Fine memories from this piece. I have studied and played it when I was young music student. It was fine to find again, thanks to my friend Veikko.

beautiful! listen also to the version for two guitars

Dawn Ideas（Pre-production）

Clouded Thoughts

The Curtain

Mark Duffield: voice, vocal melody, lyrics https://soundcloud.com/markduffieldcollaboration
Jonathan Beckenstein: initial music, instruments, mixing
-------------------------------------------------------------------------------
Across the bay
Many many many miles away
See a crescent moon
Reflected in a field of poppies bloomed

Take a step into this vision, soon
Grab a flower and throw it at the moon

(YOU)
Don’t ask me how you’re gonna get there soon
(Don’t ask me, don’t ask me, do)
(YOU)
You might as well throw a flower at the moon

Throw a flower, a flower, at the moon
Throw a flower, a flower, at the moon

Save our wrecks
Oh then, say the best
Get it off your chest
Just another shipwreck

Another shipwreck
Get it off your chest
Another shipwreck
Get it off your chest
-------------------------------------------------------------------------------
image: Bart Ros via Unsplash

Poppies (with Mark Duffield)

Cast of Characters:
J.J. Terrell– @j-j-terrell –electric piano, synth and original seed 
TexMex Shaman– @texmex-shaman –Stephen–guitar, mix, and production
K2 and the Three [and the Four]-- @k2andthe3, @k2-kara –Ken–drums
Llanpsych– @llanpsych –Tez– Guitar
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass guitar
The Eclectic Collective – composition

This song began with JJ, as many of our songs do, who composed the outline on the keys, drums, and bass. He then let everyone else in on it immediately. Ken was first up to bat by laying his always cunning drums in there. After he had a beat to work with, Josh used his tree trunk of a five-string fretless bass to complete the rhythm section. Soon after, Tez and Stephen both laid their magical guitars in there. Once we had it all in the can, Stephen used his powers of production to give us a great mix.
  This one came together relatively quickly, which is a good sign that we're all enthusiastic about what we're creating. We hope you enjoy listening to this as much as we enjoyed making it.

Mellow Travels - The Eclectic Collective

For all those who don't give up, resist, for the resilient.

Composition and all arrangements: Francesco Cartocci

Until the very end

Instrumental composition, guitar, bass by Garddwr Porffor: https://soundcloud.com/garddwrporffor
Vocals, Vocal Composition, Lyrics: Nadia Selvaggi

The Order of Things by Garddwr Porffor & Nadia Selvaggi

Extracto de mi pista Every Day I Try para el concurso de Adam Audio

Every Day I Try - #soundtrackcompetition2024

Video Link: https://www.youtube.com/watch?v=nTxUYaegD9M
Premieres May 31, 2024 at 7 p.m.!

The Earth Love

Red Seas - (Live Recording Mix)

Red Seas - (Live Recording Session 2024 & Video Link)

some days ago I recorded an extended didge jam of mine, second layer was a jaw harpe jam -
it's all in the key C# :-))) --- today I added a tenor sax ...... kind of double length track :-)
.... enjoy this fun mix of droning eucalyptus, vibrating steel spring and melodic sax :-)

Didgeridoo, jaw harpe & sax

Desider Vecsei plays Albeniz: Cordoba op. 232 no. 4 (from Chants d'Espagne), in 1916 on Duo-Art 5820.
Recorded in 2016, and the rec. updated 17 Jun 2017, by VViljanen (by permission)from the digitized copy of the original reproducing piano roll.
ANY KIND OF COMMERCIAL USE PROHIBITED.
Desider Vecsei 1882-1966, photo from Duo-Art piano roll
The basic info of the original piano roll:
CORDOBA, Op. 232, No. 4 from "Chants d'Espagne"
Roll Number: 5820, 58208
Composer/Creator: Albeniz
Pianist: Vecsei
Roll System: Duo-Art
Country: US
Date: October, 1916
Category: classical
Original Price: $2.00 (Price after 1922)

Isaac Albeniz: Cordoba. Chants d'Espagne Op. 232 No 4. Desider Vecsei 1916 on Duo-Art 5820

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a small LIST of MY MODEST OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Isaac Albeniz: Cordoba. Chants d'Espagne Op. 232 No 4. Desider Vecsei 1916 on Duo-Art 5820

Veikko Viljanen

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