You may be surprised to learn that I'm a classically trained in music composition. I was surprised to learn how little of it I remember. 

I'm not entirely satisfied with the ending, especially after what is an incredible buildup in my opinion, but I think that just comes down to the fact that it's 67 BPM—and I like fast-paced drops.

Waltz of the Damned

This one's been almost done for like 3 weeks now but I broke my headphones so I couldn't finish mastering it until now :/.

Adultery

It's spooky season! This is the first time I set out to actually make something with spooky energy instead of it just happening.

Also I just realized how similar the names "Damnation" and "Waltz of the Damned" are. Titles are hard and I'm not changing them.

Damnation

The cover art may be a shitpost, but this song is anything but. Not sure why I decided to draw that act of violence against god, but once I did I knew I had to use it in one of my covers.

Also for some reason I finished this one in like 12 hours when I normally spend upwards of 100 hours per song. I... don't have an explanation for this, especially since I consider this exponentially far ahead of everything else I've made.

Sound of Fruition

This song marks a pretty dramatic shift in my production process. I don't think the style/mood is very different, but I've gone about sound design in what is a very different, but I think superior, way.

Let Me Out

This track was made to challenge myself. I separately created 2 sections as different in tone as possible: one eerie, one nostalgic and gentle, and then tried to see if I could blend them together. I'm not about to make a song that doesn't beat up the listener with an epic drop at the end though, so it does that too.

Creeping Memories

I'm back.

And, thank God, I finally got someone else to draw cover art for me. (Fun fact: even Adultery's cover took me 8 full hours to draw. I really, really, really hate drawing.)

Necromancer's Curse

Cold As Ice

I've been sitting on this one for like four months because I simply did not like it.

Came back to it like two weeks ago and could not remember why I didn't like it. So after some polishing, here it is.

I played around with much more extreme distortion and high-frequency presence. I actually ended up toning them down because when I originally designed this I way overdid it.

You Can't Run but You Can Hide

I don't schedule anything; when I finish a song, I release it. Sometimes that means I upload two songs in two days after months of silence.

This is another one I started on at the same time as Cold as Ice after hearing how strange a piano with zero release time sounded. I did a lot of things differently in this one—more empty space in the drop, complete destruction of the kick, and (at least for the first bit) a drumline that is very different from the four-on-the-floor type beats that had started to become my comfort zone.

Way Too Deep

Song #1 of "Conformity". There are absolutely zero synths in this, only samples; it is an entirely orchestral song.

I managed to make something relatively calm. I set out to make a synthwave song, and managed to successfully fight the urge to lean into the darkwave subgenre—resulting in an unusually pleasant dreamwave song.

Morning Dream

Dubstep! There is one part of this one I don't like because I sorta dropped the concept of melody—but I'm trying to conform to the genre, and dubstep often does that.

Stepping Stone

I really wanted to name this one based on its genre like I did the others, but if you listen to the song you'll know that I couldn't have named it anything else.

Get So Lost

For reasons that I do not fully remember at this point, I wanted to make a song with a BPM of exactly 117. It turned into this.

Usually I make things more intense by increasing the tempo. That was not an option here, so instead I did an obscene number of experiments with mixing and mastering techniques until *finally* I got what I wanted.

That was one of several hundred reasons this one took so long.

Deadzone

Occasionally I get bored and open FL Studio.

When I do, I make music absolutely unlike anything you've ever heard before.

Version4

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