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Arcangelo Corelli: 'SONATA PER VIOLINO E BASSO, O CEMBALO' E Major Op. 5 No 11.
Transcribed and reproduced for piano duo by VViljanen Feb 1, 2024 on ground of score reading into a sequence made by H.Fesefeldt (1942-2019) ca 2010. A pair of grand pianos were used on recording, revoiced, reconfigured, and the rec. preset made by VV,
Image: Arcangelo Corelli 1653-1713) on score cover page from yr 1795
Any kind of commercial use of this track is prohibited.

Corelli: Sonata per Violino e Basso, o Cembalo. Op. 5 No 11. Transcribed for two pianos

Corelli: Sonata per Violino e Basso, o Cembalo. Op. 5 No 11. Transcription for piano duo

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Pertenece al primer movimiento de la sonata 1. Op. 18. 

Al tratarse de una serie de trabajos para violín solo, es recomendable el uso de auriculares.

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In this week’s episode, we have the privilege of introducing a remarkable team that operates in the shadows, working tirelessly on ASU’s high-impact courses. Join us as we sit down with the extraordinary faculty members from the Writers’ Studio: Michelle Stuckey (Clinical Assistant Professor and the Writing Program Administrator), Zach Waggoner (ENG 101 Coordinator), John Buckley (Writers’ Studio Course Coordinator), and Sean Tingle (ENG 105 Faculty). We hear how they work with Michael Miller, an Academic Success and Retention specialist to hear how they embark on a journey to redefine the first-year writing course, emphasizing real-world writing experiences over traditional academic writing. They collaborate as a cohesive team to craft not one, but three courses, all interconnected by an engaging throughline that leverages students’ own life experiences as a vital part of the writing process. Michael also takes some time to unveil the inner workings of the Learning Initiatives Team within EdPlus. Discover how they employ data to inform their design decisions when revamping high-impact courses for online students.

It’s not all just data talk – We also can’t NOT talk about AI and its impact on these first-year writers. Hear how this team is tackling AI in the classroom.

Dive deep into the hidden world that fuels your everyday classes right here on Course Stories.

S05E02 - Get LIT with Writers’ Studio: Redefining ASU's High Impact Courses

PART 2 - We can't talk about possessions and exorcisms without talking about the true story behind the 1973 film "The Exorcist". We had to do it in 2 parts. In this episode, we share our thoughts on the story and why we do or don't believe the boy was possessed.

https://www.youtube.com/watch?v=hgOoRVkq5yc

https://sensusfidelium.com/2019/10/19/the-actual-1949-diary-of-the-priest-who-inspired-the-1973-film-the-exorcist/?fbclid=IwAR2diY1G3dPAOGJX9o9QZ26U02VFZKvUKTd36U6krfjjFLm-QJ_qj2DpQdI

https://skepticalinquirer.org/exclusive/real-story-behind-the-exorcist/

https://skepticalinquirer.org/2021/10/demoniac-who-is-roland-doe-the-boy-who-inspired-the-exorcist/

https://www.theguardian.com/us-news/2021/dec/20/the-exorcist-boy-named-magazine

https://www.livescience.com/27727-exorcism-facts-and-fiction.htmlhttps://www.livescience.com/27727-exorcism-facts-and-fiction.html

https://www.archcityreligion.org/exorcism

https://www.slu.edu/universitas/archive/2014/exorcism.php

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If you have questions or something you'd like to share with MVP on this topic, please reach out to them via Facebook, Twitter, or email them at:
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The Exorcist True Story: Fact or Fiction pt.2 - S3 E5

Women's Dance

Women's Dance - Aleko - No.5 - Sergei Rachmaninoff

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a small LIST of MY MODEST OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Corelli: Sonata per Violino e Basso, o Cembalo. Op. 5 No 11. Transcription for piano duo

Veikko Viljanen

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