Name: Fragmentation feat Silvia Pepe by Vincent Eoppolo
Duration: 4 min 47 s
Description: A reflection of contemporary society and our inability to communicate and agree on a common reality. This work features Italian Soprano Silvia Pepe

If we can no longer communicate one must ask who has coined the most neologisms and changed the meaning of existing words into their opposites.

wonderful work Vincent , exiting fragmentated

It's getting scary out there, Vince. These sounds are highly appropriate and to the point.

very atmosferic and dense soundscape, I thoroughly enjoyed it

A pertinent sentiment for these troubled times, beautifully expressed

That sounds interesting. I think, though, that people aren't able to follow a conversation without ulterior motives, or simply to be selfless. A little altruism would do many people a lot of good. It's nice to explore that theme in a piece of music.  Well done.

“Intelligence Insight (Olttaoff Situation) / Awrenzas”
This remix reinterprets Awrenzas’s original through the lens of meticulous analysis and deep insights.
Olttaoff’s approach fuses intricate sonic elements into an organic whole, transforming profound understanding and subtle realizations into sound. Delicate textures and unpredictable progressions create a space where intellect seems to converse with the subconscious.
The subtitle “Situation” hints at the unfolding stream of thoughts within the listener’s mind and an awareness of the complex structures hidden in reality.

Intelligence Insight (Olttaoff Stuation) - Awrenzas

emotes sinewy

Redwoods

Waves Above

A reflection of contemporary society and our inability to communicate and agree on a common reality. This work features Italian Soprano Silvia Pepe

Fragmentation feat Silvia Pepe

elm

川伝いに行く
水源をめざす
崖の高さを目で測りながら
その姿を高みから目で追う
熱を孕んだ雲が重く
蛇行する川に向かって腫れ上がる
遠くの丘にひときわ高く扇のように枝を広げる木の
水草に隠れた煉瓦の樋門の暗い口に引き込まれる目

An older sister and a younger brother are measuring
the height of the cliff as they trace the river upstream to its source.
From a high vantage point, I look down upon them.
Heat-laden clouds swell toward the meandering river.
A single tree stands tall on a distant hill, spreading its branches like a fan.
Its gaze is fixed on the dark opening of a small brick sluice gate, half-hidden by water plants.

1967... The space is waiting to be discovered...
If you like the song, check out our new EP at https://crossthetape.bandcamp.com/album/cool-blue-cat

1967

Finally, more than a year after the initial idea, I can share this concept about the seasons with you.
It consists of several songs merged into a single track. The initial idea came about when I released the song Winter's Ending.
All the tracks are published individually here, with the exception of the interlude Maj (an improvised draft from 2022)
and the track Last Summer, which was completed recently.
Below is the timeline for the entire song.

0:00:00.000 ->  rites of passage
0:05:51.000  ->  Le printemps (avec l'hiver au coeur)
0:10:06.032  ->  Go outside
0:16:51.500   ->  Maj
0:18:30.000  ->  Last summer
0:21:54.022  ->  Autumn
0:26:03.405 ->  preludio all'inverno
0:31:22.534  ->  Winter's ending

I did a rough mix of everything, making sure there were no volume peaks.
There will definitely be further adjustments to follow within the structure to make the mix more consistent.

In the song Last Summer, two samples from freesound.org (processed by me) were used.
Thanks to: https://freesound.org/people/Robinhood76/
                      sample: https://freesound.org/people/Robinhood76/sounds/269471/
Thanks to: https://freesound.org/people/dobroide/
                      sample: https://freesound.org/people/dobroide/sounds/74317/

Due to SoundCloud's terrible algorithm, this track will not be highly recommended... It took me a lot of hard work to create it.
I am sharing it freely with you (beauty is free, at least I believe so)...
Therefore, if you like it and if you have the opportunity,
please consider sharing it with a repost, so that it reaches your followers or anyone else
Thank you for being here.


Stagioni *read notes please

While the far-flung Asarian homeworld is the first inhabited system that we've discovered, this is not our first time encountering the intelligent cloud beings of Asar. We've learned that Asarian explorers visited our earth thousands of years ago, touching down somewhere in the Nile river valley. When the gas giants finally departed, the Pharaoh whose hospitality they had enjoyed bestowed two gifts on her alien visitors. The first was a scroll with plans they could use to build their own pyramids back home. But the most remarkable gift was a papyrus describing a peculiar set of frequencies that, when resonated in certain sequences, could reveal spiritual and mathematical truths. We believe the audio captured by our surface drone may be a sacred performance of this ancient harmonic "spell".

This one was a lot of fun to put together! It gave me a great excuse to experiment with microtonal composition, and learn how to configure custom tunings in Logic. I chose the Maqam scale, a traditional scale in Arabic music believed to have originated in ancient Egypt. The scale consists of two "half-flats": in this case, A, B half-flat, C, D, E half-flat, F, G, and A. The main melodic line is typical for the scale, arcing from root to  octave and then descending again. The percussion was inspired by reading about Wahda w-Nuss rhythms. 

More on the 718th weekly Disquiet Junto project, Planet Jam It — The Assignment: Record the sound of an advanced alien civilization — at https://disquiet.com/0718/.

The Asar Sequence (disquiet0718)

claws, pause, PAWS/hold

Sleepy (f16)

Vincent Eoppolo (Ioppolo) is an American composer from Wilmington, Delaware. Initially trained as both a Classical and Jazz guitarist, Eoppolo began composing and recording electronic music in the early 1980’s shortly after the development of MIDI (Musical Instrument Digital Interface) and the introduction of affordable home computers and recording equipment. During the 1980-90’s Eoppolo’s fixed media compositions were regularly featured on university new music radio programs in the Philadelphia, Pennsylvania region. Additionally, Eoppolo’s works received recognition in music publications Keyboard Magazine and Computer Music Journal. In recent years, Eoppolo’s fixed media works have been presented at the New York City Electro-Acoustic Music Festival, Mise_En Place New Music Festival in Brooklyn, Utopie Sonore in Nantes, France and De Natura Sonorum in Rome, Italy. Eoppolo’s compositions have been released by Moscow based independent music label Meticulous Midgets and his works are regularly featured on new music radio and internet programs throughout Europe and North America.

Eoppolo’s music is available on all major streaming platforms such as Spotify, ITunes, YouTube and Amazon as well as Soundcloud.

Fragmentation feat Silvia Pepe

Vincent Eoppolo

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