Marco Lucchi : found sounds, synthesizers and piano

11 novembre 2021

https://freesound.org/people/felix.blume/sounds/117263/
https://freesound.org/people/felix.blume/sounds/117259/

To swing on a dosimeter

downhill

comencé grabando sonidos que me hacian sentir protegido, acariciado, como casi siempre en estos casos me devolvian a la infancia, es verano, fuera el sol brilla muy fuerte y hace calor, pero yo estoy protegido en un lugar de penumbra a la hora de la siesta, con los ojos entornados observo el reflejo en las paredes de hoja de palma el reflejo de la luz que se cuela en forma de pequeñas manchas doradas....

A Media Luz

Whence Came Thee, Vagabond Lover?

Once more, I set some rules and left the synths dreaming while I had a nap.

This (with a bit of editing) is the result.

Machine Dreaming Rust

Shadow Of The Beast

Bandcamp

a little "krellish" patch using the Tiptop Buchla Source of Uncertainty 266t to drive the sonic show.

Tiptop Krell

A 3rd version of the original track I posted a few days ago, this version also featuring my brother playiong guitar and also doing a second guitar overlay processed thru DS Tantra to give it some air effects and make a nice blend thru the second break and main guitar section.

Light in Darkness Alt End V2

A Light In Darkness- Alt End 2 (Featuring AltEndLeadGuitar)

87-07-87 Debu Chaudari

Performed by Arditti Quartet and SWR Symphonieorchester on February 8, 2020 at ECLAT Festival.
Conductor: Michael Wendeberg

About the work:

Named after a quotation from an essay written by Tim Rutherford-Johnson, in which he reflects on the research I had conducted at Hagia Sophia and the extent of its possibilities in unlocking the social memories of an architecture, “… like dissolving ancient amber and letting a trapped insect fly away” is a work composed for simultaneous string quartet and large orchestra that was premiered by the Arditti Quartet and the SWR Symphonieorchester in 2020 at the ECLAT Festival.  The work is simultaneous in the sense that it consists of two interdependent works, namely a string quartet and an orchestral work, which can be performed together or as stand-alone works. As such, the string quartet is not conceived as a concertino group, nor is it regarded as an ensemble of two violins, viola, and cello; but rather as a medium based on its own specific collection of gestures and movements.

“… like dissolving ancient amber…” is based on a hybrid structure modeled after the actual architecture of the Fatih Mosque and what I developed as the hypothetical architecture of the Church of the Holy Apostles. The intention behind this hybrid structure was not to simulate or to map out space, or to render a fixed point of observation for a specific narrative, but to develop a sonic-temporal architecture emerging from two spaces, as a form of resistance re-imagined through embodiment.

"... like dissolving ancient amber and letting a trapped insect fly away."

Sometimes I do the music that I would have liked to listen to, other times the music emerges alone and it surprises me.
I feel closer to the sound than to the music
My music is not meant to be heard only with the ears but with the whole full body.

A Media Luz

VictorYibril

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