Name: Riverbed by Ben Vince in Mememe
Duration: 4 min 50 s
Description: Out on Group Therapy Vol. 2 https://grouptherapycollective.bandcamp.com/album/group-therapy-vol-2

Nice track Ben Vince, google 'bulletrank' they can give you free plays.

Mememe

XIII explores amorphous and hypnotic sounds he describes as "multipolar by choice, ritual and fluid by need."

Fact Mixes

Fact Mix 802: XIII (Apr ’21)

Out on Group Therapy Vol. 2 https://grouptherapycollective.bandcamp.com/album/group-therapy-vol-2

Riverbed

First single from Deficiency by @gyeongsu
Release date (digi) : June 15th, 2021
DEAR001
12" coming

Deficiency

Gyeongsu - a post

I AM KARMA, I AM SAMASARA, AND I AM HORNY FOR YOUR DEMISE

doom doom

Happy New Year! We bring you new music <3
Free download / name your price
https://hyperboloid.bandcamp.com/album/hyperboloid-2024

Hyperboloid 2024

free dl / bandcamp

Koett & WOLS - Quaternion

yibai (Dávid Gerlei) returns to EXILES with ‘Hatch + Foster’, a 20 minute EP exploring the fields of bass-heavy, dynamic ambient with an industrial touch. Following ‘Rianás’ and ‘Force Quit’ (the latter released on Temporary Nites), this latest EP of his follows yibai’s journey into gritty, uncanny worlds where stuttering and rumbling effects, along with defined, leading melodies dominate these six tracks.

Looping swirls of sound introduce us to ‘Hatch’ – the rapid pulses implicate the birth of an organism, an entity that is yet to see the light of day. ‘Breadth’ follows with airy and misty horns and hard-hitting beats, accompanying a slow and graceful melody under several layers of swampy synths. Passing the torch on to ‘Mass’, the first moments indeed resemble the intensity of the previous track, but the cadencing flow quickly turns into a long, droney, dense material of steaming blackness.

The dramatic arc breaks in the middle with ‘Balm’. A distorted noise introduces the track, which then turns into menacing drones of sustained buzzes and retriggered gestures, building up slowly into a polyphonic chorus of wounded voices. It falls apart constantly, then tries again, and with the support of fragile, voice-like echoes it reaches a bridge to the final section of the EP.

Sudden bursts and carefully placed units of silence dominate the last two tracks of ‘Hatch + Foster’. The penultimate track, ‘Foster’ creates a harsh mixture of spry harps and the sound of a desperate scream. Piece by piece, it adds more and more unsettling elements with a defined pulse, turning the composition into a focused exercise of inhale and exhale. The EP arrives at the vibrant, glossy yet bitter leading melody of ‘Infra’, where the wandering main theme with a hectic sense of direction ends abruptly, leaving behind nothing but a stark and somber impression of yibai’s current ars poetica. 

—Nemerov 

music by Dávid Gerlei @yibai100
mastered by Roland Nagy
artwork by Adrienn Császár

www.instagram.com/adrienn__csaszar
www.instagram.com/yibai.100

Buy EP

yibai – Infra

🌈 💙 Get this beauty
Apple Music https://apple.co/3IYDR11
Bandcamp https://bit.ly/43GZ4Gq

🌈 In the gentle embrace of 852 Hz, find solace and sanctuary. Let its celestial whispers soothe your soul, guiding you into a realm of tranquility and profound introspection. 

With each harmonious note, feel your spirit awaken, your intuition bloom, and your heart overflow with the radiant essence of inner peace and harmony. Discover the transformative power of 852 Hz, a celestial melody that balances chakras, enhances clarity, and promotes inner peace. 

Immerse yourself in its healing embrace and awaken to a realm of harmony and spiritual enlightenment.

🔥 10 Benefits of Listening to 852 Hz
1. Releases energy blockages
2. Promotes inner peace
3. Enhances intuition
4. Facilitates spiritual awakening
5. Increases feelings of harmony
6. Supports emotional well-being
7. Enhances memory
8. Improves cognitive function
9. Deepens meditation practice
10. Connects with spiritual self

🧿 This is Music from the Firmament:
"In the embrace of Music from the Firmament each note is a gentle caress for your mind, a tender touch for your body and a soulful whisper for your spirit. Subscribe to invite the sublime vibrations of healing music, as we serenade you into tranquility."

Experience the celestial vibes on:
● Spotify spoti.fi/2mTKLLB
● Apple Music apple.co/2Qp0gdF
● Bandcamp bit.ly/2Xqtrie
● Instagram bit.ly/2omPFml

🌈 Soaring to the stars together,
Music from the Firmament

Thank you for resonating with our celestial tunes. If our music touches your soul, share the cosmic experience with friends, and let us know the personal wonders it brings in the comments.

🌙 EP Information
Title: 852 Hz Melody of Spiritual Awakening
Composer: Constellation of Hydra
Release date: June 25, 2024

🌙 Beyond the Melody:
Explore the healing realms with Music from the Firmament, where our soundscapes offer relaxation and therapeutic benefits. Our compositions, a creation by Constellation of Hydra, serves as a natural way to rejuvenate your energy and attune to positive frequencies.

📜 A message from Constellation of Hydra, Music from the Firmament's composer:
"I wholeheartedly believe in the transformative power of music to heal the soul, mend the mind, and rejuvenate the body. May you always find solace and joy in the healing frequencies, just as I do."

Thank you for being part of this cosmic odyssey. Subscribe to become an integral part of our community, and feel free to share your thoughts and experiences.

💜 Illuminate your soul, let the magic of Music guide your cosmic journey.

852 Hz Melody of Spiritual Awakening

852 Hz Serenade Of Celestial Sanctity

🌈 💙 Get this beauty

トークンを挿入したその瞬間からゲームセッションは始まり、プレーヤーは一気にいくつもの「ライフ」を持つ。これらのゲームの中では、「ライフ」要素を勝ち増やす事もでき、それらはスクリーンの端に小さなアイコンとして蓄積される。
プレーヤーはゲームが終わるまでに何度も失敗することができることから、この機能は陽性強化としてプレーヤーに働く。Pier Luigi Cappucci教授は自身の本、"Il corpo tecnologico"にて次のような現象を説明する：人は常に「バーチャル」構図（構成）を創造してきており、物理的且つ直接的な現象界の体験（経験）から距離を置く事を学ぶ。(…）モデル（模型）や物（作り物、芸術品、人工物）を使う事によりその関係を調節（仲介）し、置換えているのだ。
この要求の重要な証明となるのは神話や伝説における口承、または影絵やマリオネットといった形での再解釈などにある。様々なアニメーション（命を吹き込むという意味で）技術、バトンの使用、ワイアートリック（仕掛け）、手袋や目の錯覚を引き起こす様々な方法、それらは現在の進歩したと言えるであろう「バーチャル」なデジタルイメージを操作（コントロール）する技術と遠くではあるが同じラインをたどっているのである。ナイジェリアの宗教的習慣とし扱われる儀式的スペクタクルGledé人形劇を例にとろう。操り人形師はパペットマスクを身に付ける。それは彼らのダンス（動き）と操り糸を通して動きが調和され、唯一動きを持つオブジェとなる。それは人形師と人形とのハイブリッド、マジックと幻想を展開させる神々しい者となるのだ。70年代末から80年代にかけて日本ではOVA、オリジナルビデオアニメーションというものが続々と造られた。その中では人間のキャラクター、主にティーンエイジャーが彼らの体の機械的な感覚の延長かのように大きなロボットの内部を操作する。
1979から80年の機動戦士ガンダムでのモビルスーツ、1985年、強殖装甲ガイバーでの共生有機デバイスなどといった、ある人物に宿る人間のポテンシャルを拡大させる科学技術などが例としてある。
2006年にはシングルプレーヤー向けにガンダム世界のシミュレーションとして先進的なアーケードゲームがいくつか造られた。これらの新しいゲームカプセルにはパノラミック・オプティカル・ディスプレイ（半球スクリーン）を搭載され、アーケードシステムを再起動させ、しばらくの間、日本国内外で大きな反響をよんだ。From the moment that you insert the token and the gaming session starts up, the player suddenly has multiple lives. During these games, you can win additional “life” elements, which accumulate as little icons around the edges of the screen.

This function creates a positive reinforcement in the player; they have the possibility to fail many times without the game finishing. Professor Pier Luigi Cappucci, in a paragraph of his book "Il corpo tecnologico" descibes to us this phenomenom: Man has always created “virtual” constructs, learning to distance himself from the physical and direct experience of the phenomenal world.(..) mediating and substituting this relationship through the use of models and artifacts.


An important attestation of this desire are the myths and legends of the oral tradition, a version of which we can also see reinterpreted in shadow puppet or marionette shows. The different animation techniques, the use of batons, wire tricks, gloves and other ways of deceiving the eye, trace a line, though long, towards the current, more or less advanced, techniques for controlling “virtual” digital images.

Let's take the example of the Nigerian Gledé puppet theater, a ceremonial theatre which serves as a religious rite. The puppeteer wears a puppet mask, a single object which moves unison with their dance by means of the puppet strings. It is a kind of hybrid between a puppeteer and a puppet, a divine being who deploys magic and illusionism.

At the end of the 70s and throughout the 80s in Japan, a series of OVA, or original video animation, were created, in which the human characters, usually teenagers, had internal control over giant robots, as if they were mechanical sensory extensions of their own bodies.

Take the example of the Gundam Mobile Suit 1979-80 or The Symbiotic Organic device of Guyver, 1985, a technology which amplifies the human potential of the people that it hosts. I

n 2006 some advanced arcade game were created as simulation for a single player of the Gundam universe. These new game capsules, with a panoramic optical display, have relaunched the arcade system which has been all the rage for a while, in Japan and elsewhere. Divinity, mythological figures, ties with tradition and historical events, have often been the starting point for the creation of scenes and characters for games and video games, often fused together in a bizarre and entertaining manner. 

Capogiro degli Dei (EBM(T) mot Tokyo)

Shapednoise is Italian producer Nino Pedone, and over the last few years he’s built a name for himself issuing music that bridges the gap between the basement and the club. Noise and techno are proven bedfellows at this point (for better or for worse), but Pedone pushes harder and further, and ‘Different Selves’, as the title suggests, is his most diverse and challenging work to date.
Fusing the industrial grind of early Godflesh (Justin K. Broadrick even makes an appearance on opening track ‘Enlightenment’) with the raw power of mid 90s D&B, the visceral pleasure of early grime and the ominous scrape of dark ambient, Shapednoise navigates unfamiliar territory expertly.

Whether traversing beatless outworld landscapes with ’Travels in the Universe of the Soul’ or assaulting the senses with the acidic, rhythmic blast of ‘Heart Energy Shape’ there’s a sense that Shapednoise is exploring his own boundaries.

‘Different Selves’ is a challenging, unruly selection of tracks; not a deconstruction of club music, but an amplification, blowing every sound out to near cacophony. the result is truly explosive.

Escalation

DEAD COLONIALISTS

American zen (ded003)

Caution

“Some of us had to get free, and some of us might.” 
On my debut album Get Free, I sonically explore the idea of personal freedom using techno landscapes, and visually inspired by Detroit's The New Dance show. Get Free explores what it is to actively dismantle imagined limitations, to eradicate the bondage of self doubt, to forge ahead with love and light, to liberate the body and mind. It puts the process of self discovery and owning of ones’ entire self to the forefront, with a soundtrack that relentlessly pulses and moves with intention. “Relish in those waves, we stand only to gain connection.” Once the vision is actualized, we gain connection, and ultimately we get free.
credits
released November 13, 2020 

Written-By, Composed By, Producer – Tygapaw 
Featuring - Mandy Harris Williams 
Engineer, Mixed By – Loric Sih 
Mastered By – Glenn Brady 
Artwork – Avion Pearce 

THANK YOU 

To my ancestors for standing by me, holding my hand through the making of this album, and being the inspiration behind the concept of the album. Very special thank you to Mandy for lending your brilliance to the album, and blessing it with your powerfully affirming words. Huge thank you to Loric for helping me mix this album in a month, big up to Glen for mastering it so beautifully. Very special thank you to Avion Pearce for creating the iconic album art. You are everything. 

This is my debut album and I’m grateful to have worked with you all to bring this dream to fruition. Big up to the NAAFI fam for releasing this album. Thank you especially to the wonderful persons who have supported me from day one, your support has given me the space to develop as a musician, to create this body of work. 

Gratitude is a must.

Riverbed

Ben Vince

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