sketches from online course

Dalhous, the music project of Marc Dall and Alex Ander formed in Edinburgh, are bringing our next mixtape instalment, with a mix that will particularly please those with cinematographic inclinations. 
Dalhous have just returned after a 5-year hiatus with a long-awaited follow up to 2016's House Number 44, presenting the second volume of The Composite Moods Collection: Point Blank Range released on Denovali Records earlier this year.  
This mixtape is a collection of some of the records Dalhous have been re-listening to recently. They like to make mixes in the same way they make records where entire tracks are used as raw material. The cinematographic influence comes across immediately: There are a lot of cues from film and game soundtracks, from classic FPS games like Wolfenstein 3D and Half-Life through to a library cue from David Cronenberg's Shivers, to direct audio rip from the opening of Abell Ferrera's The King of New York by Joe Delia.  

Tracklist:
Concierto for Violin OP. 8# Autumn by Antonio Vivaldi arranged by Joe Delia - King of New York OST (1990)
Takefumi Haketa - Intercourse of Ghosts - Kairo OST (2001) / Audio extract from Pulse (2001) / Takefumi Haketa - There is nobody in the laboratory - Kairo OST (2001)
Klaus Shulze - Dream Team - Next of Kin OST (1982)
Carlo Maria Cordio - Incontro - Absurd OST (1983)
Bruce Ditmas - Visioni Sconvolgenti (2017)
Edward Artemiev - Part V - Solaris OST (1972) / Tangerine Dream - Terrible - The Keep OST (1983)
Popol Vuh - The Great Ecstasy of Woodcarver Steiner OST (1974)
Richard Einhorn - Audio Extract - Blood Rage OST (1987) / Charles Bernstein - Lurking - Nightmare on Elm Steet OST (1984)
Miwako Chinone - Saferoom Theme - Resident Evil 7 OST (2017)
Christoph De Babalon - Opium - If Your'e Into It, I'm Out Of It (1997) / Alan Splet - Audio Extract - Blue Velvet (1986)
Chu Ishikawa - Swamp - A Snake Of June OST (2002)
Joji Yuasa - Audio Extract - Funeral Parade of Roses OST (1969)
Angelo Badalamenti - Main Theme - Mulholland Drive OST (2001)
Clint Mansell - Ambient Music Loop - Pi OST (1998)
Akira Yamaoka - The Forest Trail - Silent Hill OST (2001)
Mark Isham - Dust and Gasoline - The Hicher OST (1986)
Bobby Prince - Wondering About Loved Ones - Wolfenstein 3D OST (1992)
Audio Extract - Black Christmas (1974) / Simon Park - Vocal Point - Dawn of The Dead OST (1978)
Simonetti-Pignatelli-Morante - Flashing - Tenebrae OST (1982)
Charlemagne Palestine - Strumming Music (1974) / Chris Conner - Key Personnel - Manhunt OST (2003)
Laurie Anderson - Gravity's Angel (instrumental) - Naked Lunch trailer music (1991)
Muslimgauze - Under The Hand Of Jaruzelsk (1987) / Jack Nitzsche & Barre Phillips - Cat & Mouse - Cruising OST (1980)
Graeme Revell - Nobody on the Safety Boat - Dead Calm OST (1989) / Graeme Revell - Fireboat Light - Dead Calm OST (1989)
Barry De Vorzon - Men's Room - The Warriors OST (1979)
Kelly Bailey - Vague Voices - Half Life OST (1998) / Wang Chung - City Of The Angels - To Live and Die In L.A OST (1985)
Nurse With Wound - Spiral Theme - Scrag! (1987)
Popol Vuh - Brothers of the Shadows - Nosferatu The Vampyre OST (1979)
Coil - Meaning What Exactly-666 - Unnatural History III - (1997) / Coil ‎– Here To Here (Double Headed Secret) - Unnatural History (1990)
Akira Yamaoka - Eternal Rest - Silent Hill 1 PSX OST (2001)
Akira Yamaoka - Is This The End? - Silent Hill 4 OST (2004)
Eugene Cines - Rooms in a Museum - Shivers OST (1975)

DENOVALI presents DALHOUS - A Labyrinth. A Maze. A Dream.

now avaiable on C O L O R S Q U A D  0 1 1   via Color Squad Records

https://colorsquadrecords.bandcamp.com/album/c-o-l-o-r-s-q-u-a-d-0-1-1

(mastering by Danny Playamaqui)

Turret Rhetorique

Here is my track "Dissolve"
Buy Cassette/Digital on bandcamp:
https://florinacassettes.bandcamp.com/album/dissolve

Enjoy :)

Dissolve

Dissolve (Florina Cassettes)

Shebang

The second homework assignment in the Module Exchange course was the opposite of the previous one - to create an "Alarm Clock" and do everything I was not allowed to do in the lullaby. I remembered listening to the daily weather forecast on a TV channel as a child, and for some reason, this morning association stuck with me. My first experience of using my own voice in a track and Auto Tune, it's fun :) 

Wake up, friends!

Morning, Arti

*now available on streaming platforms 

https://strandaudio.bandcamp.com/album/how-2-feel-xxx025

how 2 feel

¿does it really matter?

Stay safe

Nonam<_track_II

I'll Get To Hiding

Urva

Nebel Lang - Why Should I Stay?  

1. (situate)
2. like riddles
3. filled with sound

--

Something must have happened in my life.
Pondering questions like riddles, calm and collected.
Wondering where all the hours went,
I once had spent here,
looking at myself a bit puzzled.

Something must have caught my attention,
immersed into a different assignment, perhaps.
This precious time in between,
that is now filled with sound and ripe reality.

--

https://nebellang.bandcamp.com/album/why-should-i-stay

Recorded in August 2023

Photography by Patrick Smith
instagram.com/paddyjw

Field recording in "(situate)" by giddster
freesound.org/people/giddster

Text collage

--

Available now on Bandcamp

(̶s̶i̶t̶u̶a̶t̶e̶)̶ ̶i̶s̶ ̶a̶ ̶s̶h̶o̶r̶t̶ ̶p̶i̶e̶c̶e̶ ̶t̶o̶ ̶h̶e̶l̶p̶ ̶t̶h̶e̶ ̶l̶i̶s̶t̶e̶n̶e̶r̶ ̶e̶s̶t̶a̶b̶l̶i̶s̶h̶ ̶t̶h̶e̶ ̶v̶o̶l̶u̶m̶e̶ ̶f̶o̶r̶ ̶t̶h̶e̶ ̶e̶n̶t̶i̶r̶e̶ ̶w̶o̶r̶k̶.̶

Why Should I Stay?

filled with sound

Nebel Lang - Why Should I Stay?  - Filled With Sound

Retour sur la session studio live de @Poborsk au Soma

TRACKLIST:

- UPSAMMY -Square to Sphere
- AIR MAX '97 FEAT. LOFT - Xhrinicibles
- VAAG - Jajem
- SOMATICAE - Empathie II
- MICHAEL VALENTINE WEST - one day too late
- SUBJEX - Subslaughter
- ABADIR - Bass Belly
- TOUMBA - Istiban
- ZALIVA-D - Shang Lu Xing Xing
- LIMONIOUS - Degenerate
- CHABA MINOUCHA - Chaoui Doom Nabil Vortex Version
- THE ORB - Start Twister (Pomme Fritz & Apple Sauce Mix)
- TENO AFRIKA - Ubers (Tribute to Dj Jaivane)
- MMM - Farsta Dream
- AZU TIWALINE FEAT. CINNA PEYGHAMY - Tight Wind
- JLIN - Dissonance
- ERRORSMITH & MARK FELL - Photogravity
- ERRORSMITH - Centroid
- BFTT - Enin
- MESAK - Katosi
- FLARE - Parts & Wholes
- PHOENECIA - Can Recall (Subjex Remix)
- MICHAEL VALENTINE WEST - too much brown
- CIMM - Scorpion Death Lock
- LORAINE JAMES - Glitch The System (Glitch Bitch 2)
- DJ ZNOBIA - Wo
- KINDOHM - Veil 3
- HEXALYNE - Ective-C
- IUA - Dance9
- APHEX TWIN - To Cure a Weakling Child (Contour Regard)
- PAVAN - The Bird

Get in the Pobotron! w/ Poborsk (23/02/24)

"Edda B. playing an "Ugur" Handpan, Cis Minor Tuning, stainless steel" that's the orig handpan sound. it's already perfect on its own but here I am droning 

tetA

"Cheap Amplifiers" by Prostitutes from the upcoming "Ghost Detergent" LP - due out late Spring 2016. 

"Cheap Amplifiers" by Prostitutes

Penultimate Press is pleased to present A Sunset for Walter, the first duo release from long-time collaborators Jérôme Noetinger and Anthony Pateras. Having worked together in a number of different collaborative contexts over the years, the pair used Pateras’ 2018 residency at Schloss Solitude in Stuttgart as an opportunity to develop a major durational work for Steinway piano and multiple Revox tape machines. Presenting four excerpts from a three-hour concert, the LP’s opening moments immediately establish its distinctive sound-world: an austere sequence of octaves slowly sounded by the piano gradually develops into passages of fragmentary lyricism as Noetinger’s tape manipulations dilate the sonic space with rumbling sub-bass, distant echoes, and hints of uncanny backmasking.
 
A Sunset for Walter was conceived as a loose tribute to the piano works of Walter Marchetti, particularly the slowed-down subaquatic expanse of Nel Mari Del Sud. As Marchetti described his own work, A Sunset for Walter is ‘music without beginning, or end, or development’, where the lack of obvious structural divisions creates something like an endless present. But where the monochrome surface of Marchetti’s work – in its willingness to descend, in his own words  to the ‘pits of aesthetic poverty’ – often approaches total stasis, A Sunset for Walter is calmly immovable in its overall texture but perpetually changing in detail, as the performers respond intuitively to each other, their instruments, and the environment. Noetinger’s tape manipulations range from nearly imperceptible shadowing of the live piano to anarchic bursts of rewinding tape, floating wisps of feedback, and dreamlike concrète interjections of children’s voices and splashing water. Pateras’ piano performance moves from single pitches left hanging over a backdrop of silence to almost Messiaen-esque sequences of complex chords and arpeggios, all sounded within a temporal framework that seems to follow internal rhythms of breath and bodily movements.
 
Caught in this hall of mirrors, the listener is often unable to distinguish the live piano from its tape-manipulated reflection. Like the sunset of the title, here outlines blur into a crepuscular haze, as fleeting effects of light and shade catch our attention just as they disappear.

A Sunset for Walter

Jérôme Noetinger and Anthony Pateras - 19h39 / 19H46

Electronic Music School | Kyiv, Paris and Online

Our mission is to empower as many people as possible to communicate through the language of music, expressing and articulating thoughts, feelings, and ideas. 

Music, for us, transcends mere enjoyment or career—it's a tool for self-regulation and understanding of our inner emotional world.

¿does it really matter?

vikusyakoko

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