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Yeat - Stand On It (feat. Future) [Slowed + Reverb]

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Milky Way

Brahms: 'Rain Sonata' Op.78. I.Vivace ma non troppo. Transcribed & produced for pianoduo by VV Mar 5, 2024 on/after a sequence/reading  of H.Fesefeldt (1942-2019) rom ca 2010, but modifying its tempos, articulations and dynamics quite much  after my own preferences.
Photo: Detail of cover page Aimez-vous Brahms? (Do you like Brahms?), a novel by Françoise Sagan 1959
Any kind of commercial use of thistrack is prohibited.

Brahms: 'Rain Sonata' Op.78. I.Vivace Ma Non Troppo. Arr. for Piano Duo

Brahms: 'Rain Sonata' Op.78. I.Vivace ma non troppo. Arr. for pianoduo

Blind (Feat. Fashawn) (Prod. by ML3) out now
https://linktr.ee/heyitsishmael

LYRICS
The caged bird singing
Cause the shit that
Ain't worth thinking
Getting more plays
Than what he put out, meaning
He's gon' go harder
Going out swinging
See him dreaming of that
Worldwide praise
And dare I say
He's gonna get a grip on that
Squeeze it in his palms one day
Ring the alarm
Don't stay calm
Cause he gon Funk Flex the record
With explosions
Like Black Tom
Olajuwon ballin is The Dream
Let it be known
I gotta see this journey
And the outcome
Can't let the vision be
Pigeonheld
I wanna spread my wings
And be propelled
I stopped looking up to you
And started looking up to me
My own hero
Trying not to stay too cozy cause
If I do, I'll end up with
A pocket full of posies
You can't post about me
Without fire emojis
Stacking stacking mo cheese
Then spend a bit the homies
she let me get in between
Like your teeth with cilantro
Trying get my pockets on pudgy
Like Chancho
Had a crew
But out the blue
They were all gonzo
But I know my dreams are not
A farcry
On the chase for chicken
Sticking to that Popeyes
My eyes real low
I've been blazing on that bonsai
I keep it true, man
Going from a crowd blender
To the Brown Truman
Trying keep my cool
While they see me as
Less of a human

Don't know where my head is
On the search
No, I can't find it
Am I blind to what I want
I don't mind it
Might be better than this here
Damn, I gotta find out
I gotta find out
Uh

Don't know where my head is
On the search
No, I can't find it
Am I blind to what I want
I don't mind it
Might be better than this here
Damn, I gotta find out
I gotta find out
Uh

All mi vida
I've been leaning
Towards the speakers
And the tweakers
Just a dreamer
In a pair of dirty sneakers
Wanted a woman like Lupita
Or a diva I can creep with
Wondering if I bite the apple
Would I get escorted out of Eden?
Never thought
It was in my jeans
Never thought I was a genius
Had no reason to think
I would sell out clubs
I used to sneak in
I was humble and the meek is
Holding the mic
Like it was a secret
Was a student for the teaching
I got heights
I planned on reaching
All I got to do is show up
I'll probably blow up
I wish I was Irish
Cause I ain't had no luck
Yet I'm still focused
Underground, so what?
One day I'll get the opportunity
To share this opus
They tell me fame's
Like a flame
Once you get the name
It burns, dang
Been crying out
But they ain't concerned
Haters wanna clip you
Send you on you way to your urn
Just because of all the paper you earn
Fuck all that
I've seen enough
The Industry's rough
Sometimes I think
I'm in it too deep
I'm in it too much
Pray for me
Whiles these devils
Try to prey on me
Isolated by the globe
So I stay lonely
Compensated for the flow
You gotta pay homie
Been in this shit, dub
Youngins gotta say OG
Imagine me packing out an arena
Instead I'm back on the block
Strapped with a nina
It's Big F

Don't know where my head is
On the search
No, I can't find it
Am I blind to what I want
I don't mind it
Might be better than this here
Damn, I gotta find out
I gotta find out
Uh

Don't know where my head is
On the search
No, I can't find it
Am I blind to what I want
I don't mind it
Might be better than this here
Damn, I gotta find out
I gotta find out
Uh

Blind (Feat. Fashawn) (Prod. By ML3)

This track is among the outtakes from my 2001 Space For Music release COSMOGENESIS.

Cosmogenesis Outtakes 1

Title Fight - Safe In Your Skin - Where Am I (Slowed)

ULTRAPHUNK (SLOWED + REVERB)

夜想曲2

"How She Makes Me Feel"

GCIRS-13E

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a small LIST of MY MODEST OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Brahms: 'Rain Sonata' Op.78. I.Vivace ma non troppo. Arr. for pianoduo

Veikko Viljanen

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