Spotify

Veerus | Tracks

Spotify: https://open.spotify.com/album/1mkPrEyNQDjvZlMLThLhSZ?si=zQSHvgKEQ1KJpXO9XTTjCw 
Beatport: https://www.beatport.com/release/cant-stop-ep/2274753

Many will be familiar with the Italian producers work as part of the duo Veerus & Maxie Devine. Together they debuted on Kittball in 2014 and have continued enjoying a fruitful partnership over the years, gaining the recognition from many of the upper echelons of house and techno. However, in recent years Veerus has released a stream of solo releases on respected labels like Yoshitoshi, Transmit Recordings, Octopus Records and Truesoul (in collaboration with OC & Verde). He now returns to Kittball with a pair of cavernous cuts.Rumbling kicks and ominous atmospheric samples set the tone in Cant Stop Wont Stop as synth melodies join echoing effects. The menacing aesthetic continues in Paranoic courtesy of reverberating percussion and twisted stabs before introducing a whirring hook thats destined to light up dancefloors.

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Veerus - Can't Stop Won't Stop

Veerus - Paranoic

VEERUS - Heavy (Preview)

Out Now on Beatport: 
https://www.beatport.com/release/acid-mode-on/2359094

Veerus returns with three acid-dipped bangers. Full tilt, with pulsating bass and crowd-shaking 303 lines, his rough drum hits permeate a feverish, genuinely euphoric vibe.

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Acid Mode On

Veerus - Zero Day - Octopus Recordings - OCT138

Veerus - Eosh - Octopus Recordings - OCT138

Veerus - Acid Mode On - Octopus Recordings - OCT138

More

OC & Verde & Veerus - Echota (Original Mix)

Veerus - Wheel (Original Mix)

Veerus - 1234 (Original Mix)

I am happy to welcome Veerus who delivered 2 bombs :-) . Everytime I played them it was the highlight of my sets. 1998 Rave meets Techno 2018! (Monika Kruse)

beatport/spotify/vinyl

Veerus - Ehm

Veerus is back with his latest 2 track EP ‘Ehm Phase’ for Monika Kruse’s Terminal M Records.

https://terminalm.lnk.to/Veerus

Premiere: Veerus - Phase

Veerus makes his Drumcode debut, after an impressive contribution to Truesoul’s VA EP in 2017.

The Italian has built up an impressive discography over the last decade, dropping records on labels including Terminal M, Octopus, Filth on Acid and his own Le Club imprint. His collaborative with Maxie Devine ‘My Train’ was a highlight of Solomun’s classic Boiler Room in Tulum, which has clocked 37 million views. In late 2017 he linked up with Brits OC & Verde for the fantastic ‘Naaki’ that featured on Truesoul’s first Various Artists EP, ensuring he was an artist well and truly in Adam Beyer’s sights. 

His maiden outing for Drumcode mines 20 years of history, taking inspiration from classic trance and acid from the ‘90s, which he distils to create powerful modern techno works. ‘Hypnosis’ was a huge highlight of Beyer’s Awakenings show at Gashouder during ADE. It’s characterised by an engrossing call-and-response dynamic Veerus builds between the 303 acid warbles and the melodic stabs that run throughout. A track custom made for big moments.  ‘Apocalypse’, like its name, is more menacing. Veerus constructs the work to mimic the dramatic theatre of a gladiatorial scene in a film, as heart-fluttering chord progressions, a piercing synth line and dystopian melody mark this memorable track.

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Veerus - Apocalypse - Drumcode - DC203

Veerus - Hypnosis - Drumcode - DC203

A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.

The 25-track strong compilation features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.

The highlight-rich compilation includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘Eyes of the Night’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’. 

The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.

There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johannson, Anthony Castaldo, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.

Exciting young guns Weska and Juliet Fox bring heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia, Jay Lumen, Luca Agnelli, Marco Bailey and Mark Reeve craft powerful dancefloor weapons.

Veerus — Prophecy — A-Sides Vol. 8 — Drumcode — DC211

‘Hypnosis’ was one of Drumcode’s most vital under-the-radar releases of 2019. Its creator, Veerus, returns to the mothership for another top-shelf offering.

The Italian’s career is a brilliant slow burner, releasing EPs sparingly over the course of his 14-year career. There’s a narrative quality too each track too, the artist reveling in a drama-laden call-and-response dynamic. All three cuts from his latest ‘System’ EP are made for big moments. The title track was created with Amsterdam’s holy rave cauldron the Gashouder in mind, and was completed by Veerus just a few days before ADE last year. Balancing on a knife’s edge between tension and euphoria, the track’s twisted synth lines sent an energy surge through the iconic venue. ‘Year’ is a deadly one-two combo of synapse-searing synths and sharp drums as jagged waves of sound throb with panoramic effect. It was a captivating highlight of Beyer’s set at Amnesia in Milan in February, the final session before the lockdown. ‘Pyramid’ was debuted at Beyer’s Cercle performance last September, sound tracking a blissful post-sunset moment at the Théâtre antique de Lugdunum in Lyon.

Veerus — Pyramid — Drumcode — DC224

Veerus — Year — Drumcode — DC224

Veerus — System — Drumcode — DC224

A rare treat for Drumcode faithful: A-Sides Vol.10 is set to drop in December, the second edition of the beloved series to come in 2020.

Fuelled by the extra time and space to be creative during lockdown, Drumcode’s collective of artists have stepped up. Across 17 contributions, the producers have gone deeper into their sonic repertoire, crafting powerful, yet reflective works that capture the range of the label’s sound.

Jay Lumen leads the way with a rousing riff-driven weapon, ‘Galactic Rainbow’, while Ramon Tapia brings us the muscular gem ‘Drum Control’, mixing up ruffneck techno with a barrage of synapse-tickling synths in the second half. Both rousing highlights of the compilation.
Victor Ruiz, Drumcode’s most prolific contributor in 2020, dishes up ‘Love Story’, led by a huge vocal lead. Zimmz also returns with ‘Tension’, which deftly combines deep squelchy grooves with a silky synth interlude. Thomas Hoffknecht follows up his debut on Vol.9 with ‘Escape’, keeping listeners on their toes with dynamic, choppy shifts throughout. Veerus joins with another stirring addition ‘I Know’, reinforcing why Beyer rates him so highly.

Elsewhere a string of debutants feature: buzzy newcomer Lilly Palmer gives us ‘Amnesie’, a brilliantly pummelling and eerie cut; Alex Lentini & Stomp Boxx serve up ‘Expanders’ mixing up drone effects, trippy vocals and an unsettling melody line; and Patrik Berg’s ‘Activated’ is full-bodied techno that drops down into funky rhythms.

Long-time DC family member Bart Skils brings his A-game with the thrilling no-nonsense ‘Solid State’ that hits like a steam train. Likewise, Alan Fitzpatrick who brings a momentous slab of techno energy with ‘Rochus’, while Thomas Schumacher, now feeling like a regular on the imprint, crafts another dark techno opus, this time in collaboration with CAITLIN.

There’s even a special appearance by the chief Adam Beyer, who makes a welcome return with the progressive-tinged ‘Changes’, driven by organic tones and spacey atmospherics. The track stands as his first original contribution to A-Sides since 2017.

Veerus — I Know — Drumcode — DC235

Part of the new brigade of artists making their mark on the label, Veerus lands his fifth release in two years on Drumcode.

With a pair of EPs and numerous contributions to the coveted A-Sides compilation under his belt since his debut in 2018, Veerus has established himself as a talented go-to producer for Adam Beyer; from his stirring cut ‘Hypnosis’ that highlighted the Drumcode founder’s Cercle performance, to the killer ‘System’ that provided an early 2020 moment for the label. His consistent vein of form will result in a coveted spot at Drumcode Festival Malta 2021 in September.

‘Recovery’ continues the Italian’s talent for crafting powerful melody-led techno projections. The title track is an ace. What begins as a smoky atmospheric cut is quickly elevated to beast status as intergalactic robot stabs shatter the mist, while an acid-underbelly adds to the mood. ‘Dysfunction’ brims with a distinct 90s synth aesthetic, propelled by a crisp and classy bottom end.

Veerus | Tracks

Veerus + Maxie Devine