Lovely, thanks for sharing this atmospheric gem!

05. Reflective Cognition

A - Worx 2

Aeterna

Support

Green Malay

021322002 MDLR Ambient

On February 24, 2022, at 5 am, Russian bombs began to fall on Kyiv and other Ukrainian cities. The perfidious invasion of Russian troops forever changed the history and face of this country. Every day, civilians and soldiers who defend their homeland are getting killed. This war is senseless and merciless. No decent person can remain indifferent. The Chitra Records label also took on a small mission of helping to rebuild Ukraine. We teamed up with ambient and neoclassical musicians from all over the world and released a two-hour compilation of calming, peaceful, and experimental ambient music. Our goal is to raise funds for the civilians of Ukraine. All proceeds from the digital sales of the compilation on Bandcamp for the first two weeks from the release date (until March 21, 2022) will be sent to the Red Cross Society of Ukraine.

https://chitrarecords.bandcamp.com/album/pacification

Music is a powerful calming force. We want this war to end as soon as possible. On March 21, we will publish the receipt of the donation transfer.

We ask for your help and support: tell your friends about this compilation and repost it on your social media.

https://chitrarecords.bandcamp.com/album/pacification

Peace and good music to you, friends!
credits
released March 7, 2022

Henrik Meierkord (Sweden) www.soundbread.se

Yellow6 (UK) yellow6.bandcamp.com

Kshatriy (Russia) kshatriy.bandcamp.com

Adrian Lane (UK) adrianlane.bandcamp.com

NK x [Ųvás Gøød It] (Ukraine) nkxmusic.bandcamp.com

FlownBlue (UK) soundcloud.com/flownblue

Michele Andreotti (Italy) soundcloud.com/michele-andreotti

Mortuus Auris & The Black Hand (UK) mabh.bandcamp.com

Sergio Mariani (USA) sergiomariani.bandcamp.com

Alejandro Fiori (Argentina) alejandrofiori.bandcamp.com

Dionisaf (USA) dionisaf.bandcamp.com

Macrogramma (Italy) soundcloud.com/macrogramma

Sebby Kowal (USA) soundcloud.com/sebbykowalmusic

Toni Dimitrov (Macedonia) The owner of the labels: www.post-global.com and elanvital.bandcamp.com

Alessandro Barbanera (Italy) alessandrobarbanera.bandcamp.com

Lelya (Russia)

KapTep (UK) kaptep.bandcamp.com

Federico Balducci (USA) federicobalducci7.bandcamp.com

fourthousandblackbirds (Canada) soundcloud.com/fourthousandblackbirds

A Distant Shore (Italy) adistantshore.bandcamp.com

Mastering by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

Label playlist on Spotify: open.spotify.com/playlist/6NhkzsiLGCStuOkSjCfvso

Patreon: www.patreon.com/chitrarecords

Pacification

These Seeds In Your Pockets, One Day They Will Grow

Shadow Influence

Rumbo

Snö II

Snö

1. LOW - HIGH

"While being in the midst of transition, it is almost impossible to recognize that transition itself"

First of all, please listen to the entire piece. It's 35 minutes of unremarkable sound that goes on and on. You will probably find some repose there, or perhaps you will subconsciously listen to this sound as you do your housework or desk job. But many of you probably didn't notice a certain change in the sound that took place during those 35 minutes.

After listening to the beginning for a bit, I want you to skip ahead and listen to the last five minutes or so. You will realize for the first time that the sound you have just listened to has actually changed over time without you knowing it.

What I wanted to emphasize here is that "Only by setting a certain starting point and an ending point can we clearly recognize the transition of time itself". Although concepts of time and seasons such as "Morning" and "Winter" exist, they are merely concepts that humans have assigned to themselves for the convenience of their lives, and they are endpoints from the perspective of counter-conceptual starting point such as "Night" and "Autumn". For example, when we look at images taken 30 years ago, we can clearly recognize that time has definitely passed. It is precisely because there is a starting point of "30 years ago" and an ending point of "Today" that we can recognize the passage of time itself. And there should not be many opportunities to recognize this clearly.

In these 35 minutes, you will realize once again "We are actually living under various conditions that are constantly and gradually changing". At the same time, I would like to present the importance of questioning various things that are now taken for granted.

Produced by Hidekazu Imashige
Cover Art by Hidekazu Imashige

Transition 1

‘Floating World’ is an album by US based artist Todd Gautreau, who records as Tapes and Topographies. It was created in response to a collaboration project called Thirty-Six Views of Newland Island with British artist Jonathan S Hooper. The album follows last year’s ‘Amplitudes’ and is another entry to Todd’s discography, alongside music on labels such as Past Inside The Present, Dronarivm, Shimmering Moods and his own Simulacra Records.

Jonathan S Hooper is a mixed-media artist based in London, who works with paintings, photography, sculpture and film. Thirty-Six Views of Newland Island is an evolving multi-factorial project in which Hooper continues his exploration of ontological concepts of time and space through the landscapes of his native Cornwall. Specifically, the project focuses on a small uninhabited outcrop called Newland Island, which lies just off the Cornish coast in the Atlantic Ocean’s most westerly margins. The project’s title is inspired by Katushika Hokusai’s series of woodblock prints of Mount Fuji, drawing in Hooper’s broader interest in Japan’s artistic heritage. It also adds to the cultural connection between Cornwall and Japan first established in St Ives, in the 1920’s, through the collaboration of master potters Bernard Leach and Hamada Shoji. A collaboration that continued through much of the twentieth century.

A particularly fascinating consideration is that Mount Fuji is an instantly recognisable geographic icon, yet in contrast, Newland Island is unknown to most. This frees the project from the limits of preconception, opening up opportunities to explore further ideas of landscape, and our place within it. Through collaboration with Gautreau (who is based some 5000 miles away), Hooper sought to give creative licence to a composer, in order to encourage another viewpoint. He had first discovered Todd’s music through Elizabeth Alker’s BBC Radio 3 Unclassified programme, and subsequently reached out to invite him to work on a soundtrack, which has now become ‘Floating World’. He sent photographs of his paintings, scans of the polaroids and his studio notes; the work developed organically into a collection of nine soundscapes, in which Hooper sees as independent views of Newland Island in their own right.

Hooper will be working to share this project through galleries and installations and we felt it was apt to assign full creative control over the CD packaging design to these two artists. Todd, also a graphic designer, has pulled together some of the polaroids for the outer and inner sleeves. There is a 16 page booklet included, which contains paintings, further polaroids and text from both artists. This is also included with the digital version of this album.

Written and produced by Todd Gautreau
Mastered by James Edward Armstrong
Paintings and polaroids by Jonathan S Hooper
Design by Todd Gautreau

https://www.jonathanshooper.com/

floating world - reflections on 36 views of newland island

wlr126 Tapes and Topographies -Floating World - Reflections on 36 Views of Newland Island

NEW DRONE VII Strings

Sonoris is a broad representation of the main trends in modern ambient music.

Pleq (Poland)
https://pleq.bandcamp.com

Dionisaf (USA)
https://dionisaf.bandcamp.com

Alessandro Barbanera (Italy) 
https://alessandrobarbanera.bandcamp.com

Sebby Kowal (USA) 
https://soundcloud.com/sebbykowalmusic

Michele Andreotti (Italy) 
https://soundcloud.com/michele-andreotti

Soloi Sounds (Japan)
https://soundcloud.com/monotone-orchestra

Chelidon Frame (Italy)
https://chelidonframe.bandcamp.com

Henrik Meierkord (Sweden) 
https://soundbread.se

NK x [Ųvás Gøød It] (Ukraine) 
https://nkxmusic.bandcamp.com

Kenji Katayose (Japan)
https://kenji-katayose.bandcamp.com

Merkaida (Russia)
https://soundcloud.com/merkaida

Adrian Lane (UK)
https://adrianlane.bandcamp.com

July in January (Russia)
https://julyinjanuary.bandcamp.com

CosmoMoose (UK)
https://cosmomoose.com

Sonidos Precarios (Chile)
https://sonidosprecarios-fs.bandcamp.com

Toni Dimitrov (Macedonia)
https://soundcloud.com/sound_00

Mastering by Dionis Afonichev (Dionisaf)
Photo by Dionis Afonichev (Dionisaf)
Artwork and cover design by Dionis Afonichev (Dionisaf)

https://www.chitrarecords.com

Sonoris

Góðr

The first release of a compilation of remixes from artists of the Ambient Cat label.

Mastered by Dionis Afonichev (Dionisaf)
Cover picture by Dionis Afonichev with AI
Cover design by Dionis Afonichev (Dionisaf)

Ambient Cat Remixes, Vol. 1

Shimmering Lights (Le Code Remix)

(dispersed signal) versions fragment the original material through granular time-warping, scattering its rhythmic core into drifting pulses and textured echoes. Like a fading transmission from deep space, these pieces unravel slowly, leaving behind only traces of their origin.

🔗 Listen & support:
Spotify · Bandcamp · YouTube · more → https://linktr.ee/amb1Matt3r

🎧 Music for:
sleep · deep focus · meditation · inner drift · slow time · space dreaming

📎 Tags:
#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Levitate (dispersed signal)

Part of the Naviar Records Haiku-Challenge:

https://www.naviarrecords.com/naviarhaiku604-in-spring-sunlight/

the rows of tea bushes-naviarhaiku604

Music, Lyrics, Performed and Produced by Secondsight 

LYRICS

Timed my inhale
For a chance to glimpse
Enlightenment
On the precipice
Thunder kiss
Thunder fade in
I'm stargazing
Sky draped

Calling back every soul piece
Come
Come feel

It feels so safe now
Held here
Come
Come breathe

Please
Find your way back to me
Whenever you are ready

Calling back every soul piece
Come
Come feel

It feels so safe now
I feel so safe

Stargazer

Dance like you're an animal that's living in an ecosystem and you will be living the truth. Move your body to the music__more technically, contract and relax the muscles in time with the beat and you'll be dancing. Ignore the nay-sayers that believe in nothing that can be proven whilst disbelieving that which science has proven (beyond a reasonable \ informed persons doubt). Feel the bones as you move to the vibration of the music. Understand that certain sounds, environments, social situations, will increase adrenaline that may increase the beat of your heart.  

Be wise, many are lost in the music. Educate, but, some won't learn how to listen. Nurture being humble especially when dealing with the arrogant. Humans specifically, are nothing special  (i.e., believing we are greater than nature is nothing but hubris, & that ignorance is causing environmental neglect) 

There is an objective reality that can be known (understood at some level or another). We do live and breath on a planet that's orbiting a star (the Sun) How would you infer that fact in some music? Song? (lyrics) or, for example, a sound that tried to represent the 'massiveness' of the planet that we live on? Or for example, if we could hear the sound of one hydrogen atom, what would it sound like? What is a cold or hot sound? a hard or soft sound? A high or low sound? A red or blue sound? We can detect \ see the differences in frequency in the electromagnetic spectrum between the colour red and blue. We can hear the difference in frequency (pitch) between a "C" & an "D" note. Music is somewhat subjective (mind). However, sound is objective. Vision is somewhat subjective. However, light is objective. 

I've been a passionate music listener for many years. Over thirty years ago whilst under the influence of cannabis (if you choose to, use, e.g., vape, cannabis sparingly. i.e., ask, is this helping my well-being?), I had such an 'out of the ordinary' experience whilst listening to music, that ever since that event, I’ve believed that music is the answer, the solution, to many of societies' woes. Thirty years later my understanding of the effect of music, and sound in general, on human behaviour, is more of a science than a mere faith (belief) For example, sound in general is “out there” (changes in air pressure). Sound is an objective, a physical, quality (objective reality). However, music is in our minds (but, it’s properties are now electro-chemical). Music is subjective in that music is what our brains perceive under certain circumstances (timing, pitch [AKA frequency], etc.) Whilst humans do show a preference for different genres of music, what we perceive as musical are sounds that have certain qualities, and the dominant musical quality is timing. Or to be more precise, a repeating quality that we can recognise, and typically, sense some pleasure in for it to be experienced as musical’. Why are we able to recognise the difference in pitch? An “A” note from a “C” note? Why are we able to recognise the the difference between green and red? The why is due to our evolved physiology. It was, it is, evolutionary beneficial to be able to recognise the colour of ripe fruit, for example. To recognise the difference between a friendly or angry sound (human or non human animal). Fundamentally, our ability to perceive and appreciate music is an evolutionary adaptation. Furthermore, humans are “wired” to be social animals. Music can bring us together. 

I understand that music can change cultures, and that cultures do need to change (will change radically, one way or another)__especially in regards to taking far more care of the environment, and one another. In one sense, apathy or neglect  for the environment, for nature, is simply due to a lack of awareness (consciousness). Time waits for no person. The environment won’t wait for us to recognise, to learn, that we need to sustain it (to sustain ourselves) Therefore, the solution is to raise awareness about the environment. For example, to provide excess to the form of education so that people develop the comprehension, the understanding about what clouds are (water vapour) and how clouds form. That understanding, in of itself, is a step towards understanding that we live in an ecosystem (that’s a good place to start)

Many of the people I’ve met, including family members that I’ve known since I was a child, don’t understand that they’re animals living in an ecosystem. In fact, out of all the myriads of animals that exist on planet Earth, only a percentage of humans understand themselves enough to understand that they're animals. Whilst studies using mirrors suggest that our closet "cousins" chimpanzees have a sense of self, it would be guess work, in other words I doubt it very much, to think that chimps know that they're chimps. The term chimpanzee, is a human construct. We know that chimps are our closest living relatives because we can study anatomy and genetics, etc. We know that humans and chimpanzees share a common ancestor that lived millions of years ago because of fossil records and genetics. That common ancestors lineage diverged into what later evolved to be today's chimpanzees and humans. Although, during that time, millions of years, many human looking animals, AKA the hominid “family”, went extinct. Why did, for example, Neanderthals go extinct? The answer is, we don't know! (there are a few scientific ideas, but no conclusive evidence to why. E.g., the Neanderthals didn’t leave any written records)

The lack of awareness of objective reality that some humans express as ignorance & or arrogance, or rather can’t express as intelligence, is because of a lack of a type of intelligence, and false beliefs, misinformation in general, that has and is preventing people from accommodating fact based information. Rhetorically, how can people care about that which they don't understand? Fortunately, developing a general scientific literacy increases a persons general level of intelligence. But, there is the rub, a sort of 'catch 22'. You can only become aware just how much a general scientific literacy will increase your general understanding, once you've reached a point in which you have developed a certain level of scientific literacy. In simple terms, you have to develop the intelligence to have the intelligence to comprehend that you are an animal living on a planet (in an ecosystem). That is profound. You live on a Planet that’s orbiting a star! (wow!) The only way to develop that type of informed intelligence is by learning the science. The chemistry, the biology, the ecology, for example. 

That does not mean you need to have a science degree, for example. A general scientific literacy is a general understanding of the fundamental sciences such as chemistry and physics. That awareness can be developed via the many ways that there are to learn, to be informed, of science. People learn in different ways. I for one, enjoy listening to a science podcast whilst out walking. Or for example, reading up on how clouds form, then going outside and using that knowledge to appreciate clouds (to perceive clouds or the “sun” for what they are. e.g., water vapour & a giant gaseous object)

Sure, generally, science isn't as "simple" as learning your “A,B,C’s” (not that that is "simple") because science studies objective and subjective reality. However, like learning anything, even learning how to ride a bicycle, eventually, it becomes like 'second nature'. Humans are nature, Humans are animals. Humans do have an effect on the environment & one another (psychology). And, humans need the environment in order to sustain their societies. Polluting nature is the sign of ignorance. The cause is often a combination of greed & ignorance. 

Basically, any ideas, any ideology, any faith, that infers, that believes, that perceives that humans are NOT part of the planets natural systems, the Earths ecosystem, is not only wrong, it's harmful. However, in some ways humans are a special species. More specifically, as well as our human 'type' of intelligence, we're also highly social animals. We can cooperate to 'save the planet', (the best of our nature), or we can compete, which often brings out the worst in us, and degrade the planet's natural systems (including climate change)

If people don't take that first step towards becoming scientifically literate, they will never know what it is that they're missing out on (a more informed perception of reality). So, and this goes out to a general audience, do yourself & your society a favour and begin the journey of learning about objective reality. A good place to start because it’s a fundamental science, is by reading or listening to a book about chemistry, because, just about everything is chemicals (e.g., molecules that consist of the fundamental elements such as carbon and hydrogen) 

Furthermore, even understanding only the basics of neuroscience for example, will mean that music producers can make even better “brain” music (brains are electro-chemical in nature), 

To quote "We believe in the power of music to promote the cultural change needed to create a better future"  https://www.musicdeclares.net/gb/

Sometimes I do the music that I would have liked to listen to, other times the music emerges alone and it surprises me.
I feel closer to the sound than to the music
My music is not meant to be heard only with the ears but with the whole full body.

Rumbo

VictorYibril

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