Yotah is an electronic music producer and DJ from Bern. His music ranges from experimental listening pieces to bass-heavy tracks. With a playful spirit, he constantly explores and experiments, whether in the studio or performing for the crowd. Some say that his love for music can be heard and felt, and might be contagious.

With support and creative input by @Voicheck <3

Bandcamp

Yotah - Is Like

Mossambi makes his return to All Centre to follow up the stunning debut Resurf EP from the beginning of 2023. On The AI Told Me To, he delivers 3 more experimental techno exertions backed by a heavy-duty club remix from Holloway.

Reptate opens proceedings with otherworldly vocals stuttering over Mossambi’s distinctively inventive sound design. The track enters an off-kilter, compelling groove composed of deep kicks, growling subs and snippets of microtonal melodies, building up and playing out like an extra-dimensional take on dubstep.

The title track keeps up the momentum with deep kicks and shuffling hats, allowing a lush choral pad to stutter and proliferate amongst the percussive intricacies. The chord is manipulated, filtered and triggered in unpredictable patterns as the track progresses, keeping the listener on their toes whilst Mossambi holds down a transfixing groove.

Mossambi’s final track, Miscellaneous Vegetable Platter, slows things down to a hypnotic 110 bpm pace. A disorienting blend of scrambled vocals, fried digital synths and dubbed-out bass and chord hits are kept in check by steady drums, whilst a frenzied snare roll pushes and pulls at the track’s intensity as the track progresses, crafting an engrossing low-tempo workout.

Holloway translates Mossambi’s glitched vocals and heady sound design onto a ferocious four-to-the-floor groove. A warbling bassline bubbles underneath driving percussion, whilst a syncopated hard house siren brings the energy levels to a fever pitch.

The AI Told Me To

Mossambi - The AI Told Me To [ACEN056]

London-based producer @khlark hybridises breakbeat, brain dance and spluttering drum & bass on his long-awaited return to @s-f-x-0101

‘Blistering’ is out 22nd March. Have an exclusive first listen to ‘Faux’, featuring @ludwig-wandinger.

More info: https://djmag.com/listen/premiere-klahrk-faux-ft-ludwig-wandinger

Premiere: Klahrk ‘Faux (ft. Ludwig Wandinger)’

Send request : info.seeksicksound@gmail.com or join our discord : discord.com/invite/suVpRBStmu
www.instagram.com/seeksicksound/

BRAIN RAYS- SLIME
Acroplane Recordings, 2024

@acroplane
@brainrays

[Premiere] Brain Rays - Monsters (feat. Empuls) (out on Acroplane Recordings)

tracklist:
1.Lolingo-Energy Skanker (Instrumental)
2.Avaword & Panic Pat - Air Mattress (Prod. Joely Dubs)
3.sirspyro-Have Manners
4.Silencer/P Money/Manga Saint Hilare/Lioness -Easy
5.Kotei-Okay
6. Silencer-Run the Sound
7.Kenny Davis-Awol
8.Joker-S Wave
9.Oliver Twist-Horror Movie
10.Tia talks-Tia's Talking
11.TimmaT/Kyeza-Rise Up
12.Owlybeats-Bane
13. Filthy Gears-The Bells
14.Kyeza-Run It Up
15.Hitpoint-Do It
16.Mayday/Crooked Sound-Take That Risk
17.Diipset-Shook Twice
18.Ecilant-Run Run
19.Manga Saint Hilare/MoreNight/Queenie-Level&Size
20.Jakebob-One Love 
21.Olja Beats-Trust

140 grime w/ DAZZA

RAVL - Nah!

RAVL - What Tomorrow Hides

We are very excited to welcome Klahrk to the fold on ACEN059. The London-based artist & founder of Ware Collective follows up releases with the likes of Activia Benz, Genot Centre and SFX. On the Z2 EP, he delivers four atmospheric slow-fast club cuts, exploring the lowest depths of the frequency spectrum.

1. Z2 
2. Interference 
3. Got2Be
4. On The Circuit (ft. Kattie) 

Z2 is available across all digital platforms from May 3rd.

Klahrk - Z2 [ACEN059] (PREVIEWS)

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Slick w/ NIQH - Subtle Radio - 02/05/2024

Musuama emerges from the aether onto NHS with 'Bailes Mudos'; being their first release and foray into the world of leftfield esoterica electronica. Hailing from Brazil with time spent in Mexico, Musuama’s exploration of synthetic sonics is fuelled by a healthy background in trained musical knowledge and an ever-present aura of genres like cumbia, reggaeton, guaguancó and festejo to name a few. The artist speaks further on this: ‘I was confronted by the constraints imposed by the timbral limitations of traditional instruments and recognized the transformative impact of technology on artistic expression. I believe that by embracing technological advancements across artistic fields, both the listener and the artist stand to gain by fostering an even deeper connection with creativity’.

The collection is transient in its collage of sound artefacts; a spaciousness encapsulates the artist's approach to their productions that is meshed with pulses of texture and an ephemeral fluctuation of echoes, delays and reverb; as if we are inserted into Musuama’s personal journey through cultures characterised by sound. Throughout, the release carries a sense of subtlety, hypnotised by a steady march that permeates through the homogenous story that is told via the EP.

@musuama

Artwork by Jiah Wells
Mastering by Fausto Mercier

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