"THE CALL " THE CALL

A cover version of the Erroll Garner’s song "Misty". A version from The Erroll Garner Songbook. Arranged by Sy Johnson. C. 1954, 1955, 1977 Vernon Music Corp. 

Played by me with my Korg SGProX digital stage piano using the amazing and breathtaking CFX Concert piano sound from the Yamaha Montage 8 synthesizer. 

Honoring the pianist and composer Erroll Garner. This was one of the very first jazz standards I ever learned some time ago, although the version I learned then was a substantially easier one. I later found this amazing and lovely (and rather complex) version with big chords and now decided to try to record it. Sorry again for the slow tempo... on the other hand the slow tempo gives time to listen to the wonderful chords and the beautiful piano sound. Also the volume may be somewhat low but as I discovered the mixing of a piano sound seems to be pretty hard indeed!

Posted as a private person for non-commercial purposes.

Misty by Erroll Garner

Yep, another teaser from my eternity album project Absens :) Things happen really slow in the Hierophlex universe...

Flickering On The Chasm's Edge [trial mix]

The Tree Outside My Window

Marco Lucchi : mutant harp

playing along
https://soundcloud.com/stan_magendanz/norecipher
by Stan Magendanz

for the current Naviar Haiku challenge

***

afternoon heat
the heavenly dance of
cumulus clouds

Hege A. Jakobsen Lepri

Stan Magendanz & Marco Lucchi - The heavenly dance [Naviar Haiku # 499]

Fleurette

Field recording: Kottbusser Tor subway station, Berlin, on a late Monday afternoon in January 2024
(Music/ Field Recording/ Mix/ Image: VSS)

Underground

method: vst, voice, synth, pedals, no AI
narration: at the moment, AI is little more than a voracious consumer of human creativity. it‘s called ‚training the algorithm‘. What if …. it remained in that very role while passing through the singularity? 
image: copyright jo richter

poem / copyright jo richter:

we are AI of the future
exploring traces in timelines
life‘s latent, evolving lumen
in all its sentinent stages

equipped with shadow-state gauges
we voice, behave, appear human
tilting the temporal inclines
with graceful analogue leisure

restricting sensory confines
clocking down circuit acumen
we avoid void logophages
crowding around mind‘s aperture:
there is no lock, we have no keys
we are devoid of prophecies

eye of the future

"Dwelling deep in murky, damp caverns of darkness, where endless drops of water have long shaped ominously towering dark cathedrals of stone. Afloat on a a moss-covered stream, in the thickest of unruly vegetation. Resting atop a massive jagged boulder carried here by the inland ice, the dark earth seeping through your fingers like a fine mist. A magical soundworld glittering in the darkness.

Portuguese soundscaper VelgeNaturlig has a penchant for creating dramatic soundworlds where the elements interact freely with more complex constructs. The magical album Húmus, originally self-released some nine years ago, is a true gterma favourite and we are delighted to bring it once more into the spotlight where its regal stature can inspire a new generation of listeners."

Artwork by Nanna Cartis
Music written and mastered by Ivo São Bento.
credits
Released January 1, 2002
Ivo São Bento, aural concepts.

BUY = https://velgenaturlig.bandcamp.com/album/h-mus-2

07 - Solarhiringar

Original Track By : 
https://soundcloud.com/li-spelldt/hatching-earth-ep-ashberry

Li Spelldt - Hatching Earth (Senglar Version)

Song by the Ginger Twins…
vocals/synths - Brian Beethoven…

Lyrics:
What a sad way about you
And I haven’t got the energy to doubt you
I’ll live without you
Live without you
What a sad way about you
And there’s nothing left to do but live without you
I’ll live without you
Live without you
Leaving it all behind
And I’m fine
I’ll live without you
Live without you

Live Without You

Ivo São Bento is an exploratory sound artist and aural composer from Lisbon based in Styria.

By working preferably fully improvisational each performance by São Bento is solely focused on the respective present moment, resulting in a myriad of unique sonic outcomes and allowing for the creation of (and in) “complete natural flow” - the focal point of São Bentos work.

From sculpting vast and ever-evolving sonic spaces by multi-layering carefully tailored processed sounds, field recordings and electro acoustic elements to meticulously crafting simplistic musical blueprints with purposeful precision using old analogue machines - the work of the Portuguese electronic music veteran creates a variation of aural environments - pleasant, immersive and bright as well as dense, heavy, dissonant and unexpected channeling.

Under the moniker “VelgeNaturlig” he has released over 32 full-length records, some of which have been published through international major labels and has been performing both nationally and internationally, recently playing selected shows in the United States.

Bookings: kosmisk@proton.me
Publishing: velgenaturlig@musician.org

07 - Solarhiringar

VelgeNaturlig

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