With more than 15 years of career, Daniel Alberto (Diaz Tech) has been constantly evolving his sounds without losing that dark touch that characterizes him in each of his mixes. His music is based on both digital and analog sounds, also making use of organic instruments as well as his own vocals, giving it an acid touch using rawer sounds without so much processing so that his distortion sounds more natural.

Track list:
KAEIR - It Begins
Arron Whall - Stop My G 
Goom Gum - To Trajadão
Atric - Flawless
Andrewboy, RAIDON - Vortex
VA MO LA - Masala (Original Mix)
Cyantist - Far Away
Diaz Tech - Singular o Regular (Panka Panka Remix)
Local Code - Holografy
Pavel Petrov - Divine
HΛNNES - Brutal (Original Mix)
Changyunflug - 696
Zafer Atabey - Invincible
Stanco - Paris To Tokyo (Original Mix)
Konfusia - Pressure
Roumex - Reflection
Sabura - Abyssal (Original Mix)
Cassius - The Sound Of Violence (BLR & Matt Sassari Remix)

Mix №: 047 – Diaz Tech

A Love From Outer Space

Repli-can (Edit)

Moo Moonster is a multidisciplinary artist raised among techno-pop vinyls, rare-disco and italo, thanks to his father!
He is one of the spanish producers of the scene nu-disco that is more giving to talk about at the moment, with productions on labels like Ya Hala Ya Hala, AEON, Espacio Cielo, United Colors of Rhythm, ROAM, NEIN... 

His sound is unique italo-disco, where arpeggios and pads more vintage, come together to create direct hits onto the dance floor. 

He has currently gone through booths clubs as representative of the current scene as Mondo (Madrid), Sabotage (Berlin), Electroluch (Sevilla), El Sotano (Madrid), Razzmatazz (Danceteria/BCN), The Warehouse (Madrid), Nylon Club (Valencia), Charada (Madrid), Halley (Specka/Madrid), Moss Club (Murcia), Invitro or Tokyo Club in Bogota (Colombia), etc...

Mix №: 051 – Moo Moonster

Thomas Ross Fitzsimons, long revered for sculpting emotional landscapes in film scores, now charts a collision course with the void on his brand-new endeavour: “The Planets Vol. 1.” The British-Australian maverick jettisons orchestral tradition entirely, embracing modular synthesis as his spacecraft. Guided by early astrologer Alan Leo’s cosmic archetypes – the same celestial blueprints that ignited Holst’s Planets suite a century prior – Fitzsimons transmutes starlight into voltage. Forget strings and brass; here, patch cables become constellations, oscillators pulse like neutron stars, and every knob twist charts a course through uncharted nebulas. This is celestial cartography for the ear, mapping planetary energies not as melodies, but as raw, living currents of electricity and instinct.

The EP is an intentional leap into the unknown – a deliberate shedding of cinematic formality for the wild frontiers of analog chaos. Fitzsimons cites pioneers like Reznor, Ross, and Sakamoto as his navigational stars, guiding him toward sound as process, not perfection. “The Planets Vol. 1” thrives on unpredictability: feedback loops mimic orbital decay, random voltage fluctuations become solar winds, and the very instability of the modular system embodies the universe’s beautiful indifference. It’s less a recorded album, more a captured event – a sonic supernova frozen mid-eruption. 

Nowhere is this cosmic ferocity more visceral than in “Mars.” Leo defined the Red Planet as pure "energy, strength, and motion" – Fitzsimons weaponizes that definition. The track detonates like a coronal mass ejection: a relentless, war-drum pulse hammers beneath a tectonic tide of sub-bass, shaking your bones like gravitational waves. Synth layers grind and shear like colliding asteroid fields, while noise-laced swells surge with the terrifying pressure of a collapsing star. There’s no melody to cling to, only raw kinetic force – the brutal physics of celestial bodies accelerating toward impact. It’s the sound of creation’s forge: primal, unchained, and violently beautiful. “Mars” doesn’t play; it reigns, proving Fitzsimons hasn’t just made music – he’s channelled the furious heartbeat of the cosmos itself.

Follow @thomasrossfitzsimons, peeps!

PREMIERE802 // Thomas Ross Fitzsimons - Mars

Artista: @jackwasfaster
Remixer: @anatolianweapons
Sello: @rotten-city-records

El sello madrileño Rotten City Files publica el 22 de agosto de 2025 su referencia número RCF049, con un remix exclusivo de Anatolian Weapons al track Bitter Pill To Swallow de JackWasFaster.

El productor griego reinterpreta el corte en clave dub ácido de baja velocidad, con pulsos hipnóticos, delays arrastrados y una estructura lineal que gana intensidad sin necesidad de artificios. El resultado es un arma sutil pero eficaz, ideal para primeras horas, transiciones profundas o sesiones de atmósfera expandida.

Este remix mantiene la tensión en todo momento y confirma la línea editorial del sello: electrónica sin concesiones para pistas exigentes.

PREMIERE: JackWasFaster – Bitter Pill To Swallow (Anatolian Weapons Remix) – Rotten City Files

@moscoman - Eagle rocks
Label - @discohalal

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective
Soundcloud: https://soundcloud.com/sinchicollective/sets/sinchi-exclusives

♫ Info + Buy ♫

PREMIERE - Moscoman - Eagle Rocks (Disco Halal)

As we have always said at Sprechen, one of the best things about running a label is being able to work with people that have played a significant role in soundtracking your journey through music. It’s with this latest release that we can tick that box again and welcome Jon Pleased Wimmin to the label for a stomping collaboration with Bristol based self-confessed ‘House Music Fanatic’, Dave K.

Higher is the result of these 2 musical minds getting together in the studio and is a no holds barred, peak time pumper that thunders out of the traps and cranks the endorphin machine up to 11. With nods to Fantazia rave tapes of your youth and dashes of secret hidden parties in Ibiza, this has all that and more.

Both chaps deliver their own remixes with Dave K dropping a darker Italo take that is full of ample pumping elements with a suitable roof raising piano breakdown, a biggie!
Jon Pleased Wimmin takes things more subterranean and cranks the tempo to full force tops off territory on his ‘Poppers’ mix which does indeed hit you like a blast of amyl nitrate!

A hefty package for hefty dance floors & late night shenanigans…hold tight!

@sprechenmusic

Dave K & Jon Pleased Wimmin - Higher (JPW Poppers Mix) [Sprechen]

out on nein
https://neinrecords.bandcamp.com/album/all-turns-to-silver-glass

Nackley - The Whims of Divas & Degenerates

We're delighted to welcome back Amount, aka Nayan Soukie, to Darkroom Dubs as he returns with four subterranean throbbers that effervesce with trance-inducing lawlessness.

A Darkroom Dubs favourite who first debuted in 2013 as one-half of house-combo Soukie & Windish. Since then, he's flourished as a renowned producer, DJ, and seasoned live performer, developing a penchant for sleazy burners primed for the darkest of rooms and those hazy, sunrise-lit, after-hours moments.

This latest offering from the Berlin native, entitled Zeroton, is an essential addition to an already impressive back catalogue, with appearances on imprints such as Feines Tier, Running Back, Frank Music and his own URSL label.

Play 'em loud & play 'em proud!

Mastered by Conor Dalton at Glowcast Audio.
Art by Elena Galkina.
Design by made.by.andy
℗ & © 2025 Darkroom Dubs
https://darkroomdubs.bandcamp.com
https://www.darkroomdubs.com

https://soundcloud.com/amounttechno
https://soundcloud.com/darkroomdubs

Amount - Story [Darkroom Dubs]

https://soundcloud.com/beyond-the-struttosphere https://soundcloud.com/jasonjppeters https://soundcloud.com/roam-recordings
🛒 https://www.beatport.com/label/roam-recordings/26722
🔊 https://youtu.be/rt5Hw4rK9hs

London's cosmic disco voyagers Beyond The Struttosphere return with 'Silver Hawk'-a lush, guitar-driven cosmic chug that blends hypnotic basslines and shimmering synths into an interstellar dance-floor journey.

Up first on remix duty is Phunkadelica delivering an uplifting, groove-infused version that injects funk and radiance, while Jason Peters takes things into high gear with an energetic mix that leans heavy on acid twists and 80s synth nostalgia.

Known for their cosmic disco explorations, Beyond The Struttosphere continue to expand their universe with this stellar release.

Tracklist:

Silver Hawk (Original)
Silver Hawk (Phunkadelica Remix)
Silver Hawk (Jason Peters Remix)

PREMIERE: Beyond The Struttosphere - Silver Hawk (Jason Peters Remix) [Roam Recordings]

Human Resistance

Durante años Vicious Magazine ha sido la revista de referencia para muchos de los seguidores de la música electrónica de la península. Ahora anunciamos su regreso en una nueva e ilusionante etapa en la que conserva su esencia original informativa y de ocio adaptándola a los nuevos tiempos.

Y vuelve en papel y en digital, en un formato dual que colmará las expectativas de los que aún disfrutan acariciando lo que leen y los que lo prefieren gozar desde sus móviles, portátiles., etc.

En la nueva revista Vicious Magazine encontraréis toda la actualidad musical especializada en electrónica de todos los estilos, además de innovadoras secciones dedicadas del sector tendencias para que hojear sus páginas sea una experiencia 360 para todos. Informar y entretener desde una visión bien fundamentada.

Y para ello hemos reunido a un equipo de profesionales de la información de la máxima y más contrastada categoría nacional. Periodistas veteranos y redactores noveles, perfectamente en sintonía, conseguirán informar y entretener desde su visión bien fundamentada de lo que se cuece y sucede, a diario, en el panorama de la electrónica nacional e internacional.

Premieres Curated by @modernphase
Send your request to luisv@viciousmagazine.com

PREMIERE: JackWasFaster – Bitter Pill To Swallow (Anatolian Weapons Remix) – Rotten City Files

Vicious Magazine

Related tracks