This track is also new-type of my sound's algorhythm!
I'm appriciate that you are listening with fun of sound of noise!!

Thank you for listening!! :)

Made by Max8 and MBP Mid 2012

20220816

Recalling, for solo flutist (2020)
Flute: Kelariz Keshavarz
Composer: Farzan Salsabili

- 1st Prize of the "Young Iranian Composers Project - Call for Score"
Petrichor Records

- Mitakuye Oyasin is a phrase from the Lakota language. It reflects the worldview of interconnectedness held by the Lakota people of North America. The phrase translates in English as "All are related" or "Everything is connected".

Petrichor Records Young Iranian Composers Project

Recalling, for solo flutist (2020)

Tracklist:

Niccolò Di Gregorio - ???
ZUMA - ???
ZUMA - ???
Vesal Javaheri - Desperate
Vesal Javaheri - Imagination
Gasparotti - Istantanea n.12
Devid Ciampalini - ???
Niccolò Di Gregorio - ???
ORM&Vissla - ???
ORM - ???
Yoonkee Kim - ???

This mix was played by ORM for radio Raheem 
30/11/22 3PM

Thanks to all the artists involved in this mix
and thanks to radio Raheem

We keep looking our inner rhythm

UNSPACE w/ ORM - mix for radio Raheem

maxi road - hertamine

For orchestra and electronics
Commissioned by IRCAM and Orchestre Philharmonique de Radio France;
Conductor: Pascal Rophé;
Electronics developed in collaboration at IRCAM with Etienne Démoulin;
Electronic part performed by Etienne Démoulin;
Recording engineer: Luca Bagnoli
Live recording at Maison de la Radio et de la Musique as part of Manifeste 2023;
Date: June 23, 2023.

"T   O       R             N" is an exploration of various psychological and emotional states resulting from inner and outer conflicts, namely the state of uprootedness, while longing and yet, failing to put down roots elsewhere, or the sense of uncertainty, predicament, and hollowness caused by personal or collective traumas; experiences that can haunt us for long periods of time, if not permanently…
The piece navigates continuity, interruption and the space between them. Within larger continuous sections, smaller segments with timbral, harmonic, gestural, and dynamic contrast invade the space and create fissures. These fissures may provide a temporary release from the preceding tension, while retaining residues from the previous section, and simultaneously, bearing the initial traces of the
upcoming section. At times, the electronics are treated as a magnifying mirror that echo and expand the orchestra. In other cases, they defy it as a disruptive force with contrasting dynamic or timbral qualities.

Image: "Silence" by Johann Heinrich Füssli

T   O       R             N

Vesal Javaheri - Resident mix: Aleatoric / EP01

https://sonology.bandcamp.com/album/post-scriptum-2-music-from-the-institute-of-sonology

Marie Guilleray - Estran (Post Scriptum 2)

Disconnect

Created for Azimuth 6, here as a stereo version of the original 32-channel version.

'Based on the introduction of Jean-Paul Resweber's book "The Philosophy of Language", the piece explores the ambiguity between the voice that conveys a message and the voice whose acoustic and musical qualities are heard. It seems that when our attention is focused on the musical aspect of the voice, we forget the message it carries, and vice versa. The back and forth between these different levels of listening leaves the listener free to give it its own meaning, if there is one. And this is precisely the question asked by the original text. '

https://www.azimuthfoundation.net

La philosophie du langage

Construct Synthesis [tape]

Vesal Javaheri (b. 1998) began his musical career at the age of ten, playing classical guitar with Karina Kimiaei, and later with Pedram Falsafi, Babak Valipour, and Eileen Arjmand. He pursued his artistic interests in Electronic Composition and Music Programming with Kiawasch Saheb-Nassagh and Sohrab Motabar.
Some of his compositions have appeared on compilation albums in Iran, the United Kingdom, Poland, and Italy. And have been broadcast in countries such as the United States, Canada, Ireland, Australia, France, Portugal, the Netherlands, and Iran. "Chaos," his first personal album, was released in June 2022.
One of his compositions, suffering, was selected for the Sixth Reza Korourian Electro-Acoustic Composition Competition. The other piece, Requiem, was chosen for the first Golden LALA Electronic Composition Competition.
His musical activities include more than just composing and performing. He's also worked as a sound designer and composer for plays like DreamLand, Nasakh, Process, and There Will Be Blood.

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Vesal Javaheri

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