"The Songs To Chill To mix is a small collection of electronic, ambient, chillhop and jazzhop sounds perfect for when... you just can't be bothered to do anything."

read the post at https://www.stereofox.com/stereofox-mix-songs-to-chill-to-vol-11/

01. potsu (@potsupotsu) - "im closing my eyes" (feat. shiloh)
02. elijah who (@elijahwho) - "soy latte"
03. idealism (@idealismus) - "both of us"
04. Philanthrope (@philanthrope1) - "The End" ft @fujitsuu1
05. AJMW (@ajmwsounds) - "Higher"
06. j'san (@iamjsan) - "rest & be thankful" [w/ I eat Plants for a living (@vegandude1111)]
07. sugi.wa (@sugiwa) - "just.friends"

Chill Spotify playlist

Mix: Songs To Chill To vol. 11

In this audio Tarah Hogue, Senior Curatorial Fellow of Indigenous Art at the Vancouver Art, describes one room within her exhibition "lineages and land bases" (06.15.20-08.30.20). This room which sits at the center of both the exhibition and its themes, exhibits the creative work of Emily Carr and Sewiṉchelwet Sophie Frank,  who were friends for 33-years.

In 1906, Sewiṉchelwet (Sophie Frank) (1872–1939), a woman from the Sḵwx̱wú7mesh Úxwumixw (Squamish Nation), knocked on the door of Emily Carr’s (1871–1945) Vancouver home, offering her baskets for barter or sale as a modest livelihood within the city’s burgeoning settler economy. Both Carr and Frank were born and raised in this region, they both had creative practices tied to its lands and waters and they were close contemporaries, yet their realities and their interactions with each other were profoundly shaped by the inequalities produced by colonialism, which Hogue explores in this audio.

Historical Contexts of Emily Carr and Sewiṉchelwet Sophie Frank, by Curator Tarah Hogue

Founded in 1931, the Vancouver Art Gallery is recognized as one of North America’s most respected and innovative visual arts institutions. The Gallery’s innovative ground-breaking exhibitions, extensive public programs and emphasis on advancing scholarship all focus on the historical and contemporary art of British Columbia and international centres, with special attention to the accomplishments of First Nations artists and the art of the Asia Pacific region­—through the Institute of Asian Art founded in 2014. The Gallery’s programs also explore the impacts of images in the larger sphere of visual culture, design and architecture.

The Vancouver Art Gallery is a not-for-profit organization supported by its members, individual donors, corporate funders, foundations, the City of Vancouver, the Province of British Columbia through the British Columbia Arts Council, and the Canada Council for the Arts. We thank everyone for their continuing support.

The Vancouver Art Gallery is situated on the traditional, ancestral and unceded territories of the xʷməθkʷəy̓əm (Musqueam), the Sḵwx̱wú7mesh (Squamish) and səl̓ilwətaɁɬ (Tsleil-Waututh) peoples, and is respectful of the Indigenous stewards of the land it occupies, whose rich cultures are fundamental to artistic life in Vancouver and to the work of the Gallery.

Historical Contexts of Emily Carr and Sewiṉchelwet Sophie Frank, by Curator Tarah Hogue

Vancouver Art Gallery

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