Very nice music, keep up the good vibes :)

Jeg Kommer Hjem Nå!

@zerocrossingpoint
Love is an emotional capacity without boundaries. It is the inherent beauty of life and light, flowing from within our body and mind. The alchemy of intimacy and devotion helps us to ascend from darkness, filling our soul with a clear radiant energy. Like a beaming star, our compassion and affection heal us by releasing our trauma in katharsis.

The compilation “No Limits, All Love” is the 12th release of katharsis, celebrating our first anniversary with 10 poignant tracks from artists novel to the label. With the title as a thematic starting point and additional references of gratitude, healing and growth, the contributing artists were invited to interpret their experiences of kathartic purgation and salvation through music.

To commence the compilation, the Egyptian Ma3azef-affiliated artist ABADIR engages us with his spellbinding track “Clearance”, before the British sound-designer Phrixus gets our bodies moving to his wonky “Unintentional Alchemy”. Debuting local Danish artist Bloszum takes the pace down again with the hypnotizing piano-infused hymn, “Beauty Is Only Crystal Deep”, followed by the daybreaking floater “Flamma” by Uruguayan artist Balas De Agua.

Subsequently, French producer Zero Crossing Point delivers a stellar spectrum of emotion on “Our Ascension” ahead of the sentimental receptacle of heartbreak on the track “Vesper” by French artist Awbluu. The energy dives deep into the trancelike state of our subliminal mind on Nexcyia’s “wrapped(up)”, as danish duo J Sliwa, consisting of label founder jjjacob and his partner in crime Lighyer, shoots for the stars with celestial cannons on the track “Light Is Within”. The compilation culminates in climax on the motivational rave-anthem “Don’t Be Sad” by the Swedish YEAR0001-affiliated duo Quit Life, before Santebela closes the album with grandiose piano phrases bathed in reverb on “save me”.

No Limits  All Love

Zero Crossing Point - Our Ascension

Myxomy - Myxomy (SUB042)

Stream & download: https://myxomy.bandcamp.com/album/myxomy

Artistic collaborations don't have to be exhaustive, competitive or combative. And for Berlin-based producers James Ginzburg and Ziúr, their work together as myxomy has been almost effortless. Both artists bring with them a deep history of recording in vastly different circumstances: Ginzburg has worked on bass music, folk, experimental techno (as half of Emptyset) and experimental drone, while Ziúr played in a number of bands before settling into her current explorative electronic mode. So when they started working together in 2020, it was their respective backgrounds that provided the touch-paper for an explosive artistic head-to-head.

Ginzburg instigated the process by sending Ziúr beats he'd made in Bristol in a former life, and Ziúr, fresh from finishing her PAN-released third solo album "Antifate", set about sculpting them into completely new forms. In response, Ziúr dispatched vignettes to Ginzburg and he did the same. As they exchanged ideas back and forth and lapsed into absurdity, the songs followed suit, evolving from raw concepts and loops into proper songs as both Ziúr and Ginzburg traded melodies, lyrics and production tricks. The duo's fragmented sketches and scribbles took on new life, channeled, refined and re-invigorated as they developed into anxious, hybridized pop jewels.

Their surprising stylistic choice is revealed immediately on opening track 'Sloppy Attempt', a fractured mood stabilizer that dissociates from Bristolian trip-hop into glossy android pop. Ziúr's singing voice carries the track into a sonic black hole, mutated into an alien gurgle as she gently coos the prophetic words, "a sloppy attempt won't cut it, no no." And as Ginzburg takes the reins on 'A little opaque', singing over Ziúr's twisted neon electronics, it's clear that both artists have pushed each other outside of their comfort zones, providing the reassurance and comfort necessary to evolve.

On 'In and Until', they find an exact median between their two most recent albums. Twanging hurdy-gurdy sounds remind of Ginzburg's 'crystallise, a frozen eye', compelled forward by brittle foley percussion we last heard on "Antifate". A scalding industrial boil of deranged synthesizer squeals and rolling drums parts like the Red Sea on 'Toxin Out', cooling to a crust for Ziúr's half-sung words to echo overhead. "Burn the bridges it's a choice, eat the rich, and throw up on the fuckbois."

"Myxomy" isn't an overtly political album, but driven by a desire to create and a shared philosophical space, Ziúr and Ginzburg are naturally outspoken. Their vision of pop is twisted through history and floated on frustration, growth and constant reinvention. It's a unique mix of polar elements - light and dark, noise and silence, joy and melancholy - that centers itself on one important theme: together, we're far more powerful than we ever could be alone. 
credits

releases November 12, 2021

All tracks written and produced by Ziúr and James Ginzburg
Album art by Stefan Fähler
Design by Philip Marshall
Artist photo by Kasia Zacharko
Mastered by Joker
Published by Multiverse Media Publishing © & ℗ Subtext / Multiverse LTD 2021
license

http://subtextrecordings.net/

Myxomy

Vinyl & digital

Myxomy - A Little Opaque

claim hammer

S̵̗̥̆à̸c̵h̵ô̸ ̷ Takeover • viatge imbroglio

3 tony miału [remix album]

rynek mandarynek - Ku Ku remix

Blooming

Dizzy Break, Pt. 1

The release with cat. n° 009 on [Obliqu3], the young department of Brique Rouge for ambient, electronica and breaky musics, comes a bit late, after the n° 010.
Victor Tiago — well known on Brique Rouge with 4 EP released since 2021 — delivers these 3 dreamy and melancholic soundscapes inspired by his his village of origin in the north of Portugal.
Laurent Chanal, Xaric, and BENE:LUXE, all well-known Brique Rouge artists, are on the remix duty.
Sit back and surrender to the Un-Dance...
••••••••••
DJ/Producteur Victor Tiago vit sa passion pour la musique depuis 1994 après des débuts classiques en club, de la House à la Techno.
Aimant les partager dans ses productions comme dans ses DJ set, il s'investit comme un vrai passionné.
victortiago.bandcamp.com
crédits
paru le 16 avril 2024

Written, constructed, performed and produced by Victor Tiago
Copyright Control.
2: Remix and additional production by Laurent Chanal
4: Remix and additional production by BENE:LUXE
5: Remix and additional production by Xaric
Artwork + sleeve design by Olive
Curated & mastered by Dr Olive
Distributed by [briquerouge]
licence
tous droits réservés

Vila Seca

Vila Seca (Xaric Remix)

Meuko! Meuko! - 鬼島 Ghost Island
w/ remixes by Dutch E Germ & GIL
Cat. Nr: DN013
Format: Digital / Limited edition CD 
Release Date: 6 July 2018
Purchase: bit.ly/2NdhWV4

Dreamscape:

The fog, snow, streets … everything had only altered slightly from my memory yet I perceived this world as one that might be a couple years, or even a few centuries, into the future. I was amongst a group of futuristically dressed children, school dropouts turned street dwellers, who had just run away from their homes, and I seemed to be one of them, wearing dark sailor clothes, with black hair just past my shoulders.

We had been hiding for quite a while in the white stairwell of a newly built building, uninhabited since its completion. The children set up a den in the stairwell, equipped with a TV and video games. I had somehow become their leader, directing the others where to safely spend their nights. These children were not afraid of the darkness in this world.

One young girl even managed to communicate with rabbits living in the snow. She often hid in a corner of the stairwell, listening to an old yellow cassette player. The girl believed the sound she heard was a gift from the ancestors – music had vanished in this world, you see. She would listen to recorded lectures and pray in the temple left by her predecessors.

Eventually the hideout was discovered by the building’s construction workers when the children were returning from their scavenging mission, so we were forced to leave and seek new shelter. Once again we retreated along the bustling streets, where neon lights were beaming everywhere, and creeping smog rendered peoples’ faces lost and helpless. Elder street vendors were selling every last bit of their wares, hawking outmoded objects of their forefathers. Finally we arranged some cardboard boxes in an alley, just for one night’s sojourn. We knew it was still a long road ahead. That night felt like a year.

Another morning we were driven out from previous night’s hideout, as we had become accustomed to, and while out scouring the streets for food the girl stumbled upon a forgotten temple. A dense fog hovered in the air, as if the place was high up in the clouds. The temple was too crammed with dark painted bronze figures of canine deities for her to even find a way in. She sensed from these figures, a time of strife and warfare harkening back thousands of years, a time when mankind destroyed the earthly body of Buddha and the Gods. These sacred bodies had subsequently been sold and dispersed throughout the world for thousands of years. This temple had become the haven for these anthropomorphized animal figures since then.

Realizing she had in fact lost consciousness, the girl awoke to find the temple floating among the clouds, an island in the sky. Only then did it dawn upon her that humanity will inevitably return to its primal state among the ancient forests, and that the temple suspended in the heavens contained the ghosts of humanity.

@meukomeuko

Jeg Kommer Hjem Nå!

Vilde Tuv

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