Molina Hey Kids (Super Slowed and Reverb) X I Am A Real Person

Melancholy

a voice memo cover (more of a reinterpretation) of alek olsen's "someday i'll get it"

not a single off the album

someday i'll get it (voice memo) (prod. gunkjunk)

original song attributed to Bababooey! on Ninja Snacks/Doobie's profile.
idk was gonna call it babyboy-curse. but owell!

Bababooey!!!

Let's say sunshine for everyone
But as far as I can remember
We've been migratory animals
Living under changing weather

Someday we will foresee obstacles
Through the blizzard, through the blizzard
Today we will sell our uniform
Leave, leave together

We played hide and seek in waterfalls
We were younger, we were younger
We played hide and seek in waterfalls
We were younger, we were younger
We played hide and seek in waterfalls
We were younger, we were younger
We played hide and seek in waterfalls
We were younger, we were younger

Someday we will foresee obstacles
Through the blizzard, through the blizzard

Syd Matters - Obstacles (Slowed & Reverb)

Clean Echoes#07

Voice 001

hashtag ..
..
Thank You 
..
Truly
..
P.S .. sorry and that init

Bang, Stab, Shoot, (a Sorry Over From Me) .. For Me

The beautiful poem by William Wordsworth, set to a musical soundscape designed to enhance the feelings evoked.

This track is a re-recording of https://soundcloud.com/rabmusiclab/dance-with-the-daffodils. I was not entirely happy with the direction that track had taken and wanted to give it a new atmosphere.

While strolling through the quarter Wilten of Innsbruck I had discovered the bookshop Daffodils. It had the last two lines of this William Wordsworth poem printed on the shop window - this was the inspiration for creating the original track.

The new poetry reading by Graham Williams was generously provided by Librivox as public domain:
https://archive.org/details/wandered_lonely_as_a_cloud_librivox/wandered_lonely_wordsworth_gw.mp3
I owe my thanks to him for this wonderful reading.
More recitations by Graham Williams can be found here: https://librivox.org/reader/153

For the background I used the wonderful fieldrecording of dobroide with the ambiance inside a flowering Lavandula bush, It is kindly provided at freesound.org/people/dobroide/sounds/462769/ under the Attribution 4.0 license (creativecommons.org/licenses/by/4.0/). I made some edits and attenuated the bee-sounds.
Many thinks to dobroide for sharing this atmospheric recording!

This track was inspired by the Disquiet Junto Project 0641:
More on the 641st weekly Disquiet Junto project, Re-re-re-re-revise — The Assignment: Take an old track and make it better — at https://disquiet.com/0641/

I Wandered Lonely as a Cloud  (Disquiet0641)

Nostalgic piano, strings, and ambient electronics help me remember that the apple and the tree are never far from each other.

to grow older with the one you love

Schubert - Liszt: Soirées De Vienne No 6. Teresa Carreño 2 Apr 1905 on Welte Red Roll 360. 
c Recorded for educational purpose  20 Aug 2017 from digitized original reproducing piano roll by VViljanen (by permission).
ANY KIND OF COMMERCIAL USE PROHIBITED.
Photo: Teresa Carreño (María Teresa Carreño García de Sena) 1853-1917, was a Venezuelan pianist, singer, composer, and conductor.[1] -- Born into a musical family, Carreño's talent was recognized at an early age. She was at first taught by her father, Manuel Antonio Carreño. In 1862 her family emigrated to New York City. The young girl took a handful of lessons from Louis Moreau Gottschalk.[2] That year, she made her debut at Irving Hall at the age of 8. In 1863 Carreño performed for Abraham Lincoln at the White House.[
In 1866 Carreño moved to Europe. She had lessons from Georges Mathias (a pupil of Frédéric Chopin) and from Anton Rubinstein. After playing with the keyboard for so long, she started to pursue a career as an opera singer, debuting at New York, in 1876, as Zerlina, in Mozart's Don Giovanni. Her switch over to opera was brief yet successful. She toured Australia, New Zealand and South Africa at least once.[3]
Franz Liszt offered her lessons, but she declined.[4] Carreño did not return to Venezuela until 1885, and then only for a short period. In 1889 she returned to Europe for more touring, settling in Berlin. Her performances earned the sobriquet,"Valkyrie of the Piano." She mounted two world tours in the early years of the twentieth century, but her health gradually deteriorated. She died on June 12, 1917 in her apartment in New York City, aged 63.[1] -- She performed several times at Henry Wood's promenade concerts. He wrote: "It is difficult to express adequately what all musicians felt about this great woman who looked like a queen among pianists - and played like a goddess. The instant she walked onto the platform her steady dignity held her audience who watched with riveted attention while she arranged the long train she habitually wore. Her masculine vigour of tone and touch and her marvellous precision on executing octave passages carried everyone completely away."[5]
Teresa Carreño was one of Edward MacDowell's first piano teachers, and became the dedicatee of his Second Concerto. (Wikipedia)
She was married four times. One of her husbands (in 1892-1895) was legendary pianist Eugen d'Albert (1864-1932).

Schubert - Liszt: Soirées de Vienne No 6. Teresa Carreño 2 Apr 1905 on Welte Red Roll 360

My warmest thanks to everyone stopping by for listening to my  'REVIEW   OF THE PAST TIME PIANISTS' INTERPRETATIONS ON THE HISTORICAL PIANO ROLLS, and also to a small LIST of MY MODEST OWN RENDITIONS, all of the latter representing a variety of piano music & some pipe-organ classics, - and  TO THE Growing LISTS OF (just lately done and reproduced)  TRANSCRIPTIONS OF VARIOUS CHAMBER MUSIC CLASSICAL PEARLS FOR TWO PIANOS.
A HEADSET IS RECOMMENDED for optimal sound experience!
This kind of 'touching' on these old pre-sound-rec. era works by the great performers of the past, and giving my sound to these old 'punch rolls',  makes me feel  deep humbleness, .and I wish that this modest attempt to bring these  performances alive will satisfy you listening to them!
To introduce myself...
I am a Finnish M.D., PhD. and Hand Surgeon (now retired), previously when young with 10 years of professionally orientated piano studies at Turku Conservatory in 1965-1975, partly  along with medical University studies. 
The digital sound techniques have become very familiar to me already from 1980's along with my university research work  
and my musical activities.
As continuation to my musical and professional experience, I have, during the last few years of my retirement, adopted a music historical challenge
to bring the past time major and minor pianists, prior to sound-recording era, onto the same 'start line' with the present pianists, by making their presentations, played onto 'punch rolls' i.e. piano rolls, audible with modern digital techniques. This wouldn't be possible without the pioneering  efforts of Richard Stibbons, Wayne Stahnke, Terry Smythe, Warren Trachtman, Spencer Chase, and others, who developed the optical digitizing techniques of the piano rolls, and digitized them.

The main part of my recordings here in SC consists of selection recorded by me from optically digitized piano-rolls** (from 1910's on or earlier, classical and 'vintage era'). These recordings of mine are not and will not be commercially unavailable. - The rolls were first optically scanned and converted into a digital form by diverse operators** (see also to the info of each piece). The pieces here were partly (minor part) picked from various open net sources, publicly available, but mainly from the huge archive (n=ca.5000) of digitized copies copies of the original reproducing piano rolls, made available to me by one of the pioneers of roll digitizing tehchniques (willing to keep anonymous), and then recorded from this archive mainly with virtual grand piano (called by me 'Bluethner Model One') modified/re-designed by me, as well as the rec settings. 
Also a minor selection of my own renditions among my records can be found here, included on my playlist 'Bach Goes Virtual', the name of the list telling something about the techniques used for getting the end result... The list includes various organ works by J.S.Bach and others, and also a few piano renditions of mine. Then there are included also various pieces which have been in my repertoire, but here played mainly by the  'guest' great players of the past (before the sound recording era).
MY MOST HUMBLE THANKS TO THE NOBLE DONOR  OF THIS INVALUABLE PIANO ROLL MATERIAL FOR MY USE!!!
My Sincere Thanks also to The Player Piano Group, UK, for providing me their permission to use the information about the piano rolls collected and provided on their web page ( https://rolls.playerpianogroup.org.uk ),  and for simplifying my short historical presentations of these renditions on their re-publication here!
AND LAST BUT NOT LEAST, MY MOST HUMBLE THANKS TO EVERYONE  OF YOU FOR LISTENING, AND FOR YOUR 'LIKES' & COMMENTS !
YOUR LISTENING & FEEDBACK IS TRULY APPRECIATED..!!.
Use of good headphones or speakers will make your music experience more enjoyable!
Best wishes, all the best
Veikko
These recordings are not commercially available, and ANY KIND OF THEIR COMMERCIAL USE IS PROHIBITED.

Schubert - Liszt: Soirées de Vienne No 6. Teresa Carreño 2 Apr 1905 on Welte Red Roll 360

Veikko Viljanen

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