devo

Ganesha

Rudram,Namakam,Chamakam & Other

Sri Raghavendra Stothram from the Album Sri Raghavendra Stothramala.

Sri Raghavendra Stothram, sung by Sri Appannacharya in the praise of Sri Sri Raghavendra Swamy is a mystic bliss given to this world. The significance of this Stothram owes to the fact that Sri Sri Raghavendra Swamy himself completed the Slokam on behalf of Appannacharya.

Sri Raghavendra Stothram

Muthana Muthukumara

Thaipoosa

Velundu

DURGA SUKTAM

Shree Suktam

10 Devi Atharva Seersham

Swamin Ghajamugha

Thedivantharul

Pahirama Raga Yadukulakambhoji Tala Tisra Ekam

శ్రీ బ్రహ్మం గారి కధ. బ్రహ్మంగారి జీవిత కధ.

Nadha in Sanskrit means “sound” and Aradhana signifies “worship” or “devotional offering”. Nadha Aradhana is an intuitive synthesis of vocals and instruments performed twice daily in the Dhyanalinga Multi-Religious Shrine at the Isha Yoga Center in Coimbatore.

An enchanting and deeply healing mix of singing bowls and assorted natural musical instruments in conjuction with voices, Nadha Aradhana is a live offering that enables listeners to slip effortlessly into a receptive mode, making them available to the divine energies and Grace of the Dhyanalinga, and allowing them to experience deep states of meditation.

Every Nadha Aradhana is an unfailingly moving experience. Emerging as it does from a state of deep interiority, it is an expression of the performers’ reverence and love – a response to the powerful presence of the Dhyanalinga. The soothing tone of the singing bowls sets the tone, inviting listeners to delight in an arabesque of pure sounds, unmediated by sahitya or lyrical content. Singers of Indian, Arabic, and Western styles combine with the bamboo flute, guitar, sitar, or veena to create a soaring oblation of sacred sound. As the music draws to a close, an intense and passionate sequence of Indian percussion takes over, its lingering echoes enabling listeners to experience the imminent silence that follows in a way they never have before.

Nadha Aradhana is performed in the Dhyanalinga Temple daily from 11.50 am to 12:10 pm and from 5:50 pm to 6:10 pm – timings that are recognized as sandhya kalas, or phases when nature itself undergoes a deep transition, and are known to be especially conducive for one to experience dhyana or meditation.

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