John Luther Adams Complete Recordings

Music inspired by the tallest oak tree on the North American continent — the Henley Oak — and the general epic-ness of the place it calls home, the Round Valley of Mendocino County in Nor—Cal. 

Written for Banglewood 2013.

Performed by:

Charlie Magnone — piano
Brendon Randall–Myers — Guitar
Ted Babcock — vibes, percussion
Lucie Grugier — cello
Pat Swoboda — bass
Chuck Furlong — bass clarinet

...all of whom are totally bad—ass.

Henley Oak

the prelude, or postlude, depending on which direction you're observing the timeline of existence. 

universe, post/pre-explosion

Ryan Anthony Francis, composer (www.ryananthonyfrancis.com)
Vicky Chow, piano (www.vickychow.com

Released April 19th 2011
tzadik

Etudes for Piano - Jacob's Ladder

"The Stars Below" is taken from Seekae's latest album "The Worry", out now on Future Classic.

★★★★½ - Resident Advisor
★★★★½ - Musikexpress
★★★★ - Mojo Magazine

Grab it now!
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Physical Bundle: http://ow.ly/BAnPR

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Seekae - The Stars Below

Canticles of the Sky: Sky With Four Suns

Dark Wind

from January performance of John Luther Adams Four Thousand Holes on Music on Main series with Ben Reimer on percussion

co-presented by the International PuSH Festival

John Luther Adams: Four Thousand Holes

With the news that Taylor Swift is re-recording her back catalog, wouldn't it be cool if she collaborated with her favorite contemporary classical composer, John Luther Adams? Back in 2015, she donated $50,000 to the Seattle Symphony after listening to and loving Adams's piece "Become Ocean," so I'm sure she's been planning for a collabo ever since.

An acoustic performance of Blank Space remixed with Adams's The Wind in High Places, Canticles of the Sky, and The Farthest Place.

The Immeasurable Blank Space Of Tones - Swift Luther Adams

from "those prone to dysphasiatic utterances" EP release. 

7:12

Recorded live at WUOL Studios in Louisville, KY

3 High Places: No. 2. The Wind at Maclaren Summit by John Luther Adams (Live at WUOL)

Canadian pianist Vicky Chow has been described as “brilliant” (New York Times), “a monster pianist” (Time Out New York), "virtuosic" (New Jersey Star Ledger), and “one of the new stars of new music” (Los Angeles Times). Besides being a member of the Bang on a Can All-Stars, she is also a founding member of DUO X88, a piano duo with Dutch pianist Saskia Lankhoorn and GRANDBAND, a six keyboard ensemble with pianists Lisa Moore, Blair McMillen, David Friend, Isabelle O'Connell and Paul Kerekes..Most recently she gave the North American premiere of Steve Reich's work 'Piano Counterpoint' and also the world premiere of a new evening length work by artist/composer Tristan Perich for solo piano and 40 channel 1-bit electronics titled 'Surface Image'. Her next solo projects include commissions from American composers Chris Cerrone, Neil Rolnick, and Canadian composer Adam Basanta and recording releases on the New Amsterdam and nonesuch labels. 

Vicky’s passion for new music has propelled her to work with an A-to-Z of leading composers and musicians such as John Adams, Louis Andriessen, Bryce Dessner (The National) Philip Glass, Glenn Kotche (Wilco), David Longstreth (Dirty Projectors), Steve Reich, Terry Riley, and Lee Ranaldo (Sonic Youth). Her recorded work can be found on the ‘tzadik’, ‘Cantaloupe’,' innova', 'hinterzimmer', and ‘altaVoz’ labels. Her performances can be heard on WQXR, WNYC, CBC and BBC Radio 3. In addition to performing, Ms. Chow also produces and curates “Contagious Sounds”, a new music series focusing on adventurous contemporary artists and composers in New York City. She receives continuous support from the Canada Council for the Arts and has received grants from the Fromm Foundation, Vancouver Foundation, and the BC Arts Council.

Originally from Vancouver Canada, Ms. Chow studied at The Juilliard School with Yoheved Kaplinsky and Julian Martin before continuing studies at Manhattan School of Music with Christopher Oldfather.

Starting the piano at age 5, she was invited to perform at the age of 9 at the International Gilmore Music Keyboard Festival. She made her orchestral debut at the age of 10 with the Vancouver Symphony Orchestra made her NY orchestral debut appearance at Alice Tully Hall with the Juilliard Symphony performing Bartok’s Piano Concerto No. 1.

www.vickychow.com

John Luther Adams: Four Thousand Holes

Vicky Chow

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