This track is from the album Monologues and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/vandanavishwas2

Kaash - 2 (I Wish)

Contrasting the solemn tone of 'Kundaliyaan - 1' (Track #4), 'Kundaliyaan – 2' ventures into new territory. Stepping away from her customary repertoire of philosophical Raags, Vandana embraces the ever-popular and enchanting Raag 'Yaman.' Characterized by its augmented 4th note, this Raag is synonymous with romantic melodies. However, Vandana orchestrates a masterful musical juxtaposition by employing this captivating melody to convey the second set of Kabeer's thought-provoking Kundaliyaan. Once again, Vandana's musical craftsmanship shines as she intertwines the threads of Kabeer's poetic essence, creating a captivating interplay that reveals one profound truth after another. 

Prepare to immerse yourself in the renowned Kundaliyaan of Kabeer, this time adorned by a simpler melody, while retaining the distinct musical arrangement that defined the preceding set—a testament to Vandana's unwavering experimental spirit. Embrace the journey as Kabeer's wisdom resounds through Vandana's creative lens, harmonizing with the vibrant notes of 'Raag Yaman.' Experience the profound simplicity of these verses as they weave a tapestry of insight, enriched by Vandana's innovative musical vision—a fitting homage to both artists' enduring legacies.

Kabeera - The Thinker...

Kundaliyaan - 2

Featuring Another serene melody by her childhood mentor  Mr. Dilip Kumar Gandhe, "Rehna Nahi" resonates with profound significance, encapsulating the ephemeral and spontaneous nature of existence. Kabeer Das imparts his message through the resolute statement, "Rehna Nahi Des Birana Hai," signifying the transience of our earthly sojourn—urging us not to cling but to embrace the inevitable journey onward. With vivid analogies, Kabeer likens the world to a forest consumed by wildfire, destined to turn to ashes in due time, and likens it to a piece of paper dissolving upon water's touch, evoking its imminent dissolution.

Vandana's interpretation of this timeless piece not only showcases her own artistic prowess but also pays homage to the ethereal work of her mentor. She weaves her unique touch into the beautiful melody, enhancing it with a captivatingly looped musical arrangement—a bond that seamlessly ties the evocative poetry to its enchanting melody. The result is an immersive auditory experience that invites you to embark on a breathtaking vocal journey, guided by Vandana's artistic sensibilities.

In "Rehna Nahi," the convergence of Kabeer's profound verses and Vandana's melodic expertise forms a tapestry of emotion and reflection. As you listen, you'll witness the symbiotic connection between these two artists and the transformation of Vandana's musical wizardry, all while being transported on a captivating vocal flight.

Rehna Nahi

Embedded within Vandana's musical psyche lie some cherished pieces from her childhood - melodies composed by her mentor, Mr. Dilip Kumar Gandhe, for her All India Radio performances. 

As a tribute to Mr. Gandhe's invaluable contribution to her artistic voyage, Vandana consistently honours his legacy by including at least one of his compositions in her albums, and this album is no exception. "Sadho So Satguru" unveils an exquisite gem from Vandana's All India Radio era, composed by Mr. Gandhe. This piece offers a rare insight into the formative elements that laid the foundation for Vandana's exceptional compositions—a glimpse into the very essence of her musical creativity that continues to captivate us today. Within this lyrical masterpiece, Kabeer's declares "Sadho, So Satguru Mohe Bhave...", meaning 'I crave for that guru who...' and then proceeds to enumerate the qualities, detailing the traits that characterize an ideal Guru, that range from the ability to infuse disciples with love and truth to demonstrating that pleasure and misery are two faces of the same coin —a profound insight into life's duality. 

Vandana elevates her Guru's musical treasure with her signature loopy arrangement and soulful alaaps, creating a musical atmosphere that resonates deeply. This rendition is a testament to the profound connection she shared with her mentor, as well as a testament to her growth as an artist. In "Sadho So Satguru," the confluence of Kabeer's poignant verses and Vandana's musical interpretation construct an intricate tapestry. This composition is not merely a piece of art but also a journey into the foundational elements of Vandana's artistic journey. Through her musical expression, she paints a vivid portrait of her admiration for her Guru's wisdom and insight, inviting us to appreciate the timeless connection between teacher and disciple.

Sadho So Satguru

Within the corpus of Kabeer Das's works, there lies a truly uncommon and exceptionally rare gem— "Tadpe Bin Balam." Diverging from his typical exploration of universal themes and philosophical concepts, this poem delves into the realm of romantic longing and impatience. Here, an ardent devotee passionately yearns to be in the presence of the divine, akin to the poetic fervor exhibited in Meera Bai's verses dedicated to Krishna.

In this unique creation, Kabeer's voice resonates with the fervent emotion of a devoted soul, eager to unite with the divine. The poem's essence is reminiscent of Meera Bai's poetic expressions, portraying an intimate bond between the devotee and the almighty.

Vandana, through her artistic prowess, brings this rare poetic treasure to life in a mesmerizing melody. Her haunting vocals encapsulate the very essence of the poem's mood, embracing its depth and emotional resonance.
Immerse yourself in the magic of "Tadpe Bin Balam," where romantic yearning intertwines with devotion, captured by Vandana's haunting voice. This is an opportunity to relish a side of Kabeer that seldom emerges—a glimpse into the range and diversity of his poetic mastery, beautifully honored by Vandana's evocative rendition.

Tadpe Bin Balam

In Hindi poetry, the term 'Kundaliyaan' takes its plural form from 'Kundali'—a poetic genre characterized by its intricate structure that artfully divides its essence: while the first segment introduces the theme, the subsequent segment delves into elaboration. However, the first verse of second segment must begin with the second verse of the opening segment. 

Kabeer Das, throughout his life, wove numerous Kundaliyaan, each encapsulating a universal verity about existence. To encapsulate the entirety of Kabeer's legacy in this form would be a formidable endeavor, potentially spanning multiple full-length music albums. In light of this, Vandana has undertaken a meticulous curation, selecting eight of Kabeer's most resonant and potent Kundaliyaan. These selections have been transformed into two distinct compositions : 'Kundaliyaan – 1' and 'Kundaliyaan – 2'—each capturing the essence of Kabeer's insights.

In the enchanting tapestry of 'Kundaliyaan – 1', Vandana draws upon her soulful connection with the Raag 'Ahir Bhairav', intertwining Kabeer's poetic threads with finesse. These threads intertwine, gradually unraveling profound truths that cascade one after another. Brace yourself to plunge into the labyrinthine beauty of Kabeer's eloquence, harmonized by a tranquil melody and an unforeseen musical arrangement—a hallmark of Vandana's musical virtuosity.

Embark on a journey that unveils the timeless wisdom within Kabeer's circular poetry, enveloped by Vandana's melodic mastery. Experience the serenity of his verses as they resound through Vandana's distinct musical expression—a tribute to both artists' enduring legacy.

Kundaliyaan - 1

Within Kabeer's expansive collection of philosophical poetry, "Mann Mast Hua" stands out as an exceptional rarity. Unlike his customary approach of delving into universal truths, this particular gem takes an alternate route. Here, Kabeer directs his contemplative gaze towards the perplexing inclination of human beings to squander splendid opportunities due to ignorance or folly, and asks a series of questions to them. Through the poignant query, "Mann Mast Hua phir kyon bole?"—meaning, "Why voice anxiety when the heart is inherently joyful?"—Kabeer subtly scrutinizes this enigmatic aspect of human behavior.

With meticulous sensitivity, Vandana crafts an interpretation that encapsulates the essence of this poetic gem. She translates Kabeer's inquiry into a buoyant melody, infusing it with a cheerful cadence that resonates with a cascade of thought-provoking questions.

In this composition, "Mann Mast Hua," Kabeer's introspective inquiry is presented as a jubilant interlude—an opportunity to contemplate the peculiar paradoxes of human nature. Vandana's musical rendition not only captures the essence of Kabeer's verse but also infuses it with a delightful and reflective energy.

Mann Mast Hua

With the punchline "Sadho Yahi Ghadi yahi bela," Kabeer Das eloquently unveils a simultaneously daunting and liberating truth: the present moment is the sole instance in which we all truly exist. Through various compelling illustrations, Kabeer paints a vivid picture of this reality. From the solitary swan navigating turmoil-ridden waters to the slumbering traveler who misses the beauty of the journey due to a restless sleep, each example underscores the significance of fully experiencing the current moment. Kabeer also delves into the unidimensional nature of time, emphasizing its irreversible flow—a lesson in cherishing the fleeting.

Vandana's rendition of this timeless insight is masterful, carried by a haunting melody that harmonizes with the backdrop of an ever-ticking clock—an auditory reminder of time's relentless passage. Through her ethereal vocals and skillful composition, Vandana deftly captures the essence of Kabeer's message.

Dive deep into the universality of this revelation, enveloped by the sublimity of Vandana's singing. Allow the truth of "Sadho Yahi Ghadi" to permeate your consciousness as you embrace the richness of the present moment.

Sadho Yahi Ghadi

Among the collection of epic poems authored by Kabeer Das, "Mann Lago" shines as a true gem, having garnered widespread recognition and admiration. Its essence has been brilliantly conveyed through musical renditions by a multitude of legendary artists over time. This poetic masterpiece, coupled with its impactful verses, unquestionably claims its place as a classic work. At the heart of the narrative lies the resounding refrain, "Mann Lago Yaar Fakiri Mein," where Kabeer Das succinctly encapsulates his profound realization. He reveals that in embracing the principles of minimalism, the ephemeral nature of love, and the transient essence of life, he has discovered his ultimate purpose in the realm of Fakiri, or vagabondage. 

The composition process was undoubtedly an intricate endeavor for Vandana, given the universal resonance of "Mann Lago" and its myriad musical interpretations. She adeptly anchored her creation within the soulful Raag 'Ahir Bhairav', a distinctive Indian melodic framework that ingeniously blends the seventh and second minor notes. This unique amalgamation evokes a sense of detachment and disenchantment, offering the perfect complement to Kabeer's poignant verses.
Immerse yourself in this timeless classic, experiencing it in an entirely new light. Allow Kabeer Das's verses to embed themselves deep within your heart, carried by Vandana's exquisite composition and her soul-stirring vocals.

Mann Lago

Songs from Vandana Vishwas' third album "Parallels"

Hum Gum Huye - Unplugged

Fiqr E Manzil-Rock

Dhula Dhula - Afro-Indian.

Piya Na Mose Bole - Traditional Indian

Fiqr E Manzil-Ghazal

Piya Na Mose Bole - New Age

This track is from the album Meera - The Lover... and is available for purchase on CD Baby here: http://www.cdbaby.com/cd/vandanavishwas

Singer : Vandana Vishwas
Composer : Vandana Vishwas
Lyrics : Meera Bai
Arranger : Vandana Vishwas
Producer : Vandana Vishwas & Vishwas Thoke
Album : Meera - The Lover... (2009)

Badara Re - 'O cloud, bring the rains with you'

Raah Nihaaroon (The Wait)

Des Se Door (Away From Motherland)

Dil-E-Naadaan (Innocent Heart)

Bas Baahon Mein (Obsession)

Mai Kya Hoon? (What Am I?)

Vandana Vishwas is a critically acclaimed World Music artist based in Mississauga, ON. Although trained to be an architect, a profession she successfully pursued for over two decades shaping skylines of cities in India, UAE and Canada, Vandana eventually decided to focus her full attention to her passion of music and quit her lucrative career in architecture.
 
When she was only two days old, Vandana fell victim to an unfortunate medical negligence that left her with a lifelong pain and limited mobility. She could sing complex melodies with ease even as a toddler, prompting her parents to enrol her to learn music formally, and she earned her Sangeet Visharad – a bachelor’s degree in North Indian Classical Vocal music and became an All India Radio artist while still in her teenage. In tandem, she also studied architecture and met her college senior Vishwas Thoke, who would eventually become her musical and life partner.
 
Her talent took her to Mumbai where she was invited to perform at Acharya Brihaspati Sammelan – a stage where several legendary Indian singers started their musical careers, and she was pursued by several music industry professionals for their projects. Although it had been her childhood dream to become a playback singer, she had to give up that dream with a heavy heart owing to her physical challenges which made it impossible for her to navigate the physically demanding life of Mumbai. So, Vandana decided to devote her attention to architecture, and after her marriage to Vishwas Thoke, the couple moved to Dubai as architects with very little music in her life.
 
However, things took a turn when the couple immigrated to Toronto, Canada and was immediately won over by the colourful diversity of the City, that exposed them to music from around the world. Upon some coaxing by her husband, Vandana restarted music and released her debut album ‘Meera -The Lover…’ in 2009 which immediately catapulted her into the North American ‘World Music’ scene, with several critical acclaims, awards such as Marty Award by MAC and nomination at several awards including Canadian Indies and OAC’s KM Hunter award for music. This encouraged her to release her second album ‘Monologues’ in 2013, which also received rave reviews and some more awards, landing Vandana with a lot of concerts and recognitions in print, TV, Radio and online media. A year later, Vandana has released her first Single ‘Samarsiddha’ (2014) which is a theme track for similarly titled Hindi Novel by UK based author Sandeep Nayyar, published by Penguin.
 
Soon afterwards, Vandana decided to quit her lucrative career in architecture to devote her full attention to music, releasing her third album ‘Parallels’ in 2016 which took her experiments with diverse musical genres to another level, featuring her collaborations with several leading artists such as Johannes Linstead, Mark Kelso, Adam Langley, Njacko Backo, Amely Zhou, Richard Henderson, Tim Allan and Ricky Kej. The album stayed on Top 3 spots in RMR World Music charts for 20 straight weeks, topping three weeks in a row. ‘Parallels’ also featured in Top 10 of CMJ World charts and topped the Earshot International charts in 2017. The album also landed her with Toronto Independent Music Award for World Music and a silver medal at Global Music Awards.
 
Since then, Vandana has released a series of Singles, some her own and some commissioned by other music composers. As music migrated from CDs and Cassettes to online media, the relevance of music albums waned. 

However, it was always in Vandana’s mind to release an album on legendary historical Indian poet-thinker Kabeer Das, which has come to fruition in form of her fourth music album ‘Kabeera – The Thinker…’, released on 11 October 2023.

Vandana Vishwas

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