Name: @MAXOKREAM - Pull It [Prod By @VERSABEATZ] by VERSA BEAΤZ
Duration: 3 min 38 s
Description: STREAM with all major outlets - https://ditto.fm/pull-it

I love maxo and just found this now?!? End fore

this is like an alternate version of Lewinsky weird

music video: http://www.trillhd.com/video/5478/maxo-kream-get-that-shit-feat-jay-money

Maxo Kream - Get That $h*t/Maxo 187

DOWNLOAD DJ VERSION ON LIVEMIXTAPES http://www.livemixtapes.com/mixtapes/31947/maxo-kream-maxo-187.html

DOWNLOAD NODJ VERSION ON ITUNES goo.gl/XNxeDT

TWITTER - @MAXOKREAM
INSTAGRAM - MAXOKREAM


Maxo Kream x Fredo Sanatana "Issues"  (prod.Peso Piddy)

(BONUS) TRIGGA MAXO  (PROD. CHRISTIAN LOU)

ENDZONE FT. LE$  (PROD. CHRISTIAN LOU)

CLIENTELE FT LAMB$ & SKI MASK MALLEY (PROD. WXLF GXD)

PARANOIA (PROD. A$AP P ON THE BOARDS)

THIRTEEN (PROD. WXLF GXD)

STREAM with all major outlets - https://ditto.fm/pull-it

@MAXOKREAM - Pull It [Prod By @VERSABEATZ]

Smoke Break

Maxo Kream - Bless The Booth Freestyle.mp3

Credits: A$AP Ferg / MAXO Kream / Giggs / Krept & Konan / Ghetts / Sony Playstation / S.A.S / and most of your favourite UK Rap/Grime artists
_______________________________________________________
"I've seen some genre intersections in my time, but gangsta ambient takes the biscuit. Baghdad born South Londoner VersA Beatz began as a grime producer, but like many has moved from that genre's hyped-up energy into the slower, more menacing electronic “trap beats” of hip hop. This in turn has overlapped with a current American style of melancholic leftfield hip hop sounds pioneered by Clams Casino (best known as producer to Lil B and current sensation A$AP Rocky) to produce, in this free album of instrumentals, a narcotic sound that feels as if gravity has been loosened and the imagination has been left to float free.

Where Clams Casino creates thick, even oppressive layers of drones and sampled voices, VersA's style is lighter, less melodramatic – but it still disconcerts. Things like the sea sounds, gentle chord washes and bleeps of album opener “6AM”, or the slick soul loops of “Amsterdam” and “Weekend”, could almost come from a generic, if high-class, chillout record. But put them alongside the metallic vocal sounds and concussion snares of “Evolve” and the blurred whirring of “Danny Ocean” and the whole album's atmosphere takes on an edge, a sense that danger lurks behind half-closed eyes.

Some tracks – “Dreams” and “St Tropez” in particular – have barely any drums at all for the most part, just sounds that undulate around one another like breaths. This kind of sound is often referred to as “filmic” but any movie soundtracked by these tracks would be pretty avant-garde: a dislocated set of washed out dream images, highly psychedelic and possibly pornographic. Which is not to say it's a difficult listen: it's not, it's compelling and occasionally even beautiful, but it'll leave you feeling pretty weird for a while."

 - @JoeMuggs [reviewing 'IMOGEN' by VERSA BEATZ]

@MAXOKREAM - Pull It [Prod By @VERSABEATZ]

VERSA BEAΤZ

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