brambles and rabbits and rocks

Real

from 'S/t' [CD|2xLP|DIGITAL]
Denovali Records · den157
available on all formats at http://www.denovali.com/thealvaretensemble

The Alvaret Ensemble

The Alvaret Ensemble - Eac

Piano Layers Vol. II

The Flower That Vanished

Produced by Michael Tenzer

Melodies for "Huge Moves" and "Little Claws" co-written by Chloe Lundgren and Michael Tenzer

Melody for "Composure" written by Chloe Lundgren

Vocals - Chloe Lundgren
Synths/Bass/Drum Machine - Michael Tenzer

Cover art/composition by Caitlin Klask and Michael Tenzer

Huge Moves

Dont Turn Your Back To The Sea

"This rework could be considered a joke. I sat at the piano in silence and worked from there. I listened and took in the atmosphere and this is what came out of it. Of course, it doesn’t do Cage justice, but it was more fun playing rather than sitting in silence."
- Nils Frahm

4'33" recorded exclusively for Late Night Tales.

LNT pre-order: http://po.st/nilsLNT
iTunes pre-order: http://po.st/nilsiTunes 

http://www.bbc.co.uk/programmes/b0616tr5

Nils Frahm - 4'33" - Mary Anne Hobbs BBC 6 Music World Exclusive

Solo Remains are previously unreleased tracks from Nils Frahm’s album Solo, which was recorded on the M370, the world’s largest piano, built by the visionary piano maker David Klavins in 1987.

Nils fell in love with the sound of this giant and joined David for the new project – building an even higher piano – the Model 450. The aim of it is to explore the not yet reached physical limits of the piano instrument and also to push forward into new musical dimensions. The M450 will be characterized by an even clearer sound with more depth and richness of overtones as well as an unrivaled frequency spectrum and intensity of sound and tone. In time for the 2nd anniversary of Piano Day, Nils decided to give four previously unreleased songs from that very session to his fans and supporters of the Klavins 450 project.

“In the end, every album production leaves you with the same tough task – making the choices for the final track selection. You leave out some tracks for various reasons: some of the tracks are wonderful by themselves, but they simple don’t fit anywhere in the album and others have to be left out because otherwise the vinyl would become too long for a cut in good quality. However, these outtakes are often as important as the final selection and I thought, they might be a great surprise for Piano Day too. I hope in this case, it’s both …”

Solo Remains is available for free download in 24-bit and mp3 format.
http://www.nilsfrahm.com/works/solo-remains/

Vice Versa

Tape (Piano Day 2016)

Collapsing Horizons

Tangent - Distorted Perspective

sound gift for piano day celebration 
29th march 2017

by
hania rani 

http://haniarani.com
https://www.facebook.com/haniaranimusic
https://www.youtube.com/hannaranna
https://www.instagram.com/haniarani

hania rani is coming
and she is coming
soon

hania rani - hawaii oslo

Missing Organs - Drops

Soft Error - Silberblick

Elementar Morphosis

Listen / Purchase: https://lnk.to/dcad

Film composer and multi-instrumentalist William Ryan Fritch's long-anticipated double album, ‘Deceptive Cadence: Music For Film Volume I & II’ out now on Lost Tribe Sound.

It’d be a laborious task to run through all of Fritch’s many accolades, since 2009 he has released over 20 albums and composed music for over 30 feature films and more than a hundred short films. Lost Tribe Sound has been by his side since the beginning, releasing a few of his finest stand alone scores, including the critically acclaimed, ‘The Waiting Room’, ‘Eagle Hunters in a New World’, and ‘The Old Believers.’ Of course, LTS could boast for days about what a musical genius we believe he is. Yet, having written so many of these press rants for Fritch in our time, we’ll try to curb ourselves at the risk of preaching to the choir or sounding disingenuous.

That isn’t to say, Fritch isn’t well deserving of mountains of praise. We are honestly amazed that his film music hasn’t attracted the attention of more major motion picture studios. To date, Fritch has penned imaginative and impressive scores for narrative and documentary productions that run the gamut of most every imaginable genre and aesthetic. From raw and emotional films that uncover startling humanitarian and ecological crises, such as 2016’s Oscar-nominated short film ‘4.1 Miles,’ and National Geographic’s sweeping ’Into The Canyon,’ to eccentric and nuanced biopics and documentaries on figures such as Ursula K LeGuinn, Bill Nye and Johnny Cash. Fritch has found unique and artful voices for these wide ranging stories.

Most of those familiar with Fritch, know only of his albums as a singer songwriter or genre-elusive multi-instrumentalist, which truly represent a small fraction of the depth and range of his work. ‘Deceptive Cadence…’ gathers the most remarkable and memorable pieces from Fritch’s vast catalog of film compositions. Rather than filling up two volumes with half assembled film cues and fragmented themes, Fritch has gone to great lengths with ‘Deceptive Cadence…’ to make sure both volumes tell a story, build theme, and create a satisfying full album experience as good as any movie they may have come from. While this music once graced a particular film, show, or commercial, it has all been reimagined, reworked and made whole in post-production to complete the epic narrative of ‘Deceptive Cadence…’

Cover Image by Joe Borreson (http://www.dustclouddesign.com)

Deceptive Cadence - Music For Film Vol. I & II

Gut Level

Buy Album/Series

William Ryan Fritch - Gut Level (from Deceptive Cadence: Music For Film Vol. I & II)

east berlin disko - works in progress berlin de 2012 don't copy the copywrite

01 to many eyes - brian jonestown massacre

Lars Danielsson, Leszek Możdżer, Zohar Fresco - Asta

Village Green Recordings is a British independent label reshaping the landscape of minimalism, classical and electronic music.

Soft Error - Silberblick

Village Green Recordings

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