Franz Liszt: Mazeppa Etude. Erwin Nyiregyhazi 1924 on Ampico 63703.
Recorded for educational and pedagogical use from reconstructed and digitally simulated original reproducing piano roll by VViljanen July 30. 2022, using in its playback  a modelled Bechstein 1896  grand, re-voiced & reconfigured by VV,
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Erwin Nyiregyhazi( 1903-1987) in 1920, LA Times
Basic info* of the original piano roll in 1924:
MAZEPPA "Etude Transcendante" No. 4, D minor
Roll Number: 63703, 63703H
Composer/Creator: Liszt
Pianist: Nyiregyhazi
Roll System: Ampico
Country: US
Date: November, 1924
Category: classical
Original Price: $2.00
'Info source: The Piano Player Group Web page (by permission)

Etude transcendante No 4 D Minor, 'Mazeppa'

Franz Liszt: Etude Transcendante No. 4 in D Minor 'Mazeppa',  Erwin Nyiregyhazi 1924 On Ampico 63703

Recorded at Studio 15 by fabiano matiolla
fabiano matiolla - All guitars, bass, keyboards and drum samples...

Release Date: Sep 22, 2023

◆Youtube: https://www.youtube.com/watch?v=SOwhaxb-ILE
◆Apple: https://music.apple.com/us/album/satellite-single/1707391139
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◆Soundcloud: https://soundcloud.com/fabianomatiolla
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◆Qobuz: https://www.qobuz.com/dk-en/album/satellite-fabiano-matiolla/aviz8imug9fga

Produced by fabiano matiolla

Satellite

Sonatas II Op.7 No.4 - 1st movement

The Trial
A Pico-Operetta for our Times

International Cast

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; https://soundcloud.com/oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; https://soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, and acoustic guitar in the third song; https://soundcloud.com/david-dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects etc; https://soundcloud.com/farout-music-studio

Here you can download all poetic lyrics: https://www.dropbox.com/scl/fi/37k203an5c6azz0ekltvn/The-Trial-Libretto.pdf?rlkey=mope1vjiyqhaeo17b5u74dp2i&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation.  Recognising the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice.  The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organisation and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed itself against the defendant, mankind’s innate sense of humanity.

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence.  The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others. 
 
In reply, a broken and demoralised Lady Humanity has been compelled to present her own defence after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defence rests solely on the premise that good comes from within and cannot be created from nothing.  So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying.  Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.
  
The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial - A Pico Operetta for our times

A big thank you to the talented Wikiloops Musicians

https://www.wikiloops.com/backingtrack-jam-290184

Presenting - Till I Get Over You

Vocals - Heidi-Marie - first take
Original Lyrics as I sung

Choose another road
Walk another path

Time to clear the mind
Time  to the cleanse the soul

So let me take another road

Does it really matter
Which way I go

Not sure what I'll


Till I get over you

Produced in the ARAPA Music Studio,
Sydney - Australia

Till I Get Over You

I pull the faded photograph off the shelf
Because you crossed my mind
I figured if I stared at it long enough
Memories of you I could find

I blame myself for why you’re not here
So many things I could have changed
If only I could believe in the words
It may have kept us from being estranged

In the dark, I sit all alone
A bottle of scotch takes your place
With every swallow that I take
Eyes are closed, I see your face

In self abuse I pity myself
The future I don’t see
It’s through the bottom of an empty glass
I view the loneliest of the lonely

The morning after, there’s fuzz in my brain
I shake my head in disbelief 
Why do I keep torturing myself?
Continuing to live in all this grief

That’s it, I’m through
I’ll put away the booze
But not until this bottle is empty
I’ll win again, after I lose

In the dark, I sit all alone
A bottle of scotch takes your place
With every swallow that I take
Eyes are closed, I see your face

In self abuse I pity myself
The future I don’t see
It’s through the bottom of an empty glass
I view the loneliest of the lonely


I pull the faded photograph off the shelf
Because you crossed my mind
I figured if I stared at it long enough
Memories of you I could find

In self abuse I pity myself
The future I don’t see
It’s through the bottom of an empty glass
I view the loneliest of the lonely


Lonliest Of the Lonely

Pulled from the archives, Julie Evans brings the Blues to her exquisite violin playing in this cover of the famous Arthur Hamilton song.  I had the privilege of backing her up with acoustic guitar and bass.  Remastered from a cassette tape recorded in 1997.  Thanks to Harvey Twyman for bringing our cover to mind with his own recent and very fine cover @harvey-twyman.

Cry Me A River (Arthur Hamilton) Julie Evans; violin, David; Guitar, Bass

Nocturnes III - Op.10 No.3

Though I have never visited Ireland, Irish blood runs through my veins and I always seem to feel a surge of it this time of year.  Kerry County is considered by many one of the most beautiful places on Earth; the openness of crystal-blue sky reflected in the water, and an eternal green seen from horizon to horizon.  And if one is lucky, a glimpse of the Bog Pony might be caught.
A huge "thank you" to Debbie Buesking for gracing my guitar with her oh so elegant playing.  The beauty would have been lacking without it:)  Hear more of her exquisite playing @debra_buesking.

The Beauty Of County Kerry (Debra Buesking; piano, David; guitar)

2024-03-31

Infinity

The Trial
A Pico-Operetta for our Times

International Cast

Lady Humanity - Oddrun Eikli - Norway, vocals and lyric on the last song; @oddrun-eikli
Lord Mammon - Peter - England, All poetic lyrics in the operetta, except the last song; soundcloud.com/user-264930040/tracks
The Judge - David Dunham - USA, and acoustic guitar in the third song; @david-dunhamuser589535203
Music & Production - Seagull - Sweden, compilation, mixing, sound effects etc; @farout-music-studio

Here you can download all poetic lyrics: https://www.dropbox.com/scl/fi/37k203an5c6azz0ekltvn/The-Trial-Libretto.pdf?rlkey=mope1vjiyqhaeo17b5u74dp2i&e=1&dl=0

Synopsis

Following unprecedented worldwide growth in human conflict, an emergency plenary session of the United Nations was convened late in 2023, tasked with finding new approaches to defuse global tension and ease conciliation. Recognising the abject failure of extant UN jurisdictions and powers, and in a radical restructuring of the international legal and security framework, that session established a new UN institution to sit alongside the International Court of Criminal Justice. The International Court of Moral Justice was formally incorporated into the UN Constitution on 1 January 2024.

The foundations of this infant organisation and those of the UN itself were shaken when it was revealed that the inaugural case to be heard by the ICMJ was to be a private prosecution brought by greed itself against the defendant, mankind’s innate sense of humanity.

In papers lodged with the court, the protagonist, Lord Mammon has asserted that the fundamental basis for human misery, the creation of discontent, thence envy and hence conflict, is to be found exclusively in false moral goodness and self-righteousness borne of a misplaced sense of benevolence. The human race survived and thrived, he states, not by moving at the pace of the slowest, or sharing resources with the weakest, but by taking and keeping, for the self alone, much more than is needed for basic subsistence, this being the singular route to strength, individual contentment and thus tolerance of others.

In reply, a broken and demoralised Lady Humanity has been compelled to present her own defence after failing to secure funding for a legal team to counter the advocates ranged in front of Lord Mammon. The case for the defence rests solely on the premise that good comes from within and cannot be created from nothing. So whilst she may try to bolster the moral cause in her work, she increasingly finds that the human souls she sees have no humanity in them whatsoever for her to strengthen, nothing to work with and as such, concedes that she has failed, but denounces the notion that it was for want of trying. Devoid of resources, supporters and allies of any kind she single handedly has held the fort against the self-perpetuating, self-reinforcing massed ranks of Mammon.

The Lord Chief Justice of the ICMJ along with his bench of associate judiciary adjourn proceedings to consider their findings and in the final act, return to deliver their verdict.

The Trial. A Pico-Operetta for our Times.

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a small LIST of MY MODEST OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Franz Liszt: Etude Transcendante No. 4 in D Minor 'Mazeppa', Erwin Nyiregyhazi 1924 On Ampico 63703

Veikko Viljanen

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⭕️Ernesto Schmied⭕️

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