Tracks from the Youtube channel HATE from September 2021 to February 2019. Made with crap Python script.

HATE - Techno_part7

ZUPPA

End Train & Flaminia - ZUPPA

Jamaica Suk - Dreams of a Distant Journey (Inland Remix) [Gradient]

DAX J & UVB – KING OF THE SEWERS - MONNOM BLACK 019

A1. Murder Wave
A2. Enrico (Dont Cry You Can Live)
B1. Killer & Clutch
B2. King Of The Sewers

Vinyl Release date – 12th July 2019

Berlin’s Monnom Black is back again with the King of The Sewers EP; four cuts of pulsating techno from two of electronic music’s most uncompromising young figures, DAX J & UVB. Already well-known for its more fundamentally rugged take on modern electronics, the label’s 19th release is another intense transmission deep from the underworld.

The menacing tone of the EP hides the friendship that’s developed between these adopted Berliners, two young men who met in the city and discovered a shared passion for raw analogue audio and electronic sounds that marry starkness with depth. Although they began DJing at the same warehouses since 2014, the duo have waited until the right moment to bring together their mutual love of unique mechanised noisescapes and the high-end production values they’ve developed over years of experience and experimentation. The King of The Sewers is that record, a gritty soundtrack inspired by forgotten lives beneath eastern-bloc cities.

For Monnom Black this latest release continues a run of unmistakable techno records that challenge the mainstream with a non-conformist philosophy. The label’s ethos is to push boundary-testing music by artists who are unafraid to explore a chaotic, divided world in the belief that distinctive music can still create moments of grace and community. This is music for the deepest, darkest parts of the night, breaking beyond the dancefloor and into the liminal spaces where analogue and digital, body and mind meet. The King of The Sewers EP represents another step forward in the development of a record label pressing at the borders of what contemporary techno can be.

Digital Release date – 26th July 2019

Mastered By Matt Colton @ Metropolis Studios

King of The Sewers

Buy Bandcamp

DAX J & UVB - MURDER WAVE

“Mémoire du Présent’ is the first record I am releasing under my real name, Hendrik van Boetzelaer, and presents an introspection of my various musical influences, as well as a look at my Egyptian and Dutch origins and my passion for Russia. Moreover, it is a way for me to take stock of how I juggle family responsibilities with the work of an artist and how I have learnt to achieve the best of the present moment.” - Hendrik van Boetzelaer aka Opuswerk. 

Following several collaborations as Opuswerk on François X’s label Dement3d, both under their joint HISS:1292 project and on his debut album ‘Irregular Passion’, this is the first project that Hendrik is putting out under his real name, coinciding with the imprint’s objective to present a form of ‘Musique de Banc d’essai’, where emotions and feelings are at the heart of the music chosen with no pre-defined boundaries to limit artist experimentation. 

Sailing between techno, house and minimal pulsatile music, the EP presents four tracks that will be released in the form of a limited edition 12’ vinyl of 300 copies.

Mémoire du Présent

Sieste Juvénile

Hendrik van Boetzelaer - Sieste Juvénile

Le Souvenir

Buy Now

Hendrik van Boetzelaer - Le Souvenir

L'Esprit de l'Ecoute

Hendrik van Boetzelaer- L'Esprit de l'Ecoute

Modulations d'Amplitude

Hendrik van Boetzelaer -  Modulations d'Amplitude

pre-order

Bjarki & Kuldaboli - Hrái Hötturinn

Cadency - Eating Steel

Appearing on the latest Mnemosyne compilation, Hierarchy marks his debut EP on ASG providing a deep journey into rhythms and textures. 
Direct but still elusive, Matter/Space/Void delivers lapses of rarefied absence constantly driven by peculiar cadences. 
The pulsating and fragmented remix by label owner A Sacred Geometry showcases once again his diverse view of techno, constantly evolving into unexpected horizons.

Mastered at Artefacts Mastering Studio, Berlin.
Design by Giandomenico Carpentieri.

A1 - Hierarchy - Matter

BUY BANDCAMP

DAX J & UVB - KILLER & CLUTCH

Aether EP

Distant Signal (Original Mix)

Aether (Original Mix)

KING OF THE SEWERS EP

DAX J & UVB - ENRICO (Don't Cry You Can Live)

@vitiosus "Sober Raving" will be released on 19th July through @bbbbbb-records new imprint Hellcat. More Info: http://bit.ly/TP_VTSS

HELLCAT VOL.1

Sober Raving

VTSS - Sober Raving

HATE exclusive premiere. 
Full streaming of the EP soon on our HATE Youtube channel.

Support the label, buy it here:
http://www.gradientsound.com/
https://www.deejay.de/Jamaica_Suk_Dreams_of_a_Distant_Journey_EP_GRA003_Vinyl__934945

Artist: Jamaica Suk
Title: Dreams Of A Distant Journey  
Label: Gradient
Catalogue: GRA003
Format: 12" Vinyl
Genre: Electronic
Style: Techno
Release date: July 22, 2019

Tracklist:
A1. Jamaica Suk - Dreams Of A Distant Journey (Inland Remix)
A2. Jamaica Suk - Road Between (Original Mix)
B1. Jamaica Suk - Dreams Of A Distant Journey (Juho Kusti Remix)
B2. Jamaica Suk - Dreams Of A Distant Journey (Original Mix)

Jamaica Suk returns with the third release on her quality-not-quantity imprint Gradient, with two fine originals matched by two excellent remixes.

‘Dreams Of A Distant Journey’ is an expansive soundscape of brooding, time-stretched, distorted synths which growl and morph around a heady, delayed chime motif. Ambient in structure but more brutalist in texture, its hazy feel is exacerbated by off-kilter percussive touches whose looseness add an element of free form jazz into the mix. It’s a beast of a composition that’s fit for a sci-fi film or a mesmerising live show all the same.

‘Road Between’ is Jamaica Suk in club mode, with pummelling bass arpeggios and discordant metallic percussive rhythms firing in all directions. Subtle variations give character as cymbal hits cut in and out and reverbs push sounds further into the distance. With the bass line channelling classic Electro and Techno and the sound palette very much modern-day techno, it’s a potent blend.

The title track gets two excellent remixes. Inland has made his mark on both Ostgut Ton and Boiler Room, and it’s not hard to see why with his pummelling work out. Hard machine funk underpins his version with frantic bleeps pulse away under shuffling shakers and intense cymbal rides, with a thick undercurrent of rubbery bass at the heart of the matter.

Finnish master and Deep Space Helsinki man Juho Kusti provides the other remix, giving a deeper and more gentle interpretation that makes good use of the chimes over a sputtering beat. The brief breakdown gives a bigger nod to the original, and opens the door for those magnificent textures to glide over his succinct but powerful rhythms. 

Side note: the title of the EP is steeped in Jamaica Suk’s family history. It was originally the name of a track by Southroad Connection, the 1970s funk band that her relative Paul McKnight performed and composed with.

Follow Jamaica Suk here:
https://soundcloud.com/jamaicasuk
https://www.facebook.com/jamaicasuk/
https://twitter.com/jamaicasuk
https://www.residentadvisor.net/dj/jamaicasuk
 ___
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HATE - Techno_part7

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