The second project for class. Creating footsteps through my hands by mixing and shaping the sound to create it synthetically!

TSANG_Project2

This is a sampling edit of the guitar track from Joe Pass' Giant Steps and this is my interpretation of that song through editing. Enjoy!

TSANG Project3

This is the fourth project for MUSC3260.  This time, I remix the audio of a commercial for Wrigley's Spearmint gum.  I cross genre from Techno to House music in the span of one minute.  Give it a listen and I hope you'll enjoy my musical take on the audio.

TSANG_Project_4

A remix of white noise audio into a minute long piece that demonstrates the capability of underscoring in the context of an image or idea. Enjoy!

TSANG_Project 5

This is an interesting piece I created to pay homage to the old days of MIDI scoring of retro gaming consoles.  Give it a listen and Enjoy! 

Edit - I had to change up the volume and audio correct parts of the track.  This is the version I wanted to upload for your listening pleasure.

TSANG - Project 6

A project I worked on with a group of musicians by recording sound samples to go with MIDI sounds. 

Project 7 - Group Recording & Midi Play

 ﻿This piece was originally part of a larger project that I intend to work on for the future in other classes as well as for other projects on a personal level ranging from documentary to the music itself.  I was looking for samples to work within Ableton and found interesting audio/MIDI instruments that could be cool to use for Sega Genesis bass/synth sound, but not for the 8-bit Nintendo sound I was looking to use to create an original piece from those sounds.  That's when I discovered DJ AfroMax who sold an entire, comprehensive pack of samples and midi tracks that were coded to play the exact sounds from those consoles and that was when I had the tools needed to get the sound I was looking for in this project.  I wanted to show how extraordinarily layered and complex the sounds can be from the Nintendo Sound Font by showcasing examples of this while showing what can be done given the right samples and chord progressions and beats to it.  That's ultimately how this piece came about and a fun fact, this is the second major overhaul of the track before the pieces came together in this final cut of it.

Vincent Tsang