As individual artists, Argentinean pair, Nicolas Leonelli and Diego R are no strangers to the dance music limelight, now joining forces for their debut release on Proton Music with "Dreaming / Continuation". From a musical family, Nico's sound has seen him become a regular DJ across his homeland with residencies in Buenos Aires. His production work since a 2019 debut for WH Records has seen a steady stream of releases light up Traful, Clubsonica Records and Nick Warren's The Soundgarden. Meanwhile, fellow Buenos Aires resident, Diego R, began with DJ performances across the capital in 2016/17 before embarking on his production journey with the help and expertise of Andrea Cassino and interaxxis' Emiliano Folgar. Opening his account in mid-2020 with a debut on 3xA Music, Diego quickly went onto to see his work feature for the likes of AH Digital, Superordinate Music and The Soundgarden.

Opening their Proton Music account, "Dreaming" is characterised by a punchy kick, flowing percussive shakers and deep sub-bassline pattern. Building with ease, a smooth plucked motif wends its way across proceedings in hypnotic repetition, while a pitched down vocal phrase adds weight. Rising and falling with immaculate dancefloor knowhow, textured pads and spot effects add to the intrigue in a thoroughly modern progressive gem. "Continuation" quickly follows the same rhythmic and bassline narrative as its predecessor while a head-shaking clap brings percussive energy. Before long siren-inspired lead motif glides up and down as the mesmerising sonic collage builds with white-noise washes and eerie vocal flashes. A pounding bassline adds to the club-friendly prowess as a beatless breakdown pauses momentarily for breath before the track drops back into familiar rhythmic territory.

On remix duties, Juan Deminicis is another Argentinean needing no introduction as a long-term contributor to legion Progressive House gems on Proton Music with his distinctive soundscapes and unrivalled production techniques. Remixes for such celebrated names as GMJ, Michael A, Savvas and Luis León & Unseener have stood alongside original EPs such as "Life on the Moon", "Synchronicity", "Water" and "Cycles" across a 13-year period of endless highlights. Now remixing Nicolas Leonelli & Diego R, Juan Deminicis takes "Dreaming" in a typically luscious and smooth direction. A trademark groove of trance-inducing majesty lilts effortlessly across a near 7-minute interpretation as familiar melodic refrains from the original sit loftily across the top. Waxing and waning through its phases, the immaculate groove and rich pads create a superb textured soundscape.

Another Proton Music regular, Iran Khan has seen almost a double century of production credits grace a plethora of high-profile labels with 30 on Proton's labels, dating back to a 2017 debut on Particles. Graduating onto Proton Music in late-2018, remixes for Sebastian Sellares, Petar Dundov and dernis, the kid have been noticeable highlights with the "Organik" and "Sunsweat" EPs showcasing the UK artist's original work. Now returning once more, the Imran Khan reworking of "Dreaming" opens with a beautifully crafted atmospheric soundscape that glistens around a thumping kick and low-slung grooved percussion. A smooth bassline evolves out of the rhythm as a swathe of effects, with their roots in the Nico and Diego's work, coruscate across the left-right spectrum. Dropping the beat momentarily, the original's central melodic character makes its presence felt at the breakdown before joining with the powerful and dynamic rhythmic section through the second half.

Directed by Jay Epoch
Mastered by Cid Inc.
Design by Ben Mautner
Text by James Warren

Dreaming / Continuation

Buy on Beatport

Nicolas Leonelli & Diego R - Dreaming (Juan Deminicis Remix)

An artist who has been pulling up sizeable trees over the past 18 months, Hobin Rude is a welcome addition to the Proton Music roster with his "Found Myself" EP. Based in the Belgrade capital, the Serbian star has over 300 production credits to his name since a June 202 debut, with the likes of Roger Martinez's HIGHER STATES, Praveen Achary's Juicebox Music and Mango's Mango Alley amongst them. Now debuting on Proton Music, the title track is a superbly conceived affair with low-slung percussive groove, deep kick and cadenced bassline. As it evolves, a pitched down vocal cut eerily declares, "Found Myself" while a smooth and flowing lead line adds to the sonic tension inherent within. Pausing at the breakdown and dropping away to momentarily silence, the track soon falls back into the familiar refrains of earlier movements. "Awake Between Worlds" immediately excites with its rapid fire, off-beat hats and thumping kick while atmospheric pads wash over the rhythmic backdrop in textured waves. Haunting and evocative in equal measures, free-flowing chord progressions play out, keenly felt at the beatless but gently pulsing breakdown. Hitting the heights once more in the third movement, familiar rhythms come to the fore as a juxtaposed bass pattern sits underneath the smoothly oscillating pads.

A Proton Music regular, Dmitry Molosh has been at the vanguard of modern Progressive House for some 15 years and 700 production credits. Able to shine a powerful light on his inimitable talent through a host of original releases and remixes, the "Little Friend", "Winds of Change", "River Pond" and "Station" EPs have been notable additions to the Proton Music catalogue. Moreover, remixes for such celebrated names as Kastis Torrau, Trilucid and Paul Deep have showcased another side to the Belarusian's production talents, as Dmitry now works his magic on "Awake Between Worlds". Picking up the pace slightly compared to the original, a sublime sustained bassline creates dynamic dancefloor energy. Cleverly interpreting themes from Hobin Rude's track, Dmitry has shaped the coruscating pads into a series of melodic sequences that sit superbly alongside a rippling arpeggio at the breakdown. Hitting its straps in the second half, courtesy of a stirring snare roll, a growling bassline note delays into the distance as the arp and earlier melodic phrases make their presence felt again with a glorious new additional melody. The result is yet another hugely impressive remix from the Dmitry Molosh production vault.

With trademark style and verve, James Monro has been a significant contributor to Proton Music with a veritable feast of Progressive House since a 2013 debut remixing Juan Deminicis. Since then, the "Sanctuary" series has enjoyed 3 volumes while "In the Ether" represented a high watermark in August 2017 with a full-length album that exuded quality from start to finish. Remixes for the likes of Clawz SG, Desaturate and Rick Pier O'Neil are also among a slew of striking interpretations that have additionally helped shape the James Monro sound. Finding his way back to the label for the first time in 2 years, the James Monro remix is a pounding, rhythmic affair that captures the essence of "Awake Between Worlds" but transforms it into a sparkling new interpretation by intelligent use of original components and immaculately conceived additional production material from James' Brazilian studio. The result is a driving and pulsating remix that turns Hobin Rude's work in hypnotic dancefloor destroyer.

A superb debut EP creates an environment where Hobin Rude has truly "Found Myself" on Proton Music.

Directed by Jay Epoch
Mastered by Cid Inc., Grant Collins
Design by Ben Mautner
Text by James Warren

Found Myself

Hobin Rude - Awake Between Worlds (Dmitry Molosh Remix)

An artist who has been pulling up sizeable trees over the past 18 months, Hobin Rude is a welcome addition to the Proton Music roster with his "Found Myself" EP. Based in the Belgrade capital, the Serbian star has over 300 production credits to his name since a June 202 debut, with the likes of Roger Martinez's HIGHER STATES, Praveen Achary's Juicebox Music and Mango's Mango Alley amongst them. Now debuting on Proton Music, the title track is a superbly conceived affair with low-slung percussive groove, deep kick and cadenced bassline. As it evolves, a pitched down vocal cut eerily declares, "Found Myself" while a smooth and flowing lead line adds to the sonic tension inherent within. Pausing at the breakdown and dropping away to momentarily silence, the track soon falls back into the familiar refrains of earlier movements. "Awake Between Worlds" immediately excites with its rapid fire, off-beat hats and thumping kick while atmospheric pads wash over the rhythmic backdrop in textured waves. Haunting and evocative in equal measures, free-flowing chord progressions play out, keenly felt at the beatless but gently pulsing breakdown. Hitting the heights once more in the third movement, familiar rhythms come to the fore as a juxtaposed bass pattern sits underneath the smoothly oscillating pads.

A Proton Music regular, Dmitry Molosh has been at the vanguard of modern Progressive House for some 15 years and 700 production credits. Able to shine a powerful light on his inimitable talent through a host of original releases and remixes, the "Little Friend", "Winds of Change", "River Pond" and "Station" EPs have been notable additions to the Proton Music catalogue. Moreover, remixes for such celebrated names as Kastis Torrau, Trilucid and Paul Deep have showcased another side to the Belarusian's production talents, as Dmitry now works his magic on "Awake Between Worlds". Picking up the pace slightly compared to the original, a sublime sustained bassline creates dynamic dancefloor energy. Cleverly interpreting themes from Hobin Rude's track, Dmitry has shaped the coruscating pads into a series of melodic sequences that sit superbly alongside a rippling arpeggio at the breakdown. Hitting its straps in the second half, courtesy of a stirring snare roll, a growling bassline note delays into the distance as the arp and earlier melodic phrases make their presence felt again with a glorious new additional melody. The result is yet another hugely impressive remix from the Dmitry Molosh production vault.

With trademark style and verve, James Monro has been a significant contributor to Proton Music with a veritable feast of Progressive House since a 2013 debut remixing Juan Deminicis. Since then, the "Sanctuary" series has enjoyed 3 volumes while "In the Ether" represented a high watermark in August 2017 with a full-length album that exuded quality from start to finish. Remixes for the likes of Clawz SG, Desaturate and Rick Pier O'Neil are also among a slew of striking interpretations that have additionally helped shape the James Monro sound. Finding his way back to the label for the first time in 2 years, the James Monro remix is a pounding, rhythmic affair that captures the essence of "Awake Between Worlds" but transforms it into a sparkling new interpretation by intelligent use of original components and immaculately conceived additional production material from James' Brazilian studio. The result is a driving and pulsating remix that turns Hobin Rude's work in hypnotic dancefloor destroyer.

A superb debut EP creates an environment where Hobin Rude has truly "Found Myself" on Proton Music.

Directed by Jay Epoch
Mastered by Cid Inc., Grant Collins
Design by Ben Mautner
Text by James Warren


Hobin Rude - Awake Between Worlds

Effata - Dreams (Original Mix)

Phazr [Minimal Groove Concept]

Guy J's launch of Early Morning marked a bold step towards ushering in a new era of creative advancement. The label's ninth installment features Tantum's debut, comprising three tracks that collectively span nearly 22 minutes.

Tantum, known for blurring the lines between melodic techno and progressive house, has cemented an international reputation for his innovative sound in the electronic music sphere.

The title track, Out of Nowhere, embodies the notion that inspiration somehow often strikes unexpectedly. However, Tantum's hypnotic creation reflects countless hours of meticulous sound exploration and idea refinement.

Continuing with Unblur, the track builds on its predecessor with added energy, abstract effects, and creative audio engineering, crafting a psychedelic mosaic where bass and drums stand as steadfast anchors.

Rounding out the release is Out of Nowhere (Subandrio Remix), expertly crafted by DJ and producer Subandrio, whose upbringing across Europe and Sri Lanka infuses diverse cultural influences into his work. His remix not only honors Tantum's vision but also adds a distinct character, seamlessly merging two artistic perspectives into a cohesive whole. In the climactic moments before the drop, Subandrio introduces significant contrasts, showcasing his signature style and enhancing this exceptional piece, and closing the release with a euphoric crescendo.

https://www.beatport.com/release/out-of-nowhere/5190517

01. Tantum - Out Of Nowhere

 Moments, the acclaimed label, presents its nineteenth edition with a two-track release that continues the distinctive artistic vision. Spanning over fifteen minutes, the musical material unites label head and award-winning producer Guy Mantzur with Kamilo Sanclemente, the celebrated DJ and electronic music producer from Cali, Colombia. Their collaboration invites discerning listeners into a refined and immersive auditory journey.

The opening track, Nectar, delivers a brisk and vigorous rhythm anchored by a Giorgio Moroder-inspired bassline. A textured atmosphere unfolds over a classic house chord sequence, gradually expanding into an uplifting and psychedelic arrangement. This progression culminates in a dynamic climax crafted to ignite the dance floor with a surge of energy.

The second track, The Future is in the Past, built on similar aesthetic foundations, introduces a more tempered intensity. Its transcendent tone, reaching a peak in the final third, evokes the feeling of cinematic space exploration. True to its title, the piece merges historical echoes with forward-looking sound design.

This release captures the ethos at the heart of the label: Moments can pass you by if you don't recognize them!

Nectar / The Future is in the Past

Guy Mantzur, Kamilo Sanclemente - The Future is in the past

Guy Mantzur, Kamilo Sanclemente- Nectar

“Deep Eyes” is a cinematic fusion of Arabic vocals and live oud instrumentation with deep melodic techno atmospheres. The track evolves through hypnotic synth layers and emotive textures, blending Middle Eastern heritage with modern electronic production. Designed to move between playlists and DJ sets, it’s equally suited for immersive listening and global dance floors.

Planned support includes playlist pitching, digital campaigns, and influencer pushes, with positioning for curations like Electronic Rising, Arab Electronica, and Chill Electronic.

Buy Now

Lith K - Deep Eyes (Extended Mix)

Seyah - Serenity [Genesis Music]

Lumia (Mike Griego Remix)

VAPOUR RECORDINGS

Since 1997 when Kasey Taylor founded Vapour Recordings, the label has gone on and forged itself an enviable reputation, not only as one of Australia’s leading independent dance labels, but the worlds too.

When you feast your ears upon a new Vapour Recordings Ep, think of it as forward thinking dance music. If there is one defining feature of a Vapour record, it’s that it is just a little ahead of its time. The sort of tune that the average person might put back on the shelf, and then later on hear it out in a club and kick themselves because they didn’t realise how damn good it really was at first listen, and because they knew they had just let a gem of a tune slip right through their fingers.

July 2011 saw the label reach it’s landmark 100th release. The clock was wound back for this one choosing artists from the past, present and future to remix the back catalogue. The package contained some fantastic names, with remixes from the likes of Guy J, Hernan Cattaneo, Luis Junior, Jamie Stevens, Peter Horrevorts, Nick Warren, Dousk, Rodskeez, Fiord and many more.

There are DJs in the world who have vision. Those who can pick up a sound before it becomes popular and break it to the masses. Names like John Digweed & Hernan Cattaneo spring to mind, and Vapour releases have always found their way into the record boxes and charts of these luminaries. They are attributes that Kasey Taylor has also.

It isn’t easy to turn heads in the underground dance music scene when you are a small record label operating from the ass end of the universe! It’s harder to slip promos to DJs and radio station reps, magazine editors and so on. There’s seldom a chance to drop your own track in front of the big name DJs to prove just how effective your music can be. With that in mind, it’s a real credit that Vapour Recordings has earned a spot as premiere labels on the global market, commanding the attention of all the industry heavy weights through nothing more than releasing quality tunes. No huge advertising budgets, no massive PR campaigns, no industry schmoozing, no shit talking, no sales driven drum rolls, no poxy synth lines – Just a talented collective of like minded artists doing it well from around the globe.

Vapour has a strong reputation for releasing quality tunes and we aim to keep up our standards of the highest order.

Vapour Recordings Established 1997

Lumia (Mike Griego Remix)

Vapour Recordings

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