are representative of my musical style within the graceful melody. I had a lot of fun writing this track, and I hope that you enjoy listening to it as well.

GENESIS

Arrival

Fantasia IV (for bass trombone & piano)
Jim Markey, bass trombone
Víctor Cheng, piano
Premiered at the Glenn Gould School of Music
Toronto, Ontario, Canada

Sheet music available now:
https://murphymusicpress.com/products/b-216


Thank you to the following consortium members for making this work possible:

James Markey, Boston Symphony Orchestra (lead commissioner)
Christopher Bassett, Jacksonville Symphony Orchestra
Blair Bollinger, Philadelphia Orchestra
Zachary Bond, Hong Kong Academy of Performing Arts
Dennis Bubert, Fort Worth Symphony Orchestra
George Curran, New York Philharmonic
Jeff Dee, Pittsburgh Symphony Orchestra
David Hagee, United States Navy Band
Brian Hecht, Dallas Symphony Orchestra
Rudi Hoehn, Santa Barbara Symphony
Gabe Langfur, Vermont Symphony Orchestra
Ilan Morgenstern, Vancouver Symphony Orchestra
Felix Padilla, West Point Band
Gerry Pagano, St. Louis Symphony Orchestra
Paul Pollard, Metropolitan Opera Orchestra
Adam Rainey, Kansas City Symphony
Nick Schwartz, New York City Ballet

Fantasia IV - Jim Markey, Víctor Cheng [Live Performance, Toronto, Canada]

never ever make a friend
never ever trust a world
never ever be nice
never ever enjoy
never ever love
never ever wish to live

\wake.up\wake.up\wake.up\

Arrival

VallaStudios

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