"The dream of those who dream concerns those who are not dreaming" 

https://www.nts.live/shows/two-way-dreaming/episodes/two-way-dreaming-20th-september-2023

TWO WAY DREAMING 200923

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177 - The BBE Sessions - DJ Mitsu the Beats (2006)

The project is a site-specific 8-channel electro-acoustic composition based on field-recordings.
This is time-compressioned day cycle through the sound of crickets, katydids and cicadas recorded in Crimea during my solo field-trip in summer 2018.

https://www.holohz.com/Circadian-Rhythm

ci(r)cadian rhythm | stereo version from 8-channel

Brixton was my introduction to London when I moved here almost two years ago. I had never heard of Brixton before I arrived, nor had I spent any time in London. I ended up here simply because a friend of a friend knew someone with a flat. This document represents the ways I have come to know this district, and through it a little of the rest of London. 

My work has always begun with the soundscape, and Brixton offers a remarkable one. From outdoor markets, bicycle sound systems, shop stereos and buskers to booming car hi fi systems, sirens, car washes and people simply talking and taking up space on the streets, Brixton is a noisy place. It was through listening to Brixton that I also came to hear voices being raised about how much this area had changed, about rising rents and neglected public housing, about how many people who grew up or used to have businesses here can no longer afford to stay. I learned about the role of Brixton as a centre of Black British culture, resistance and musical production, as well as a location once known for its anarchist squats, and left wing activism. I learned about how, as Brixton has become increasingly gentrified, some of the sounds associated with Brixton's history and communities were being lost from this area. I began to hear some of the new silences of Brixton. I don't want to pretend that this release could ever be a definitive documentation of Brixton's soundscape, there are many far better situated than me to understand all the nuances of this area. This album is simply about the ways I came to know Brixton through listening, and the respect I gained through this process for the many struggles being waged in this district to maintain it as a community. This album is about arriving somewhere to find it in the midst of major upheaval in its social fabric, and about examining my own role in this as a new white Australian addition to the area. 

A soundscape reveals a lot about a place, through its presences, its silences, its rhythms and its pauses. A soundscape is forever being made by us all. It stitches us together in ways both subtle and sometimes overwhelming. I think in both its openness and fragility the soundscape can reveal something about the process of community making, and its sensitivity to change offers both opportunities and risks. 

Kate Carr, Brixton, London. 
credits
released March 9, 2018

I Ended Out Moving To Brixton - full album stream

EnCOUTnTErs - The Avian Speculative at Cafe Oto, July 25, 2018.
Also performing: Lee Patterson and Sharon Gal. 
Pic by Sonia Levy/SoundFjord
Recording: Hear and Now, BBC Radio 3.
July 25, 2018.

Set - EnCOUnTErs - Cafe Oto, July 25, 2018 - recording thanks to BBC Hear and Now Radio 3

darya zvezdina - viola, melodica, feedbacks
vasilisa filatova - violin, melodica, feedbacks, metronome

29.09.18
RICHTERFEST
moscow

šs //// richterfest 2018

Thomas Ankersmit & Valerio Tricoli - Takht-e-Tavus

Nina Guo and Auguste Vickunaite - Moth, You Are Way Too High

Nobunaga X 2H2B Vol.1 Mixtape

2H2B is about pushing limits
and breaking World Records. 

HARD AND IMPOSSIBLE ARE
TWO DIFFERENT THINGS ! 

You are more POWERFUL 
than you know..
and they fear the Day u discover it.

This Mixtape will HELP you unlock your
“UNLIMITED POWER” !!!

Nobody cares who was the second 
“Man on the Moon” 🌙 

BE THE FIRST ! 

Enjoy your practice!

No copyright intended
I do not own or claim any rights to these tracks.

2h2b Vol.1(2020)

« Vous devez déclarer vos morts et faire quarantaine. Nous n’avons pas envie de mourir comme des mouches !
– C’est dans vos quarantaines qu’on meurt comme des mouches. —
 (Jean Giono, Le hussard sur le toit, 1951)

Cette pièce est composée de trois enregistrements bruts : 
-18/03/2020 : 2 hydrophones plongés dans la carcasse d'un silure (poisson chat) en train de se faire « nettoyer » par des asticots (bords de Garonne - Beauzelle);
-18/09/2020 : mouches sur un étron capté diamétralement de l’autre côté de la Garonne, sur l’autre rive 6 mois auparavant  (bords de Garonne - Fenouillet);
-Août 2014 : « tue mouche » micro contact (Fabas - Ariège).

COMME DES MOUCHES...

During the span of his lengthy career, Rabih Beaini has developed a reputation as one of the most forward thinking musicians and curators in the modern experimental and electronic scenes. It was a long way from his first dj-sets in his native Lebanon in 1990s to the creation of his own imprint Morphine Records in Italy in the early 2000s, which gained a cult status when he later relocated to Berlin. He has experimented with analog techno under his former alias Morphosis, curated programs for festivals such as CTM in Germany and Urvakan in Armenia, and released records by innovative artists from the Western Asia, North Africa, and South-East Asia. 
Towards the end of Berlin's lockdown, he spoke with curator Andrei Zailer about Lebanon, his music roots, and ways to preserve cultural traditions while constantly moving forward. 

Head to our site to read the interview: https://easteast.world/en/posts/2

01 - Munir Bashir - Meditations
02 - Praed Orchestra - Mirage
03 - Stefan Fraunberger - Praeludium
04 - Marta De Pascalis - Sonus Ruinae part1
05 - Alain Merheb - Mawal
06 - Bashar Darwish - Ana Fi Sabilel'lah
07 - Mohammed-Ali Tedjo and Said Hassan - Bada-Ô-Jané
08 - Mohammad Reza Mortaavi - Tears of a Fakir : op1
09 - MA - Beehyden (Sugai Ken Remix)
10 - Tabuik Drummers - Maratapi Jari-Jari
11 - Wukir Suryadi - Tenun
12 - Praed Orchestra - Mirage (reprise)
13 - Wahono - Prambanan
14 - Zoë Mc Pherson - Bug (Greetje dub)
15 - Les Aïssawa de Fès - Dkhûl l-hadra
16 - Rashad Becker - Themes V
17 - Tarawangsawelas - Dari Timur

šs //// richterfest 2018

Vasilisa Filatova

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