Pre-Order 7" or digital -> http://wonderwheelrecordings.bandcamp.com/album/como-yo-santero

Since its formation in 2001, Novalima has been breaking down boundaries, uniting seemingly irreconcilable genres, communities and generations to create an inspiring movement that has revolutionized the music scene in their native Peru. Founded by four friends from Lima with a shared passion for both traditional Afro-Peruvian music and modern DJ culture, Novalima searches for the common ground between past and future, between tradition and innovation. 

Throughout 2014 Novalima has been recording what will be their new album, Planetario to be released in June 16 on Wonderwheel Recordings. The name of the album reflects its worldwide feel as it has been recorded in various locations around the globe including collaborations by top local and international musicians. A few of these recording sessions were done in Colombia which has given some of the new tracks an Afro-Colombian vibe and takes their exploration of deep Afro rhythms into the future. Collaborations include Sidestepper vocalist Eka Muñoz, as well as members from La-33, Pernett and La Mamba Negra, plus other worldwide artists such as Marc de Clive Lowe (UK/NZ), Panko from Ojos de Brujo, Kumar (Cuban rapper based in BCN). Remixes from the album are already underway with Bomba Stereo, Quantic and Nickodemus already lined up.

The debut single from the album, “Como Yo” (to be released May 19th on digital single and 7” vinyl) pays homage to a fallen bandmember and troubadour named Mangue, telling his story moving from town to town and venue to venue playing music, remembering and keeping something from each place he visited. Upon his passing, his only wish would be that there would be no tears and that all his friends and family would enjoy life as he did while he was on this planet…living it to the fullest. The deep, heartfelt lyrics honoring their friend are underscored by an appropriately celebratory musical vibe with rolling percussion, twinkling synths, and a sing-song chant chorus reflecting the spirit of the song.: “Gozen La Vida Como Yo” -  Enjoy life, like me (Like I do)
Novalima Facebook Fan Page:  https://www.facebook.com/novalima.official

Novalima Soundcloud https://soundcloud.com/novalima/sets/novalima-showcase-1

Planetario

Como Yo

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Novalima - Como Yo

Track number 6 out of 12 of the album Shining by VictoryVibe: Shining Can Get. Enjoy the ride!

Shining Can Get

Canción de la gran cantaora Petrona Martinez de Colombia, remix de Nicola Cruz de Ecuador... Los Andes puro sentimiento y sabor.

Nicola Cruz - Déjala Venir (Petrona Martinez)

El sonido Graveton tiene su origen a finales de 2010 en los estudios caseros de djs y productores de países de todo el mundo. Producciones analógicas o digitales de baja calidad pero con mucho ingenio a la hora de usar los ritmos de la cumbia y el reggaeton para procesarlos con samples del folclore andino, colombiano y mexicano. Con los años y los avances tecnológicos las producciones iban adquiriendo mayor calidad en cuanto a sonido y a contenido artístico. Aunque siempre hay excepciones, los más radicales y ortodoxos que aún conservan la manera primigenia de producir y ejecutar piezas de graveton. Es lo que se conoce como graveton lofi o graveton casero.

En la actualidad decenas de artistas siguen produciendo graveton en sus estudios, centenares de djs lanzan tracks de graveton en cientos de clubs de todo el mundo y miles de personas bailan graveton cada semana en las pistas de baile de diferentes clubs, fiestas locales o cualquier tipo de evento con carácter festivo o cultural.
Etimológicamente graveton proviene del sonido de frecuencia baja o grave, en inglés bass, y el sufijo ton del mismo sufijo que en reggaeton. Al ser producto de una mala producción el prefijo grave señala ese carácter desafortunado de la obra.
Desambiguación. Graveton (Creative Commons - 2011) También es el nombre de la primera referencia de la disquera online Caballito Netlabel y está dio lugar a posteriores entregas, Graveton II (Creative Commons - 2012), Graveton 3 (Creative Commons - 2012) y Graveton IV (Creative Commons - 2015)

Dicho esto sólo queda presentar el GRAVETON IV, y con motivo de que Caballito cumple cinco años, este es nuestro regalo.
El Graveton IV contiene 38 tracks llegados de todas partes del mundo. Nombres ya conocidos, otros no tanto y nuevos descubrimientos gracias a internet que siempre provee.

Incluye BONUS TRACK Bigote feat Funko - Kumbia Borroka (2011), en un edit 2015 de Bigote. Kumbia Borroka fue la primera canción de graveton de la historia, de la cual se extrae la frase “Caballito is too much porn”

Amigas y amigos bailadores, músicos, productores, djs, blogs, webs y publicaciones, gracias a todos. 
A bailar!

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Tribilin Sound - Coca

Verónica, otra de las hijas de Papá Kumbé!

Listen on Spotify: http://spoti.fi/1Q3auvE
Buy on iTunes: http://apple.co/25WOjyr

"Verónica"
Artist: Papá Kumbé
From the EP: Las Hijas de Papá Kumbé

More info about Papá Kumbé:
https://facebook.com/papakumbe
https://soundcloud.com/papakumbe
https://instagram.com/papakumbe

FREE DL

Verónica

GET IT >> https://rafiralfiro.bandcamp.com/track/rafael-aragon-caribe-a-o-68

FREE ALBUM DL

Rafael Aragón - Caribe Año 68 [Tropical Twista Records, 2016]

Pre-Order Lagartijeando's "El Gran Poder" LP -
https://wonderwheelrecordings.bandcamp.com/album/el-gran-poder

Lagartijeando is the name of producer, musician and DJ Mati Zundel. Born, raised and currently living in a small town on the outskirts of Buenos Aires called Dolores. Strongly influenced by his travels through Latin America, Mati’s signature psychedelic dance tracks latch onto everything from traditional folk sounds from the Bolivian altiplano to the jungle beats of Brazil. 

Mati hypnotically fuses his traditional influences (with an emphasis on shaman chant and charango loops) with contemporary electronic beats, creating a sound that once left NPR speechless.

Freshly into 2017, Mati brings us El Gran Poder via Wonderwheel— named after an important Aymara festival that takes place in Bolivia and Peru, purely to celebrate family. At these festivals, the community also celebrates their culture and the importance of the collective identity. The album was recorded in Mati’s town, Dolores, outside of Buenos Aires. Once again taking a huge variety of sounds— this time influenced by Brazilian house, afro-brazilian rhythms, and folkloric Andean music.

El Gran Podor

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Lagartijeando - La Memoria Del Viento

De otro planeta (Karim & Tropikore Remix)

Descarga Gratis

Sol Pereyra - De otro planeta (Karim & Tropikore Remix)

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Chancha Via Circuito - La Victoria (feat. Lido Pimienta & Manu Ranks)

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Petrona Martinez - Un Niño Que Llora En Los Montes De Maria (Atropolis RMX)

Purchase Here: https://wonderwheelrecordings.bandcamp.com/album/jallalla

In 2017, Lagartijeando (Mati Zundel), released his second full length album ‘El Gran Poder,’ via Wonderwheel and subsequently hypnotized the masses with the way he laced the traditional Charango playing that he picked up traveling the Andes with the pulsing, digital-cumbia electronica that’d been popularized in the region by the likes of Chancha Via Circuito, Nicola Cruz, and beyond. El Gran Poder plucked Zundel from his small town of Dolores in Argentina and catapulted his sound onto a global stage. He was revered by the likes of The Fader and Bandcamp, who referred to him as an electro-folk alchemist - and that he is. 

On June 7, Lagartijeando casts a new spell with Jallalla, an ambitious new full length being released on Wonderwheel Recordings. Jallalla is a word used in Bolivia to celebrate something- and it’s a word that strengthens in meaning when more people say it together. Jallalla is an entire life in an album - beginning with what would be the sonic representation of pulling back reeds to discover a new path with the song Villazon-Potosi and its sparse electronic percussion gradually filled in with curiosity-giving winds. Following is joyful charango riff that becomes the base for the track La Frontera, which features the sweet, wispy voice of Minük, the Colombian artist Alejandra Ortiz, known as half of the duo Lulacruza. As the album progresses, it becomes more experimental with electronic elements, sneaking in bits of deep house and dub. The fourth track is called Caña, and is a collaboration with none other than Chancha Via Circuito. It’s minimal and haunting, playing with repetitive bass, chimes, and what sounds like owl sounds. Zundel’s beloved charango sneaks back in via the next track, Adios Potosi, continuing the trek with a sweet melodic mid-album break. On the track A Todo Pai, one that celebrates Latin American identity (a todo pai, un solo maiz, repeats the song), Zundel collaborates with Javier Arce - lead singer of the Costa Rican indie-funk band Cocofunka, whose peculiar and infectious voice adds new layers onto the album. The last few songs are a mix of meditative electronic tracks and life-giving dance-floor ready numbers, all lending to Jallalla being a celebration of life and the various adventures it contains. 

Jallalla is out on June 7 via Wonderwheel Recordings.

Jallalla

Lagartijeando - Añoranza en las Yungas

Didier Victory, born in London, French parents, living in Amsterdam. Producer of fusion-house, melodic-house, dance, lounge and reggae music. Sit back and relax or stand up, dance and enjoy the ride!