Beautiful and a bit sad! Wonderful composition ✨✨✨

for 7 musicians
commission of the Philharmonie of Paris and of ensemble Cairn
Live recording of the premiere (12/03/2022) by ensemble Cairn at the Philharmonie of Paris during the concert series "Tremplin de la Création"
flutes : Cédric Jullion
clarinet : Ayumi Mori
percussion : Arnaud Lassus
piano : Caroline Cren
violin : Constance Ronzatti
viola : Julie Michael
cello : Alexa Ciciretti
conductor : Guillaume Bourgogne

"Dès que la Joie se lève, tout s'élargit. Notre respiration se fait plus ample, notre corps, l'instant d'avant replié sur lui-même, n'occupant que sa place ou son coin, tout à coup se redresse et vibre de mobilité, nous voudrions sauter, bondir, courir, danser, car nous sommes plus vifs dans un plus vaste espace, et le défilé resserré de notre gorge devient le gué du cri, du chant ou du rire déployé. Rire ou pleurer, rire en pleurant, pleurer en riant, qu'importe !, c'est la réponse au même excès de ce qui vient. Notre visage s'ouvre et s'éclaire. Qu'est-ce qui vient ? L'à venir."
Jean-Louis Chrétien, La Joie Spacieuse, 2007

La Joie Spacieuse (03/2022)

Sparrow

A Manly Man's Band

Lobelian

The Dream At The End of The World (Clarke Blacker + Simon Waldram) is a cinematic duo in scope, sometimes aggressive, often dreamlike, and very difficult to neatly classify. Heavenly influenced by modern music and painting, there are elements of ambient, progressive, experimental and noise in the mélange of sound. Their first released album “An Infinite Pattern That Never Repeats” will be shared: https://thedreamattheendoftheworld.com/

Show in Mixcloud: https://www.mixcloud.com/viadeacceso/via-de-acceso-presenta-the-dream-at-the-end-of-the-world-an-infinite-pattern-that-never-repeats/

The Dream at The End

Via de Acceso presenta: The Dream At The End Of The World

Disquiet Junto Project 0571: Child’s Play
The Assignment: Make music inspired by a nursery rhyme.

I opted for "Fuchs Du hast die Gans gestohlen" (Fox you stole the goose), a German nursery rhyme from around 1824 based on an older folksong. Which seems to be, by what so ever strange reason, also very popular in Japan. It was written by Ernst Anschütz, whom you may know via "O Tannenbaum". Because I am just in love with some presets (yes) in Pigments, which use wavetables based on the MicroQ I once had (for the interested ones: Playhugger Microns https://www.plughugger.com/pigments-microns.html ), I currently do everything with these pads, and the results may be doubted. Anyway, I went for a slow ambient pads arrangement of this song, using only the original melody material plus some probabilities. At the end it did not sound like a lullaby at all (and does not say anything about nursery rhymes), but I liked it very much for what it is. At one point I added some sweet bells and stuff, but I always went back to this somehow brutal and unkrakenkrafty version. 

Notesheet and song text
https://www.lieder-archiv.de/fuchs_du_hast_die_gans_gestohlen-notenblatt_300721.html

Some youtubes with different versions of the song
https://www.youtube.com/watch?v=FbtqrXwjD3w
https://www.youtube.com/watch?v=oz--4Jmnr1w
https://www.youtube.com/watch?v=QwZRRsh6khA


Track image by DALL·E: "a goose and a fox, edward hopper" (more complicated prompts did not work and there were many ducks instead of geese…)


More on this 571st weekly Disquiet Junto project — Child’s Play (The Assignment: Make music inspired by a nursery rhyme) — at: https://disquiet.com/0571/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0571-childs-play/

KK's disquiet junto

Fuchs Du Hast Die Gans Gestohlen [disquiet0571]

Inspired by this haiku written by Jessica Renee Dawson:
Beautiful chaos
the leaves’ quixotic dance
in autumn winds
Haiku by Jessica Renee Dawson https://twitter.com/live_the_light
Picture by Autumn Mott Rodeheaver https://unsplash.com/@autumnmott
Thanks to Naviar Records:
https://www.naviarrecords.com/2022/12/14/naviarhaiku467-beautiful-chaos/

Peeking into the lines of an imperceptible chaos

Peeking into the Lines of an Imperceptible Chaos (naviarhaiku467)

ギターはAメロでしとしと雨、間奏でどしゃ降り雨、Bメロサビで晴れ上がりの雰囲気がでてるかな？

Full Color/あした(Take2)

YT: https://www.youtube.com/watch?v=sieaUWoIB7A

Turning around(naviarhaiku526)

Wonder

Like a Toothless Lion

Selfmade musician
Dolby ATMOS Ready

My vidéoclip : 
https://youtu.be/XkzBWhQxJJI
https://youtu.be/-hB2uuWWzFU
https://youtu.be/LFlligVDLE4
https://youtu.be/dIxANtZi8fY

Electronic Dreams Studio.

Podcast realisation : History Club - https://podcasters.spotify.com/pod/show/history-club-podcast

Sparrow

Vincent Claus

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xius

Ian Stokes

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