Running Back To You

"Sweet Ophelia" releases both digitally and on limited edition 7" clear vinyl on April 7, 2014 via B3SCI Records. Pre-order here: http://b3scirecords.bigcartel.com/product/b3sr-006-zella-day-sweet-ophelia-1965

The sound of strumming guitars; the feel of soft, wet clay; the scent of fresh brewed coffee: this was Zella Day’s childhood. Secluded in the quaint mountain town of Pinetop, Arizona, Zella’s creativity flourished with the forest at her doorstep. High above Phoenix Valley, Pinetop holds a population of 7,000, and Zella's family-owned Mor Mor Coffee House was an only sanctuary for artists. Surrounding herself with local musicians, Zella was inspired to pick up the guitar at a young age. Before long, the blossoming chanteuse started performing sets including Bob Dylan and Elvis songs - selections inspired by her coffee house family. The native Arizonan had found a calling in music and used it as a form of self-realization, penning her experiences and discovering herself through the intricacies of song. She drew inspiration from the serene Arizona mountains and turned to Clint Eastwood, old Western films, and cowboy rebel culture to help shape the attitude behind her music. The result is a raw, organic sound unconfined by the boundaries of genre. It effortlessly floats between the tonalities of female frontier-maker Stevie Nicks and art pop songbird Lana Del Rey while invoking imagery painted by Old Arizona and a free-spirited perspective.

To date, Zella Day’s music has barely crossed paths with the outside world; however, her short series of self-released demos and collaborations caught fire throughout the indie community. One such supporter of her undeniable talent was the boutique music press outlet B3SCI. Having recently formed a singles record imprint, B3SCI was undoubtedly the natural home for the songwriter's first official offering to the world.

The upcoming two-track single leads with “Sweet Ophelia,” a blending of personal encounters in an eerie resemblance to that of Hamlet’s Ophelia. Crunching drum machines and menacing electronics juxtapose Zella’s airy croons as she sings about the sanctity of physical connection, powerfully portraying both the majesty and fragility of letting love consume you. The B-side, “1965,” takes a more straightforward approach, showcasing Zella’s strong voice atop soft, pattering drums and fluttering guitars. The lyrics tell a story about finding a genuine connection among a sea of inauthenticity. Moreover, the track celebrates its title - the year that a generation united despite a delusive society.

On April 7th, B3SCI Records will release 'Sweet Ophelia / 1965' on limited edition 7-inch clear vinyl. The tracks were brought to life at Los Angeles's WAX LTD. Studios with the production and mixing prowess of Xandy Barry and Wally Gagel. This debut collection showcases a young songstress’ visceral visions and liberated mentality, while foreshadowing the depth of a long career that's yet to come.

Artwork by Brock Lefferts.

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Sweet Ophelia

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CHEMICALS

Our new album "JR JR" is out now!
iTunes: http://smarturl.it/jrjritunes
Spotify: http://smarturl.it/jrjrspotify

Watch the official video on YouTube: https://youtu.be/nq0mpgHNapc

Gone

Download

you had your bed made
had all these precious memories
you had to runaway
you were looking for that bigger stage ...

⌫ #home

official Site: www.morgxn.com
facebook: www.facebook.com/morgxnofficial
twitter: twitter.com/morgxn
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vital

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Download/stream: https://lnk.to/LightOutside

Light Outside

#XX

kiss kiss
don't know how to be hopeless
hoping to the end
kiss kiss
catch me by surprise
i can't fake it
anymore


❌❌

Released in the US on September 28, 2012
International releases coming soon!

Venice

Download/stream: https://lnk.to/ThousandPeaces

Done With Love (feat. Herizen)

"The story here is one that seems appropriate for a Saturday. It’s about a lost relationship; one that lives inside his head rather than manifesting itself in real, tangible life. Throughout the track he reminisces on the things he should have done, should have taken note of, been keen to — things I’m sure we can all agree are close to impossible to do in the throes of infatuation." 
- http://www.etmusiquepourtous.com/

Paris - Magic Man

 Fusing classic British guitar pop with Motown and Stax grooves..the missing link between the Arctic Monkeys and the golden age of doo-wop – The Guardian

The world is theirs for the seducing – Evening Standard

A talent for ska-inflected, hook-filled rock ¬– Sunday Times hottest download

Various Cruelties is the musical alias of the prodigiously talented Liam O’Donnell – a teenage Strokes fan with a sweetly soulful voice and a head full of classic soul standards, equally in thrall to the ‘New York cool’ of Richard Hell, Percy Sledge and Orange Juice.
Born in London to a Scottish father and an Irish mother, and a distant relative of Oscar Wilde, O’Donnell moved to Leeds at an early age where he spent his teenage years following the well-trodden ‘indie’ path - summer bank holidays at the Leeds festival and a record collection full of Verve and Stone Roses albums. Yet and early taste for the soul-classics made him realise musically there existed a world beyond. 

Moving to London, it proved a struggle to escape the the ‘singer-songwriter’ tag.  A booking at a Communion night in Brighton proved to be a turning point – realising he had no desire to tread the well-worn ‘troubadour’ path and inspired by recently supporting the Villagers, Liam decided to do what he wanted; ditch performing under his own name and, inspired by an Ed Ruscha exhibition, start working under the Various Cruelties tag.


CHEMICALS

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