song from murder ballads, about death row, combining heavy distorted guitar with angelic voices (Monteverdi)

Great work! Very original! I love the distorted guitar with the angelic voices! 

De rest is helemaal niet poppy en dan ineens dit enorm catchy, meerstemmige stukje, geweldig. Knap hoe die verschillende stijlelementen toch een eenheid vormen. 

nice track with a cool guitar sound and nice vocals. Congratulations ! There seems to be a lot of interesting things on your page :)

The angelic voices are borrowed from Monteverdi but really performed, not sampled.

Symfonie fragment

Recorded in Undara National park copyright Tai Inoue at Nature Sounds 2011

Undara morning chorus

I wrote this piece for a school project. It was selected to play live.

Rachfijn

This school project was special. We had to make music without being serious, actually making rubbish. After that we had to analyze what we did and with that information we had to make a new track. But now with your mind switched on. This track is what the "trash" became.

Requiem

A mix of latin and jazz tinged tracks from Egyptian 45s. Some deep, some corny, all fun. Cairo Calling #1 is already from 10 years ago, so a sequal was long due!

Here is nr1 of this: https://soundcloud.com/milansound/cairo-calling-1

Cairo Calling #2

Tekst en muziek geschreven voor de voorstelling 'de Formidabele Yankee' over de laatste dagen van Howard Hughes.
Gezongen door Beatrice van der Poel met Wolter Wierbos, Angelo Verploegen, Ray van Santen (horns)& Edouard van Regteren Altena, Micha Molthoff, Arjen de Graaf (strings) Hein Offermans (bas)& Vincent van Warmerdam (gitaar) Arrangement: Hein Offermans.
Muziek Vincent van Warmerdam Tekst ism Jan Veldman


On A Summers Day - vocal Beatrice van der Poel

2008 QBar Mix

guitar - Vincent van Warmerdam
ukelele - Kees van der Vooren
double bass - Hein Offermans
drums - Mischa Porte

monitormix - Studio Het Gemengd Bedrijf

SCHULDIG De Lach

dododo

from the album 
Behind the Bush in the Garden
music from the musical theatre performance Murder Ballads

guitar & vocals: Theo Sieben 
vocals Cato van Dijck
choir: Peter Blok, Viktor Griffioen, Lottie Hellingman, Theo Sieben & Cato van Dijck

words & music Vincent van Warmerdam

recorded & mixed by Marcel de Rooij
studio de Slapende Hond, Amsterdam


Sway for Good

single release from upcoming album (December Wine)

A Sailor's Song - David Philips

Explore Vincent van Warmerdam's music  for films & theatre: folk, blues & pop songs, tango en surf guitar in his free soundcloud archive. In his early years he played the electric guitar in the legendary dutch rocktheatre group Hauser Orkater.
He composed a great number of scores for Film and Television o.a. for 'Borgman' (Alex van Warmerdam, official selection Cannes 2013). He was awarded ‘European Composer of the Year’ (Felix) for The Northerners (Alex van Warmerdam) and a ‘Golden Calf’ for Kicks (Albert ter Heerdt) and nominated 5 times. In addition, he has been nominated for an Edison with his former band The Moondogs for their album ‘Diamond in the Crowd’. He has further composed for the Royal Concertgebouw Orchestra, the Ebonyband, Carel Kraayenhof, Nederlands Blazers Ensemble, Jiskefet, de Kift, Peter Greenaway, Nederlands Philharmonisch Orkest, the Prague Philharmonic Orchestra and – numerous times – for Orkater. His musical theatre play Who Murdered Mary Rogers? for wich he delivered both music and concept, was awarded with the ‘CJP Podium Prijs’ and the ‘Proscenium Prijs’. Now he plays guitar in the Black Banjos, an alt.surfband with Erik van der Horst & Kees van der Vooren. Is co-director of Studio de Slapende Hond. With Sluysmans & van Warmerdam he made Murder Ballads, Judee Sill, It's Not the Tommy Cooper Story. Scored Rojo, Argentinian feature Film &  the Nipkowschijf awarded tv documentary series Schuldig.

Sway for Good

Vincent van Warmerdam

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