Taken from the Kathy`s Song single. 

http://cl.ly/57iJ

APOPTYGMA BERZERK Kathy's Song (C-64 Version)

Summer Stars 2K8

As the dynamic track titles suggest, Dave Angel wanted to go all out Techno for his new release for John Digweed’s Bedrock. “Power” and “Venom” are two monumental tracks to mark another supreme return to the label from the Godfather of the UK’s Techno scene.

Knowing that John is a fan of that classic 303 bassline / acid sound and had previously given a lot of support to his “Tomahawk” track from the  “Voodoo EP” (Beddigi47), Dave felt it was time to delve deeply into the favourite toys that he’s been working creatively for the last couple of years - the TR-8 and TB-3 machines from the new Roland Aira Range, for this latest offering.

The distinctly weighty intro to “Power”, overlaid with the snap and hiss of perfect percussive hits, builds and builds with subtle ease via a simmering, bubbling analogue throb, sparse melodic flourishes and a supremely unhurried, teasing arrangement. The end result is a super-fuelled, energetic, euphoric masterclass of a track. 

Meanwhile, the speedy, hissing, bounce of “Venom” is also an instant winning formula, with layered, looping melodic hooks building all the track’s elements into a hip-swinging, funked-up monster. Both of these exceptional tracks demonstrate exactly why Dave remains such a driving force today, having evolved and matured stylistically over the years, since his early heart-stopping techno outings more than 2 decades ago.


BEDDIGI82 Dave Angel - Power Preview

UNDERWORLD, Dark And Long (Dark Train), 1994.

It’s been a year since the Adana Twins conceived their label TAU. In that time they have successfully signed and released a slew of tracks that have captured the imaginations of influential selectors and dancefloor lovers alike. To celebrate their first anniversary, and all the success it has brought them, the Adana Twins take charge of their label’s 10th release with a three-tracker full of high quality, melodic electronica aimed straight at the floor.

Kicking off with D.J.A.M.H. the duo get straight into it with a stirring analogue bassline that pulsates with dark intent. Gentle pads envelop the low end, counteracting the darkness with a lighter atmosphere. An extended breakdown, punctuated by Ridoutt’s spoken word vocal ushers in the dramatic main body of the track. The bass is modulated and warped, the pads become eerie and drum rolls heighten the tension. A second breakdown pushes the energy levels higher as a contagious melody joins the fray and we’re transported out of our bodies into an unknown realm.

Next up is ‘Maya’, which hits hard from the outset with its jabbing beats. A wistful, melancholy melody sweeps across the chunky drum patterns, touching our hearts with its sorrowful tune. The main riff comes in after a couple of minutes, adding more emotion to the sombre narrative. This is a cut that will move the dancefloor physically and emotionally, encouraging contemplation and perhaps some nostalgia.

Lastly, ‘Spaceman’ turns things gnarly with its grumbling b-line and slapfunk beats. As per usual the Adana Twins create a magical melody that prances above the low end enchanting the listener and whisking them away to a dreamland. Meanwhile the snarling bass maintains its belligerent flow, advancing with malicious intent. A kooky breakdown lightens the mood before we’re immersed in another wonderful blend of rugged bass and playful melody.

Clearly in celebratory mood, the Twins deliver an outstanding EP as they hit TAU’s first anniversary. A fitting release for a label that is going from strength to strength.

UNDERWORLD, Dark And Long (Dark Train), 1994.

Paupaupaulo

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