Composed for the AEMC "One Minute" compilation

May You Dream Of The Devil

Foundation to soundtrack for Leon Cmieleski's animation "Writers Block".
Winner of Erwin Rado "Best short film" at Melbourne International Film Festival & an in-house award at VCA for best soundtrack, sponsored by Soundfirm

WritersBlockSketch

A recording of the Yarra at Laughing Waters in Eltham.
I've tried to create a narrative of the river by following the progress of a little stream with the microphones

StreamStory

Vera Lynn singing "By the time we say goodbye" re-recorded through a vacuum cleaner tube multiple times with digital processing intervening in the shape each cycle

Digital Nostalgia 1 - Vera Lynn

Single bass note played fast, re-recorded numerous times from tape to tape

BassDecay2

Soundtrack to a short film in which a man discovers his own dead body.
Composed using only bass guitar sounds processed with 1/4 inch tape reels & a very nice comb filter

Tony's Dead

This is a recording of the launch of the 'Atrophy~Ophilia' CD at the Punters Club, Melbourne in 1997. The quality is a bit dodgy, just a couple of cheap mics at the back of the room, but it has some nice moments.

Atrophy CD Launch 1997

I love the sound of frogs. These sound strangely like a woman talking over a PA at an airport

Frogs at Brewarrina

This is a recording of the ocean (Discovery Bay, Victoria) from under a rock , so it's very muted & has lots of bass. I love the way these environment recordings sound like a musique concrete piece or a synthesised soundscape. I did a little EQ & limited the peaks a bit, but apart from that it's a raw location recording.

Ocean Under A Rock - Discovery Bay

I love the high frequency sound of insects in the bush, it eventually merges together as a regular rhythm and then dissipates, like the insects are moving in & out of phase with each other. This was recorded at Barmah National Park, on the river Murray

Pulsing Insects - Barmah National Park

This is the sound of the surf at Lorne, on the south Victorian Coast, recorded amongst where the sea was coming in. It's a little short, since the sea took me by surprise a few times, so I've edited out the yelling & squealing. The only other treatment I used was some deep low end filters to remove the wind pop & potential harmful frequencies. The bass of the sea is around 60Hz on this recording, whereas my previous post (from Discovery Bay) has a lot of lower subs.

Ocean Under a Rock - Lorne

Recorded under a brick arch railway bridge in Winchcombe, near Cheltenham, England. The resonance of the tunnel is very nice, if you listen carefully at the end you can hear it's still resonating. 

Train from a Tunnel - Winchcombe

This is the soundtrack to a short vampire film I made in 1992. The sounds include a section of a track from Todays Vegies (a band I was part of the time), processed traffic & pretty wild ocarina effected with envelope follower & distortion. The ocarina sound still inspires an emotional reaction from me, it's like a long scream.

Warmth

A short excerpt of some frogs in the Alpine bogs in the ACT. The frogs seem to talk in short narratives like this, several minutes apart. The mid-frequencies are impressive, shatters the air

Frogs - Ginini Bog (Namadgi National Park)

A track for the AEMC album "One Minute Compositions Vol. 4"
All sounds are from bass guitar

Sketch For A Formless Creation

Track for AEMC album "Communal Music"
Sounds could only be taken from a restricted pool of samples
I mainly used doves

Sparkling Wood

A narrative compilation of 3 field recordings
Insects at Wyperfield National Park (Vic)
Underneath Snowy Flats Bog (ACT), where the water runs
Ocean in a rockpool at Lorne (Vic), with mics placed to concentrate the resonant frequencies of the rockpool

Wyperfield - SnowyFlatBog - Ocean In A Rockpool (Lorne)

My Submission to the Xsl project run by Thalamus Lab
It's is an exploration of the aesthetic known as "Quiet"

Quietness

This is one episode in a series of short sound compositions for the exhibition 'Confluence', exhibited at the Docklands in Melbourne on 19th March 2016
It consists of 2 layers of field recordings around the Bolte Bridge, composed through the use of phase relationships between & within the recordings

Confluence Breath

This is a composition for the exhibition 'Confluence', exhibited at the Docklands in Melbourne on 19th March 2016
It consists of layers of field recordings around the Bolte Bridge, composed through the use of phase relationships between & within the recordings
Confluence is designed for headphones, it may not make much sense through speakers due to the phase cancellations in the piece

Confluence (for headphones)

A field recording of the Melbourne Drone Orchestra concert at Northcote Uniting Church on 7 May 2016
The recording starts inside the venue, then walks outside, listens to the buzzing of the windows, the droning guitars in a drainpipe, walks out to the street to hear the passing traffic, then back into the foyer
It's a lo-fi sound, using just the built-in mics on a Tascam Dr07

Drone Orchestra (Field Recording)

Subnivean

Vox pop of audience reaction to a sculpture-dance-film production I was involved with in March 2013.
You can see photos & other details at https://www.facebook.com/fallinginmelbourne?fref=ts

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