So yeah, this is just for fun.  I created a sequenced "song"...or something...beat, maybe... that consists of a track in 3/4 on top of a track in 4/4, on top of 5/4, on 7/4, on 11/4, on top of 3/8, on 4/8, on 5/8, on 7/8, on 11/8.  It's 23 minutes long because after the first note, it takes 4620 quarter notes before all of those time signatures all fall on the same "one" again.  That means that there isn't a sequence of notes longer than 11 quarter notes that ever repeats in this track, and I think it's even shorter than that.  In this version of the pointless endeavor I used only two sounds and gave one to half the tracks, and the other to the other half.  It's easier listening than the one where each track gets a noise.  Other than what I thought was some cool "emergent" phrasing, this is totally pointless. 

Polyrhythm nonsense percussion2

This is the track where each time signature gets its own sound.  Again, it's 3/4, 4/4, 5/4, 7/4, 11/4, 3/8, 4/8, 5/8, 7/8, and 11/8 all on top of each other.  This one's more grating to listen to and sounds more schizophrenic than the track with only two percussion sounds.  The interesting thing with this one is that you can focus on each individual sound and hear how it's a steady pulse, but together they make this ridiculous, syncopated monster.  Totally pointless also. 

Polyrhythm nonsense with kit

A drum beat I made in a free sequencer for a riff I made up. Yippers.

Poly Riff Final 3 Better Qual

Based on a polyrhythm with groupings of five going over 4/4 which got out of hand. Very very major, so it sounds stupid happy. 

Poly Five Finalester

Troglofauna + 4th Wall Break

Weird scale and weird polyrhythms 'cause I'm a one trick pony. Thrashy headbangy maybe I hope?

vedrannoises