Would love to put this in my video for a university project. Could I get a download of this? I will credit you

Beautiful delay effects, reverb, melody, ambiance, you've got it all!

Chris Morphitis

Taken from the album 'Where To Go' available here - CD / LP - http://boomkat.com/search?q=chris%20morphitis&fields%5B%5D=

DL - https://itunes.apple.com/gb/album/where-to-go/id727764950
www.villagegreen.tv

Chris Morphitis - Timelapse

[p*dis] distribution sampler for October 2013


Chris Morphitis - Where To Go - If S2 (clip) (Village Green)

Chris Morphitis - Where To Go - Timelapse (clip) (Village Green)

Recorded on July 30 2014 in Budapest Hungary @ Mygar Radio Studio #22 with the Budapest Art Orchestra. 
Conducted by Peter Pejtsik....

https://adambryanbaumwiltzie.bandcamp.com/releases

The Endless Battle Of The Maudlin Ballade Part 3

Succeeding 2012’s critically lauded "Woven Tide," Aaron Martin and Dag Rosenqvist hone their combined clarity and depth into a raw strength matched by few of their contemporaries. A triumph of sparse destructive simplicity, "Into The Well" is an uncompromising and evocative tribute to sacrifice. Fluid Audio are proud to partner with From the Mouth of the Sun in a deluxe limited edition customized package.

Since 2005, Gothenburg based musician Dag Rosenqvist's work has graced imprints including Miasmah, Fang Bomb, Under The Spire, Lampse, Lidar, Slaapwel, Kning Disk, Dead Pilot Records, Lowpoint, and Rural Colors.

Since 2006, Kansas based composer Aaron Martin's work has found its rightful home on labels such as Preservation, Mobeer, Experimedia, Type, Under The Spire, and Sonic Meditations.

Credits:

Music and arrangements by Dag Rosenqvist and Aaron Martin.

Vocals on "Into the Well" arranged and performed by Dawn Smithson and Jerker Lund.

Horns on "Into the Well" performed by Henrik Munkeby Nørstebø (trombone) and Jenny Olsson (French horn).

Recorded in Gothenburg, Sweden and Topeka, Kansas.

Mixed by Dag Rosenqvist at The 63rd Link in Gothenburg.

Mastered by Taylor Deupree at 12K Mastering.

Aaron Martin:

Cello, bass, roll up piano, voice, vinyl, singing bowls, banjo, lap steel

Dag Rosenqvist:

Piano, pump organ, Fender Rhodes, various organs and synthesizers, acoustic and electric guitars, glockenspiel, voice and field recordings 

Path for Air (From the Mouth of the Sun)

Dirt

Minimondo

from 'Landscapes of the Unfinished' [CD|LP|DIGITAL]
Denovali Records · den251
available on all formats at [http://denovali.com/pianointerrupted]

Recorded partly in Senegal with local musicians playing traditional instruments, "Landscapes Of The Unfinished" is Piano Interrupted's 3rd album for German experimental label Denovali.

This album sees pianist Tom Hodge and “electronician” Franz Kirmann explore a more introspective approach to their sound. The sonorities and recordings the pair brought back from West Africa are deconstructed, mangled and texturised, turned into a pointillist landscape until only a faint and distant souvenir remains.

These beds of pulsating soundscapes and earthy textures serve as base for Hodge’s delicate piano phrases and intricate compositions, interlaced with long-time collaborator Tim Fairhall's fluid double bass playing.

Harsher territories are also visited during the 9 tracks that compose the LP; fuzzy Senegalese radio voices and the distant memory of African percussion collide with distorted bass and buzzing drones or screaming textures battle with screeching double bass sounds and tortured piano strings.

The overall tone of the album reflects the duo’s desire to musically translate the experience of the Dakar trip (where Franz Kirmann grew up), but also to break away from the first two albums' intricate programming and editing and instead go towards a writing and recording experience directly inspired by their live experience. Hodge’s clarinet, an important facet of the Piano Interrupted live show, is captured on record for the first time. 

This surge towards documenting a moment, leaving a trace or examining something concrete is further reflected in the choice of titles (all named after the musicians who took part in the recordings) and also the design, which is for the first time a photograph. Taken by filmmaker Cath Elliott, who travelled with the pair to Dakar to document the process, the album artwork captures one of the numerous half-built structures, infinite and abandoned, surrounding the studio in the suburbs of Dakar, and provides both an unfinished urban landscape and yet when viewed as a single moment in time, one of many compellingly complete landscapes of the unfinished.

Landscapes of the Unfinished

Piano Interrupted - Vieux

'Vantdraught 4' [CD|LP|DIGITAL]
Denovali Records · den256
available on all formats at [http://denovali.com/kubakapsa]

Kuba Kapsa is a Polish pianist and composer being the leader of the avant-jazz combo Contemporary Noise Sextet (2006-2014). Beyond that he is a renowned composer for film and theater plays. His latest venture is the first of a sophisticated series of projects of modern classical music bearing the common title "Vantdraught".

The first part of the "Vantdraught" series was called "Vantdraught 10 · Vol. 1" and featured ten classical instruments - 4 violins, 2 violas, cello, vibraphone, marimba and piano. The now appearing second part is "Vantdraught 4", a quartet album written for violin, clarinet/bass clarinet, trombone and piano. The minimalistic style of Vantdraught 10 is preserved although the music is less repetitive and much more intimate. Instinct and intuition is the main force behind the writing process, usually avoiding typical chord progressions and the classical cadential technique. In contrast to "Vantdraught 10 · Vol. 1", the rhythm domain is also less important, thus allowing the melody and harmony to come to the fore. The pieces of "Vantdraught 4" are mainly tonal music but Kapsa also makes use of atonal and polytonal harmonies which requires the listener to put more effort into listening to these parts. The unusual set of instruments is what makes this quartet album unique and fresh sounding. "Vantdraught 4" is certainly linked to classical and minimal music in general but one can find other influences such as jazz and "new music".

Much like its predecessor, "Vantdraught 4" features an astonishing artwork based on "The Reluctant Conscript" by the seminal artist duo Kahn & Selesnick.


Vantdraught 4

Kuba Kapsa Ensemble - Vantdraught 4 No. 5

Bersarin Quartett - St. Petersburg

In a Landscape (1948) performed by Yundu Wang, a student of Hung-Kuan Chen and Vivian Hornik Weilerstein
Using muted piano, Chinese cymbal, and two variable-speed turntables playing a frequency record and a constant note record, this is believed to be one of the earliest electroacoustic works ever composed.
Under the rubric of "Cage.88@100," NEC's piano department chair Bruce Brubaker and project director Stephen Drury brought together piano students from the entire spectrum of NEC's teaching studios for a series of concerts top celebrate the Cage Centennial .
Recorded live in New England Conservatory's Jordan Hall Fenruary 6, 2012

John Cage: In a Landscape

With Bird Ambience coming out on May 28, Masayoshi Fujita makes a lateral leap from his signature instrument the vibraphone to the marimba, which takes centre stage on his new album alongside drums, percussion, synths, effects and tape recorder. The balletic arabesques of his third single ‘Morocco’ show both instruments unite and dance from twinkling filigree, to a cascading crescendo.

“The way of playing the marimba is similar to the vibraphone, so it was kind of a natural development for me and easier to start with, yet it sounds very different”, explains Masayoshi. “The marimba bars are made with wood and it has a wider range than the vibraphone, which gives me a bigger sound palette with more possibilities. I play the instrument with bows and mallets, and sometimes manipulate it with effects.”

Bird Ambience brings several fresh changes for the artist. Until now, Fujita would separate his acoustic solo recordings, the electronic dub made under his El Fog alias, and his experimental improvisations with contemporaries such as Jan Jelinek. The new album sees him unite all these different facets for the first time into one singular vision.

Arranged with a perfect Kanso-like balance, the unhurried pace of Bird Ambience allows each sound and phrase enough time to be mindfully absorbed and savoured. This subtle but affective work carries ethereal remnants of Midori Takada’s minimalism, the static atmospheres of Mika Vainio, To Rococo Rot’s organics and the bucolic electronics of Minotaur Shock. Fujita vaporises contemporary and classical, ambient and dismantled dub, controlled noise and fragments of jazz into an atmospheric, static mist, which he skilfully coerces into new forms.

Bird Ambience will be released on Erased Tapes in 2LP, CD and digital formats on May 28.

Bird Ambience

Morocco

Stream & pre-order

Masayoshi Fujita - Morocco

Artist: Eluvium
Title: Don't Get Any Closer
Album: Nightmare Ending
Order Here: http://shop.temporaryresidence.com/trr214

Eluvium - Don't Get Any Closer

Village Green Recordings is a British independent label reshaping the landscape of minimalism, classical and electronic music.

Chris Morphitis - Timelapse

Village Green Recordings

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