where the fuck is the thousands of followers, this is beyond underrated wtf

SUNLIGHT

Viernes 21 / 9 PM (AR)
Sesiones en Casa #71 x Vermillion
x radiorea.com

Radiorea - Sesiones en Casa #71 x Vermillion

©2024 ༼ つ ◕_◕ ༽つ ♥♥♥♥ X4 RECORDS
Produced & Mixed by Danny Playamaqui 

Artwork by Wou-Wou & The Wormling
https://www.instagram.com/wouwouandthewormling/

479: 🕳🕳🕳🕳🕳🕳

Eusebio: Percussion 🐙
Rogelia: BrokenBeats and sab•o•tages 👩🏻‍🦰 
Valentino Arco: Synths 🦊
Matilda: Keys 👩🏻‍🦱
Hall: Noise and Sweets ⛑   
Potoo: Basses 🦉 

"watch out for your ears" they say 🕳🕳🕳🕳🕳🕳 

Thanks to you! Much love! 💖💖💖💖
ok done 
🌸🦄💥

Jellyfish

Selected ambient-techno works 1781-2023

Past Lives

Crystal

Eternal Sunset - Cosmic Dance (Zirds Re - Work Remix)

Popshovit

Piano&Cello Motohiko Hirami 
https://on.soundcloud.com/GG2hW

Reading Sou Nakayama

月 - Moon

In a bustling crowd, they passed by each other, hearts heavy with unspoken feelings. Each step felt like an echo of the silent bond they shared, unseen but deeply felt. Their eyes met briefly, a silent acknowledgment of their soul connection.

Their love transcended words, an invisible thread binding them despite the distance. As they moved away, the bittersweet ache of love and loss lingered, a testament to their unspoken connection.

Terrace Music Studio

Walkby

Walkby (528hz)

Created for Azimuth 6, here as a stereo version of the original 32-channel version.

'Based on the introduction of Jean-Paul Resweber's book "The Philosophy of Language", the piece explores the ambiguity between the voice that conveys a message and the voice whose acoustic and musical qualities are heard. It seems that when our attention is focused on the musical aspect of the voice, we forget the message it carries, and vice versa. The back and forth between these different levels of listening leaves the listener free to give it its own meaning, if there is one. And this is precisely the question asked by the original text. '

https://www.azimuthfoundation.net

La philosophie du langage

Her Majesty the Fool (2020)
by Oren Boneh
Fanny Vicens, XAMP mictrotonal accordion and electronics

For the video: https://youtu.be/hagaxRg15FE

Composed for Fanny Vicens for premiere at Festival Manifeste IRCAM 2020
Special thanks to Grégoire Lorieux, Thierry De Mey, and the IRCAM Pedagogical Team.
Filmed at Centre Pompidou, Paris
Video production: Année Zéro – Benoît Martin, Guillaume Foresti

SUNLIGHT

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