Rust & Bones – Fetchflix TV Series
soundcloud.com/user-461764443/sets/rust-bones-new-tv-series-1

Luc Clouseau is the proud son of the French inspector Jacques Clouseau. Having the same talent as his father for investigation, he is to police investigation what P.D.Q. Bach is to music, a total disaster. When young and since his first name is Luc, he identified himself as Luke Skywalker and he was wet dreaming about Princess Leia. Unfortunately for him, he learned in the third Star War episode that Luke and Leia were siblings. His space soldier career then ended abruptly and he decided to pursue a career in the police. At the beginning of his career he was shot in the butt and had to work in the office on a wheelchair for 12 months, which gave him the nick name of Ironside in reference to Chief Robert T. Ironside. 

Luc Clouseau was assigned to investigate about what happened at the Boneman Mansion. Hopefully he will do better than his father.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.” Ho by the way, Fetchflix is also fictitious ;o)

Fetchflix started a new TV show featuring the Inspector Looso called "The wacky adventures of Inspector Looso". Listen to it in the next link.

https://soundcloud.com/user-461764443/sets/the-wacky-adventures-of

Music & Production: Syrel
Photography, portrait of my old friend Luigi: Syrel

Musical note: Some melodic notes for the horns from Star War (1977) by John Williams were borrowed as well as for the trumpets from The Ironside (1967) by Quincy Jones and finally for the trombonnes the rythmic from Mission Impossible (1966) by Lalo Schifrin. Ho yes, by the way, P. D. Q. Bach is a fictional composer created by the American composer and musical satirist Peter Schickele

Rust & Bones

Inspector Looso's First Investigation

The wacky adventures of Inspector Looso - Main Theme- New Fetchflix TV Show

https://soundcloud.com/user-461764443/sets/the-wacky-adventures-of

Luc Clouseau is the proud son of the French inspector Jacques Clouseau and his ex-wife Simone Clouseau. Having the same talent as his father for investigation, he is to police investigation what P.D.Q. Bach is to music, a total disaster. Stay tuned on Fetchflix TV during the next months and enjoy this new series called “The wacky adventures of Inspector Looso”.

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental. Ho and for those who did not get it, Fetchflix TV is also fictitious.”

Music & Production: Syrel
Photography: Portrait generated with Meta AI

Musical note: You may recall the theme I used in the Rust & Bones Inspector Looso track. However, this time I tried to use the humor and derision of John Williams and added the sarcastic tone of the American composer and musical satirist Peter Schickele who created the fictional composer P.D.Q. Bach as well as the Gerhard Hoffnung humoristic music.

The wacky adventures of Inspector Looso

The Wacky Adventures Of Inspector Looso  - Main Theme

The wacky adventures of Inspector Looso - New Fetchflix TV Show

soundcloud.com/user-461764443/sets/the-wacky-adventures-of

Mr.Peter Pencil, which is well known for his blue suit and lizard pin, vanished during a business trip somewhere in Italy. His mistress Penny Pen was desperate and called the police to investigate. Young Inspector Looso was assigned to this case by his boss hoping this investigation would sharpen his skills. Looso took charge of this case as if he was one of the Raiders of the lost Pencil. Will young Inspector Looso be able to find Mr.Pencil. Let’s hope Mr.Pencil was not violently erased from the surface of the earth?

“This story is a work of fiction. Any similarity to actual persons, living or dead, or actual events, is purely coincidental.”

Music: Syrel
Photography: Syrel (Mr. Pencil as found in the Castello di San Giorgio in Mantova, Italy)
Sculpture: L’Artista invisibile. Lucio and Peppe Perone
 
Musical Notes: Should I be embarrassed that I borrowed to so many composers. Nope. But you may recognize Lorne, Hans, John, Sergey, Pyotr, Maurice and many others. I had so much fun making this pastiche ;o)

Finding Mr.Pencil

Il cuore giovane, triste e smarrito, dal lontano paese natale, sono giunto qui. Per ritrovare quel volto familiare, ho attraversato mari, monti e cieli.
Lei, la mia stella, il mio splendente sole, è promessa ad altri, il suo cuore è lontano. Sognavo di abbracciarla ancora una volta, ora vedo l'ultima speranza svanire.
Destino crudele, hai portato via il mio amore, ma non puoi spegnere la luce nel mio cuore. Il tempo guarirà le ferite dell'anima, ma mai cancellerà il dolce nome tuo.
Complete MV on YouTube: https://youtu.be/toZ3RFY0L0k?si=8FM2YTnWnRkqPcB2

Addio, Mio Amore

Max Reger: 2.Scherzo.  Vivace - adagio of String Quartet No3 D minor. Op.74 (IMR203). 
The work was composed in 1903-4, and first  published 1904 in Leipzig by Lauterbach & Kuhn . The work is in four parts:
1.Allegro agitato e vivace
2.Scherzo: Vivace - Adagio
3.Andante sostenuto e semplice
4.Finale: Rondo: Allegro con spirito e vivace

- Transcribed & reproduced for two pianos by VViljanen on a sequence generated by H.Fesefeldt of an original score for a string quartet, using on its slightly beforehand modified (on its articulatins etc) playback recording  a pair of Petrof Mistral 284 mdeled grands, revoiced & reconfigured  by VV, as well as was made the rec.setup.
Photo: Max Reger (1873-1916)

Max Reger: 2.Scherzo.  Vivace - adagio of Quartet No 3 Op.74 (IMR203).Transcr for 2 pianos

Max Reger:  3.And.sostenuto e semplice con variationi, of String Quartet No3 D minor. Op.74 (IMR203). Transcribed for two pianos by VV 2025.
The work was composed in 1903-4, and first published 1904 in Leipzig by Lauterbach & Kuhn . The work is in four parts:
1.Allegro agitato e vivace
2.Scherzo: Vivace -  meno mosso adagio
3.Andante sostenuto e semplice con variationi
4.Finale: Rondo: Allegro con spirito e vivace

- Transcribed & reproduced for two pianos by VViljanen on/after a sequence generated by H.Fesefeldt of an original score for a string quartet, using now on its slightly beforehand modified (on its articulatins etc) playback recording a pair of Petrof Mistral 284 mdeled grands, revoiced & reconfigured by VV, as well as was made the rec.setup.
Photo: Max Reger (1873-1916)

Release date:
2 April 2025

Max Reger:  3.And.sostenuto e semplice of Quartet No 3 Dm Op.74  (IMR203) Transcr for 2 pianos

Max Reger:  III.Andante sostenuto e semplice con variationi. Op.74-3. Transcr for 2 pianos

Max Reger: Scherzino. Biten und Bitter (or 'Bitter und Biten') Nr.12. Reproduced by VV. Apr.7, 2025
Additional information about this piece is wellcome! - I just know that this piece belongs into a set of twelve pieces composesd by Max Reger, but don't have here more information about its opus number or pub. year.
The pieces of this set  are:
1. Albumblatt
2. Humoreske
3. Frühlingslied
4. Elegie
5. Jagdstück
6. Melodie
7. Moment musical Nr.1
8. Moment musical Nr.2
9. Gigue
10. Romanze Nr.1
11. Romanze Nr.2
12. Scherzino
Photo: Max Reger (1873-1916)

Max Reger: Bitter und Biten, Nr12-Scherzino-ed.VV

Max Reger: Sonate E minor for Violin Solo  Op.91nr5. Read & Transcribed  et reproduced  for Piano by VV Apr13-2024
The work is in four movements:
1.Allegro moderato
2.Con moto
3.Larghetto
4.Allegro enrgico
Transcribed & reproduced for piano solo by VViljanen Apr 13, 2025 of/after modifying a score sequence generated for violin solo of the original Reger score. Now, a petrof Mistral 284 modeled grand was used on recording, the instrument revoiced &  reconfigurated by VV, as well as also was made the setup .
Photo by VV - except just now  its full moon...👀😎✨
Any kind of commercial use of this track is prohibited

Max Reger: Sonate E minor for Violin Solo  Op.91nr5. Transcr. for Piano Solo by VV

Pietro Nardini: Sonata for Violin & Piano  no2 in D Major.  Mvt I. Adagio.Transcribed for two pianos by VV Apr 21,  2025.
The work is in four movements:
1. Adagio
2. Allegro con fuoco
3. Larghetto
4. Allegretto grazioso
A scoresequence generated by H.Fesefeldt (1942-2019, a German nuclear physics researcher & music software developer) was used here as source material for this recording by VV on a pair od Petrof Mistral 284 modeled grandpianos, revoiced & reconfigured by VV.
Photo: "Easter  Cheese Cake" by SV/VV

Pietro Nardini: I. Adagio of Violin Sonata  n.2 in D Major. Transcr. for two pianos by VV

PPietro Nardini: II. Allegro con fuoco of Violin sonate  n.2 in D Major. 
Transcribed & reproduced  for two pianos by VVijanen Apr.21-29, 2025 (...take mr 14..👀🤔). 
A pair of Petrof Mistral 284 grands (modeled) were used on recording, the instruments revoiced & reconfigured , as well as  the rec. setup made by VV.
Photo: "Easter view of the local lake" by V.Viljanen 2025

Pietro Nardini: II. Allegro con fuoco of Violin sonate  n.2 D Major. Transcr. for two pianos by VV

Pietro Nardini: II. Allegro con fuoco of Violin sonata  no2 D Major. Transcr. for two pianos by VV

Pietro Nardini: III.Larghetto of Sonata n.2 D major. Transcribed for two pianos by VV
Photo: A local lakeview by VV Apr 15, 2025

Pietro Nardini: III.Larghetto of Sonata n.2 D major. Transcribed for two pianos by VV

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a minor LIST of MY MY OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Max Reger: III.Andante sostenuto e semplice con variationi. Op.74-3. Transcr for 2 pianos

Veikko Viljanen

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