truly haunting, I had this on a loop as I wrote.

Bending Over

Jeg Kommer Hjem Nå!

Little Crack

Bryozone — Eye Of Delirious 
@gannabryzhata

“Eye Of Delirious” is a long-awaited debut Muscut's release of Chillera’s band bass player Ganna Bryzhata — an Odesa-based sound artist. An ambient LP is a smoothy-flow sub-nautical journey with the songs of Black sea sirens glowing under the moon.

Format: C40, cassette / Digital
Edition: 100, hand-numbered
File under: ambient, dub, experimental

Face A:
Smoothy Flow 
Sub Nautica 
Sequence One 
Glowing Sirens 
Ghost Tribe

Face B:
Ambiency 
Liminal Tribe
Eye Of Delirious 
Fateful Torment 
Ground Floor

Mastering by Gennadiy Boychenko 
Artwork by Volodymyr Pavlov 
Graphic design by (DN) daynight.info 
Neu Medieval and Heymland typefaces by KTF 
Riso print by Hands on Press 
Muscut, 2023

Eye Of Delirious

Order

Bryozone - Smoothy Flow (Muscut 27), March 2023

Three tracks written for Elvira, Cinderellas stepsister and main character of feature film The Ugly Stepsister. The film is the debut of Emilie Blichfeldt, premiered in Sundance and Berlinale 2025. Elvira is played by Lea Myren.

"The Ugly Stepsister is a daring and unexpected take on Cinderella’s world-famous tale, seen through the eyes of the ugly stepsister, combining comedy and horror by Emilie Blichfeldt. In a twisted take on the classic Cinderella story, ‘The Ugly Stepsister’ follows Elvira as she battles to compete with her insanely beautiful stepsister. In a fairy-tale kingdom where beauty is a brutal business, Elvira will go to any lengths to catch the prince’s eye. ‘The Ugly Stepsister’ is the gory tale of the blood and sweat, grit, and gold that goes into making Elvira the belle of the ball."

Music by Vilde Tuv
Blomsterdansen - Vilde Tuv and Marius Brovold
Pikeskole - Vilde Tuv and Kari Jahnsen

Blomsterdansen

Venera - Exinfinite
Label: PAN
Cat.No.: PAN 153
Release Date: 12 September 2025
Purchase: pan.lnk.to/Exinfinite

Having defined a multi-dimensional sonic universe on their acclaimed eponymous debut album, composer/filmmaker Chris Hunt and Korn's James "Munky" Shaffer abandon the familiar and drift towards a kingdom of recursion on EXINFINITE, staring down a tangled mass of mirrored wormholes that hum with eldritch ambiguity. VENERA's sophomore full length is darker, heavier and more percussive than its predecessor, but there's something more intimate wired into its circuitry that's harder to define - something mystical, mysterious and melancholy. Songs materialize from the void only to be dissolved by acidic synths or pierced by Hunt's whetted beats, while Shaffer's dense, tortured riffs are offset by euphoric, time-dilated vocals from FKA twigs, Dis Fig and Chelsea Wolfe. Following their encounter with vastness, VENERA have peered inward, ruminating on the limits of existence and excavating their most deeply buried emotions.

VENERA emerged in 2022 when Hunt and Shaffer veered into their own musical territory after recording with Albanian artist Xhoana X. Improvising together and experimenting with cinematic, sci-fi-inspired sound design, the duo realized the collaboration had potential, so they began developing and evolving the sound further, bringing in assistance from former Mars Volta drummer Deantoni Parks, Queens of the Stone Age's Alain Johannes, post-punk duo VOWWS and LA noise rock legends HEALTH. And after their debut album appeared on Mike Patton's Ipecac imprint in 2023, VENERA kept deconstructing and rebuilding their approach to songwriting, swapping out ambient Eno-esque atmospheres for blown-
out beats and dense textures, and figuring out how to extend the narrative they'd opened up without retreading old ground.

On 'Tear', the duo's new direction can be heard clearly as Shaffer's primal guitar noises are reformed into eerie widescreen expositions that Hunt punctuates with pneumatic kick and snare cycles. Broken up by airlock hisses and luminous synths, the track proposes a backdrop that VENERA continuously transmute, reforging the concept as the album develops. Cult singer-songwriter Wolfe adds a gothic American flavor to the crepuscular 'All Midnights', crooning powerfully over VENERA's vacuum packed rhythms and gaseous synths, and Berlin-based noisemaker Dis Fig follows work with The Body and The Bug on 'End Uncovered' lending breathy, emotionally layered tones to Shaffer and Hunt's tape-damaged industrial pops and whirrs. They launch squelchy, decelerated techno into occult noise reflecting pools on the slithering 'Asteroxylon', and Hunt replies to Shaffer's reverberating plucks with foghorn groans on the ominous, pensive 'uuu773'.

'EXINFINITE' perpetually builds momentum until it hits 'Caroline', an intense collaboration with FKA twigs that isolates her most unearthly tones. Initially curling her words around ominous electrical distortions and mangled, ghostly voices, twigs launches into a charged operatic cry that Shaffer and Hunt meet with skittering cybernetic beats and dense walls of guitar noise. It's this track that fully cracks open VENERA's concept, merging the synthetic with the natural and prompting dysphoria, loss of self and infinite regress. So the blood-curdling noise and sinister ambiance of 'Decreation' acts like a dissociated coda. In the 'EXINFINITE', destruction and death are not overcome, they're intensified until they metamorphose completely.


Venera ft. FKA twigs - Caroline

Single “Beach Walks” is an excerpt from Chapter 1 – Sometimes I Think About from GbClifford’s upcoming album Mock the World 2gether.

The song reflects on temporality and temporal imprints, exploring themes of personality shortcuts, self-esteem, and the question of physicality as a means of presence. It delves into unhealthy ways of coping with loneliness and depersonalisation, and the struggle to find a way back to oneself without feeling burned out.

The single is accompanied by a performative video made in collaboration with Lucky (https://www.instagram.com/luckyvackova) and Autorpresso (https://www.instagram.com/autorpresso).


Full album Mock the World 2gether out 7/11.


Composed & produced by GbClifford
www.instagram.com/goodbyeclifford

Mixed by Ursula Sereghy
www.instagram.com/sereghyursula/

Mastered by Natálie Pleváková
www.instagram.com/natalux_de_lumine

Cover by Ljuba Šlechtová
www.instagram.com/ljuba.slechta

Released by Wrong 2025

GbClifford - Beach Walks

1_1aurenrossetti_ad_hoc.wav

This music was written during quiet hours with little intention beyond staying focused. Piano remains central throughout the album. Soft strings or a single woodwind appear sparingly when space allows.

These pieces are meant to accompany reading, studying, writing, or calm routines. Each track reflects a real place or moment observed briefly. The music stays patient, understated, and steady, offering presence without distraction.

First Snow on Rooftops

with @nicolassavva

Following a line of collaborations that began with Fragile Resistance of Falling Silent (2020), Melting Light continues our ongoing musical dialogue. It developed organically, without pressure and over many months. Icy and warm at once, the track builds on the textures and atmospheres we’ve been shaping together over the past five years. We hope you enjoy it!
credits
released January 9, 2026
Mastered by James Ginzburg
Artwork by MUZZIN+SAMIRI

Blomsterdansen

Vilde Tuv

Recent comments

peppy hare

Related tracks