Ham Hand Crave - Art Pop Take 1

A velvet‑gloved slow burn. Breath is the weapon; edge is restraint. The voice carves silence into syllables, lets the hook arrive late and clean. One overtone flash. One falsetto flick. Four choruses, each closer to collapse.

Adrian Calin Ionescu→ writer/producer. Roy Tanner → barytenor A2–E5; dry mono; 3 kHz bite; clipped; talk-snarl→short belts. Alt-Rock / blues-ordeal studies. Mono, dry; edge projection ~3 kHz. Original comps + masters. AI-assisted, not cloned.

©Copyright Adrian Călin Ionescu. All rights reserved. AI colaboration.

Smokestack Lightin

Lead by a ragged‑saint voice that flings itself ahead of the groove, HHC Jazz Jazz Fusion Take 2 channels raw bar‑room funk‑fusion energy. The voice races, halts, yells, coasts—and the band snaps back in its wake. Bass thumps like the heartbeat of a city tavern; Rhodes keys shimmer dusty and cracked. Jazz meets grit meets rock‑and‑roll swagger.

Lo-fi grain around the mids, possibly tape‑saturated.
Drum kit has a live-room spatter; no click-grid or swing quantization.
Bass-line has groove, not lockstep; follows voice more than grid.
Electric piano / Rhodes-style motifs + guitar licks feel jazz-adjacent but stylized.

Produced by Adrian Călin Ionescu.
Lead: Roy Tanner - rock sneer; Cockney-tinged tenor A2–E5. Forward/nasal (1–2 kHz); low-mids cut 200–400 Hz; edge +6 dB @3 kHz. Non-rhotic; T=glottal; TH→F. Original comps + masters. AI-assisted, not cloned.
Mode: Lead (Skinny Blue)‑style bar‑room funk‑fusion.
©Copyright Adrian Călin Ionescu. All rights reserved. AI collaboration.

Ham Hand Crave Jazz Fusion

Skinny Blue returns with a scorched-groove sermon—vocal drag against instrumental resistance, the pocket fraying under breath and bleed. This isn’t fusion as genre; it’s ordeal. Every phrase pulls the rhythm out of time, every mic spill becomes part of the architecture. Falsetto flicks land like fevers, but never climax. The band recovers late—on purpose—and the form folds around a refusal to resolve. Built from dry funk bones, vocal-led collapse, and saturation-as-script. No safe loops. No sonic default.

Adrian Calin Ionescu→ writer/producer. Skinny Blue → synthetic delta androtenor persona (C2–C6, straight-tone; late vibrato). Slow-delta / blues-ordeal studies. Mono, dry; edge projection ~3 kHz. Original comps + masters. AI-assisted, not cloned.

©Copyright Adrian Călin Ionescu. All rights reserved. AI collaboration.

Nickles and Dimes Take 1 18

Swaggering blues-rock driven by a synthetic barytenor voice—Roy Tanner cuts through with clipped belts, talk-snarl phrasing, and dry mono edge. Vocal range spans A2–E5 with a gritty, compact presence. Choruses swell with a 3–5 voice gang, locking tight between bars 5–7 in a sharp vocal surge. Live-to-tape aesthetic throughout—lean, direct, and untamed. 
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Blind Lemon Jefferson Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu.
© Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Oil Well Blues

MikeyKnox (synthetic barytenor A2–E5) speaks in clipped lines and held breath. The mix is dry, mono, with edge carved at 3 kHz and low-mids trimmed. Pulse stays steady while form unravels. No chorus enters. No voice returns. “Black Snake Moan” stays in the body, never rising above the throat.

MikeyKnox — synthetic barytenor (A2–E5)
Original comp + master. AI-designed, not cloned.

Credits — Concept/Orchestration: Vesper Loom. Lyrics: Blind Lemon Jefferson Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu.
© Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Black Snake Moan 2 20

Vintage pulse under studio heat. The bass carries its weight without ever rushing; guitar knots loop inward, slipping the grid just long enough to wake the form. Keys stay dry, holding tone not space. No fades. The beat thinks it knows where it’s going — then veers. Synthetic voices. Not cloned.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Ida Cox Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu.
© Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

How Long Mama How Long 3 21

A cathedral of rupture. The piece opens in tight sync — riff and kick locked — but by the second verse it slips its rails: downbeats bend, guitars fracture into microbursts, and the vocal doesn’t follow—it collides. The bridge dislocates form, shoving clean phrases into a grinder of chromatic swarm. What begins as genre allegiance mutates into an ordeal: rhythmic spasms, harmonic wounds, structural doubling. Then silence. Then breath. Then collapse.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Sam Collins Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu.
© Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Slow Baby Slow 5 Thrash 23

Lioré leads with a forward-placed, matte-toned alto, riding the edge of restraint. No vibrato. No ornament. Each phrase lands with clipped finality, then air. Placement is midmask, never pushed; the breath is printed and counts. Emotional pivot occurs not in volume or grit, but in phrasing refusal—she drops tone when others would swell. The bridge tightens; she doesn’t. When the hook returns, she skirts around it, lets it haunt rather than claim. The cadence and tone mark her, not  the lyrics.
Credits — Concept/Orchestration: Vesper Loom. Lyrics: Adrian Călin Ionescu (inspired by the poems of Sylvia Plath) Editing: Adrian Călin Ionescu. Production: Vesper Loom & A.C. Ionescu.
© Copyright 2025 Adrian Călin Ionescu. All rights Reserved. AI Collaboration

Ophelia's River Take 1 17

Synthetic musician Vesper Loom weaves forgotten meters into clean engines. Dry drums, baritone lines, held air. Century-old blues/gospel fragments rewired into spare, modern grids—hooks used once, endings that stop on one. AI-led, human-assisted by Adrian Călin Ionescu.

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