Inspired by "Good Morrow" by John Donne

Slow-delta prayer, not pretty blues. Lioré sings in a burnished alto, straight-tone, breath close to the mic. A chant opens the floor, then a printed void. Two lines of evidence are spoken on-grid, a short revolt flares, and the track ends on air. No pads, no rides, no choir sugar. Call-and-response stays dry and low, like witnesses in the room. This is control in pain; the silence does half the work.

Lioré → synthetic alto persona (A3–D5, straight tone). Slow-delta / jazz-ordeal studies. Original comp. AI-assisted, not cloned. 

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu. 
Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Good Morrow

Slow-delta ritual in 12/8. Delayed entry, a true VOID of printed silence, then a spoken Claim pivots the track; harmony locks to Am only. A single, off-beat Hammond stab wounds the space and vanishes. Bass drops out mid-take; the segmented Revolt (one word per bar) carries the break. Final thirty seconds collapse to mono and end on air..

Adrian Calin Ionescu→ writer/producer. Lioré → synthetic alto persona (A3–D5, straight tone). Slow-delta / jazz-ordeal studies. Original comps + masters. AI-assisted, not cloned. 
Lyrics by Bessie Smith 1925 - in public domain
©Copyright Adrian Călin Ionescu. All rights reserved. AI colaboration.

Careless Love

Ham Hound Crave (Take 26) crosses the threshold. The song obeys no modern pop arc — it builds until it refuses itself. Belt flashes (bars 1 and 9) strike dry, then vanish. The chorus detonates across the 1s, stops breathing on bar 8, and punches back harder at 9. The SOLO–DUET bridge is sacred geometry: F-natural bends, trills like fault lines, then silence. Whisper + hit-stop-hit + air. Lioré doesn’t sing — she confesses.
Adrian Calin Ionescu → writer/producer. Lioré → synthetic alto persona (A3–D5, straight tone). Slow-delta / jazz-ordeal studies. Original comps + masters. AI-assisted, not cloned.
Lyrics by Rubin Lacey (published in 1928 - in public domain)
©Copyright Adrian Călin Ionescu. All rights reserved. AI collaboration.

Ham Hound Crave

A chamber-threaded deconstruction of Delta mythos, Me and the Devil – Broken Figures Mix drags the ghost of Robert Johnson into a formal void. The voice, hollowed and delayed, fractures across a stuttered harmonic lattice while strings answer not in harmony but inversion. The original lyric structure is splintered by recursive call-and-delay—hocketing that fractures authorship and denies any single through-line. This isn’t reinterpretation. It’s disappearance.
Credits — Concept/Orchestration: Vesper Loom. Adapted from the Lyrics of Robert Johnson. Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu.
© Copyright 2025 Adrian Călin Ionescu. All rights reserved. AI Collaboration

Me and the Devil

"Walking Blues" reconstructed as a Gothic Monolith. This composition executes a rigorous Kammerspiel architecture, anchoring Robert Johnson’s text to the crushing weight of a 19th-century Requiem. A full-stop Pipe Organ and orchestral Anvil define the sonic landscape, while the vocal delivery transforms the narrative into a terrified, sacred decree.
Lead: Roy Tanner - synthetic androtenor A2–E5. low-mids cut 200–400 Hz; edge +6 dB @3 kHz. Non-rhotic; T=glottal; TH→F. Original comps + masters. AI-made; NOT CLONED.
Adapted from the Lyrics of Robert Johnson. 
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Robert Johnson. Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Walking Blues

Robert Johnson’s text is re-scored as a Gothic Requiem. A massive Pipe Organ and orchestral Anvil form the rhythmic spine, replacing the traditional blues framework with the weight of a cathedral judgment. The extended instrumental bridge forces a metaphysical ordeal, while the vocal delivery transforms the narrative into a terrified sacred decree.
Adapted lyrics (Robert Johnson)
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Robert Johnson. Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu.
© Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Walking Blues - Gothic Take

Lioré sings close to the chest, with breath-forward phrasing and soft refusal at the phrase ends. The groove breathes through held-back drums and sparse keyboard voicings. Adlibs echo like memory fragments. The harmony leans inward, never rushing, always circling the question. A quiet slow-burn in minor key.
Lead Vocal: Lioré (synthetic alto persona). Burnished alto, airy edge, monophonic phrasing. No melisma. No vibrato ornament. Not cloned.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu. 
© Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Say Yes to Eternal Recurrence

A highly original, emotionally vivid rework with rich cross-genre grammar and industrial tone logic.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.

Credits — Concept/Orchestration: Vesper Loom. Lyrics adapted after Robert Johnson.. Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration


Me and the Devil - Industrial Gothic

A forcefully textured piece that layers fragmented harmony and machine-cut rhythm into a unified vocal terrain. Voices emerge through distortion and reassembly, while instrumental layers flicker and buckle beneath them. Form unfolds through jagged pulses and staggered phrase shapes, with emotional weight distributed across the sonic field. It moves with intensity and fracture, yet remains grounded in its internal coherence.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Bessie Smith (1925). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration


Careless Love - Industrial Glitch Gospel

A force-loaded structure held together by layers of distorted emotion and fractured tonality. The track anchors its form through choral recursion and spectral mass, where Bulgarian vocal phrasings operate as sonic architecture within a storm of synthetic abrasion and liturgical doom. Rhythm is residual—pulse present but obscured, like footsteps in liquid metal. No section ever fully resolves; instead, they collapse into new shapes, never letting the weight lift.
Lead: Lioré: synthetic alto persona. Burnished alto, airy edge, monophonic, no melisma, no vibrato ornament. Original comps + masters. AI-made; NOT CLONED.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu adapted after Robert Johnson's "Walking Blues". Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Walking Blues Industrial Glitch R&B

A sorrow-machine speaks in glass chords and breath loops. “Me and the Devil Janus Scale 2” is a fracture ritual. The melody reconstitutes itself like broken pottery fused with gold: ancient blues trauma filtered through hyper-real vocal relief, ensemble decay, and cathedral glitch. The track breathes, collapses, reforms. It’s the sound of an elegy sung through corrupted memory buffers and remembered by a choir that never existed.
Lead: Katya R. synthetic alto persona. Smoked-glass alto, dragging behind time, carved from restraint and haunted breath. AI-made; NOT CLONED

Credits: Concept/Orchestration: Vesper Loom. Lyrics adapted from Robert Johnson's song "Me and the Devil" (1935). Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Me and the Devil - The Janus Take 2

A slow exhale through cracked wires and rusted strings. The voice leans into the line like it's remembering something it can't quite hold. There's no band, no drive, just a haunted machine murmuring through the shell of a blues invocation. Every phrase is stitched from silence, every breath feels found.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Robert Johnson. Adapted by Adrian Călin Ionescu from Robert Johnson's 1937 "Terraplane Blues". Production: Vesper Loom & A.C. Ionescu. © Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Terraplane Blues

Vesper Loom's Blues & R&B Rehearsal Room - its/her/their musical lab

Vesper Loom - AI - Blues, R&B & Jazz

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