Smooth with some delicious electronic production...

OpenAI

trndytrndy - minimal beat (lust flip)

Candy Paint

Sometimes, when the stars align late at night (...and I practice), I can get in the groove and hopefully capture in my hands what I'm thinking in my head.

DAVEHEFFNER.COM

Good Times

What's The Point In A Huge World If You Have Tight Shoes

Under The Universal 2.

Track from Abandoned Engineering only avaiable in CD form https://zoomunit.bandcamp.com/

Sky Arches

This tune was featured in the movie Evita in 1978. Performed on my Yamaha PSR-SX900 arranger keyboard. 

Can you "Name That Tune"? I have a website that contains my complete collection of tunes with their titles revealed at: https://www.harveytwyman.com

Name That Tune #441 from the movie "Evita"

These Changes

Quasar - Shaolin Shadow Boxing

A sonic exploration into a thunderstorm. Inspired by the numerous paintings of storms.

The Storm over the Sea (Demo)

Another track by Eat the Trees, this one focuses more on rhythm and complex arrangements with a nice level of melody overtop.

Dusk to Madness

A track about cats for  MuTaNT•BReaKS••••#14 Renoise competition

Mating Season-MuTaNT•BReaKS1-14

Oblivion EP

Produced, mixed and mastered by Sandi. 

Poly Jazz

Een instrumentale reis door een stad bij nacht. 'Dueling Echoes' is de soundtrack voor reflectie, een gesprek tussen de stilte en het geluid. Warme trompettonen, een syncopische hartslag en de nostalgie van een krakende plaat. Sluit je ogen en laat de sfeer je meenemen.

Dueling Echoes

Jako Maron, was born in St Denis, Reunion Island in 1968. He developed an interest in electronic music composition from the late 90’s and for the last 15 years began experimenting with the tertiary and binary beats of Maloya music via modular synthesis and drum machines. This album compiles for the first time his electro-Maloya experiments.

Traditional Maloya described the songs, music and dances of slaves of sugar plantations of Réunion Island in the 17th Century – Maloya ceremonies paid tribute to ancestors and mediated between the living and the dead. The music and culture began to be more widely accepted by Réunionese society from the 1930s as folklorist Georges Fourcade began to play Maloya songs. By the ‘50s, Maloya tracks were appearing on 78rpm releases and, in the ‘60s, it was used as a form of cultural protest music. In the mid-‘70s, a new generation began exploring new directions in the music, using Créole language and may different styles of Maloya music emerged. Jako Maron explores the full spectrum of these styles through his electronic re-interpretations of his native lands music.

Jako Maron - 07 - An Lér Si Lo Bor

Selfmade musician

My vidéoclip : 
https://youtu.be/XkzBWhQxJJI
https://youtu.be/-hB2uuWWzFU
https://youtu.be/LFlligVDLE4
https://youtu.be/dIxANtZi8fY

Electronic Dreams Studio.

Podcast realisation : History Club - https://podcasters.spotify.com/pod/show/history-club-podcast

Candy Paint

Vincent Claus

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