"The Songs To Chill To mix is a small collection of electronic, ambient, chillhop and jazzhop sounds perfect for when... you just can't be bothered to do anything."

read the post at https://www.stereofox.com/stereofox-mix-songs-to-chill-to-vol-11/

01. potsu (@potsupotsu) - "im closing my eyes" (feat. shiloh)
02. elijah who (@elijahwho) - "soy latte"
03. idealism (@idealismus) - "both of us"
04. Philanthrope (@philanthrope1) - "The End" ft @fujitsuu1
05. AJMW (@ajmwsounds) - "Higher"
06. j'san (@iamjsan) - "rest & be thankful" [w/ I eat Plants for a living (@vegandude1111)]
07. sugi.wa (@sugiwa) - "just.friends"

Chill Spotify playlist

Mix: Songs To Chill To vol. 11

Amy Cooper (Sto:lo, Ts’elxwéyeqw First Peoples, Th’ewá:li First Nation) (b. n.d., Th’ewá:li; d. 1975)
Totewelem si:tel (Knitting Basket), before 1934
cedar root, grass, cherry bark, dye
Image Courtesy of the Museum of Anthropology, The University of British Columbia, Vancouver, Canada

We have done our best to pronounce all names accurately, however if we have missed the mark please let us know aconery@vanartgallery.bc.ca

In this playlist you will find all the audio stops for this exhibition on at the Vancouver Art Gallery from December 7, 2019 to June 28, 2020. Drawn primarily from the Vancouver Art Gallery’s collection, Rapture, Rhythm and the Tree of Life: Emily Carr and Her Female Contemporaries focuses on artwork from the first half of the twentieth century by women artists based in British Columbia, and presents an expanded account of the context in which modernism developed on the Canadian West Coast during the early to mid-1900s.

Born in Victoria, BC, Emily Carr (1871–1945) is widely recognized for her paintings of forested British Columbian landscapes that investigate the shapes, colours and rhythmic changes in nature. In this exhibition, Carr’s images of the forest and the coast will be presented alongside work by some of her lesser-known female contemporaries—including Unity Bainbridge, Beatrice Lennie, Nan Lawson Cheney, Irene Hoffar Reid, Grace Wilson Melvin and Vera Weatherbie—together with baskets, cedar hats and cradle boards made at this time by Indigenous women—such as Amy Cooper, Mary Little and Gertrude Dick.

Organized by the Vancouver Art Gallery and curated by Grant Arnold, Audain Curator of British Columbia Art

Amy Cooper, Totewelem Sitel (Knitting Basket), Before 1934

Founded in 1931, the Vancouver Art Gallery is recognized as one of North America’s most respected and innovative visual arts institutions. The Gallery’s innovative ground-breaking exhibitions, extensive public programs and emphasis on advancing scholarship all focus on the historical and contemporary art of British Columbia and international centres, with special attention to the accomplishments of First Nations artists and the art of the Asia Pacific region­—through the Institute of Asian Art founded in 2014. The Gallery’s programs also explore the impacts of images in the larger sphere of visual culture, design and architecture.

The Vancouver Art Gallery is a not-for-profit organization supported by its members, individual donors, corporate funders, foundations, the City of Vancouver, the Province of British Columbia through the British Columbia Arts Council, and the Canada Council for the Arts. We thank everyone for their continuing support.

The Vancouver Art Gallery is situated on the traditional, ancestral and unceded territories of the xʷməθkʷəy̓əm (Musqueam), the Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) peoples, and is respectful of the Indigenous stewards of the land it occupies, whose rich cultures are fundamental to artistic life in Vancouver and to the work of the Gallery.

Amy Cooper, Totewelem Sitel (Knitting Basket), Before 1934

Vancouver Art Gallery

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