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BandCamp

Hylonis - Atramentum Mentis

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Hiromichi Fujiwara - Chosen FUJIWARP 01-20

Tensor Flux is the project of Lukasz Grzelczak,
a Polish electronic musician from Wrocław known for his precise, machine-like sequencing and heavy mathematical approach to rhythm programming.

Growing up near a large industrial zone, Lukasz was surrounded by the sounds of freight trains, steel mills, and the low mechanical vibration of old factories.
Unlike many producers, he wasn’t drawn to clubs — he was drawn to patterns, especially the repeating structures of machinery and the emotionless logic of early European minimalism.

He later studied applied mathematics at the Wrocław University of Technology.
During this time he became fascinated with algorithmic composition, signal theory, and chaos systems.
Tensor Flux emerged directly from that obsession:
music built on micro-patterns, rigid timing, and phase-shifting loops that feel like digital currents passing through a machine core.

His tracks are sharp, metallic, and highly controlled:
no ornament, no nostalgia, no unnecessary gesture.
Listeners often describe his music as
“precision overheating,”
or
“a computer thinking too fast and too clearly.”

Lukasz works primarily on headphones in a small apartment overlooking tram lines,
writing late at night while the city settles into a quiet electric hum.
He avoids social media and rarely shows his face —
for him, Tensor Flux is not a persona but
a system of organized motion.

Tensor Flux - Orelyn

Lématrix is the alias of Adrien Lématrix,
a Paris-born electronic composer known for his cold, architectural approach to rhythm.

After growing up in the grey suburbs of Île-de-France, Adrien entered IRCAM – Institut de Recherche et Coordination Acoustique/Musique,
France’s most prestigious center for avant-garde acoustic research and electronic composition.

At IRCAM he studied computer-assisted composition, spectral analysis, temporal modeling, and algorithmic structuring.
While most students gravitated toward academic electroacoustics, Adrien became obsessed with
ultra-tight sequencing, micro-subdivisions, and repetitive metric grids.

He later developed his project Lématrix, a minimalist, precision-driven sound built entirely from synthetic textures.
His tracks operate like shifting architectural blueprints —
subtle pattern changes, precise timing, and restrained tonal fragments.

Private and introspective, he still composes at night in a small Paris apartment,
surrounded by notebooks filled with rhythm equations and diagrams of imagined signal systems.

His music is not emotional;
it is a structure that happens to produce sound.

Lématrix – Polyphase Gradient

MacDronald is the alias of American producer Billy Ray Gunter,
a trailer-park musician from rural Arkansas who makes razor-tight, minimal, fast-food-satire techno.

He grew up between long highways, discount supermarkets, and endless fast-food chains.
Those color palettes, shapes, slogans, and the artificial brightness of American roadside culture shaped his sense of aesthetics —
not through field recordings, but purely through visual noise.

Billy started producing music in his early twenties on an old laptop inside the trailer he still lives in.
With almost no equipment — just headphones, a cracked DAW, and a cheap second-hand MIDI controller —
he developed a style that’s sharp, sarcastic, and strangely addictive.

His sound is dry and punchy, built from simple digital drums, tight sequences, and sudden tonal stabs.
MacDronald’s entire identity comes from the clash between
“bright, silly Americana” and
“cold, precise rhythm construction.”

Despite the absurdity of the name,
people quickly realized he wasn’t a joke:
his tracks are stripped down, efficient, and surprisingly well-engineered.

Billy Ray Gunter still writes everything inside the same trailer,
surrounded by faded fast-food wrappers, old signs, and a broken mini-fridge humming through the night.

MacDronald - Bite It, Love It

Exsilentia

Aurium Claustra

Caecumnitas

Adytum Occultum

Obliventium

Fragmenta Somniorum

Nubilarium

Horizontis Obductio

Atramentum Mentis

Inscriptio Abdita

Cogitatio Liquefacta

Manus Obscura

Diluvium Mentale

Umbrae Scriptae

Errantia Lumina

Linea Silens

Sonus Absentiae

Aesthetic Infinity

Nox Interior

Vanescens Vox

Oculorum Nullitas

Speculum Inane

Fatum Obductum

Silentium Relictum

Exspes Memoriae

Lapsus Memoriae

FUJIWARP 11

Lunarchoke (tactus mix)

FUJIWARP 20

BackpropZing (train.v.55)

FlickBoltX3

FUJIWARP 19

OptoSkew

LUMAsmear01 (sync+01)

rasthar (vigilantia +v83)

FUJIWARP 18

Voidglint

Nephraloop -edit

Hirmex 18

FUJIWARP 15

Umbra Finitum (Transitus)

FUJIWARP 16

Elmoura

Zeroglint (Coreshiver)

FUJIWARP 14

SynexSpire

Neuracode

Cryofade

Static Ore

Vexall

AburaSumBuzz

Double Cheeseburger

Bite It, Love It

FUJIWARP 21

OtoroshiWave

Too Good to Wait

Just One More Bite

Taste That Stops Time

Granth

Sernox

You Deserve This Flavor

Tarnux

TatarigamiLo

Abruolix

Polyphase Gradient

Oblique Tensorium

Transductive Lattice

Aperiodic Sheath

Spectral Morphometry

Anamorphic Manifold

Hyperbolic Bloomset

Quasi-Laminar Halo

Subgradient Lysis

Isochoric Driftline

Polyharmonic Residuum

Circuit Bloom

Core Blossom

Orelyn

Aesthetic Infinity is a label founded by Hiromichi Fujiwara.
Its purpose is singular: the golden age of IDM keeps turning here.

mail: invaderjapan@gmai.com

Aesthetic Infinity (IDM Label)

Pinned to spotlight

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